1. Nelson, Havelock. "The Rap Column" – "Guru Dazzles With New Jazzmatazz" (PDF) (Nelson interviews Guru). p. 21. {{ cite magazine}}: Cite magazine requires |magazine= ( help)
2. Flick, Larry (ed.). "Single Reviews" – "New and Noteworthy: Guru and Donald Byrd: Loungin'" (PDF). p. 62. {{ cite magazine}}: Cite magazine requires |magazine= ( help)

1. "Tony Bennett and 'When My Love is Gone'". p. 131.
2. "Fifty-Eighth Street, While I Remember". p. 134.

1. Blog. .
2. Permalink. Vol. 134 (Late ed.). p. 1 & B18 (digital image 42) (col. 1) – via TimesMachine.

( permalink – via TimesMachine.)

• Billboard (December 15, 1984). "Audio Track: New York" → "The Aura Sonic Ltd". Vol. 96, no. 50. p. 41 – via Google Books. {{ cite magazine}}: Cite magazine requires |magazine= ( help)

2. 40 years, 10 months and 10 days

• {{ cite journal}}: Empty citation ( help)

• New York Times (The); Fox, Margalit (February 2, 2011). "Brian Rust, 88; Compiled Extensive Guides to Recorded Jazz" (print). (Late ed.; East Coast). ProQuest  848657905 (US Newsstream database).
  "The elder Mr. Rust, according to family oral tradition, declined a friend's suggestion that he name Victor's twin sister Decca. Often described as the father of contemporary discography, Mr. Rust embarked in the 1940s on a rigorous, deeply personal project that continued long afterward as he haunted archives and hunted down artists to reconstitute long-vanished recording sessions on paper. For decades, Jazz Records — known to jazz mavens simply as "J.R." — has been the de facto standard reference work in the field, furnishing meticulous information on session dates, personnel and much else for tens of thousands of recordings."

Blog editions:

1. "Brian Rust, Father of Modern Discography, Dies at 88". . January 25, 2011. Retrieved February 2, 2011. ProQuest  2217511827 (US Newsstream database).
2. "Brian Rust, Father of Modern Discography, Dies at 88". February 2, 2011. ProQuest  2217289081 (US Newsstream database).

• Crisis (The) (July 1921). "Black Swan Records – July Releases" (advertisement). 24 (3 (whole no. 141): 139 – via Google Books ( Harvard) . {{ cite journal}}: Cite journal requires |journal= ( help) ISSN  0011-1422.

• Smith, Jessie Carney, ed. (1996) [1992]. Notable Black American Women (re: Florence Cole-Talbert). Vol. 2 (of 3). Detroit: Gale Research. LCCN  91-35074; ISBN  0-8103-9177-5 (Vol. 2); OCLC  24468213 (all editions).

1. Via Internet Archive.
2. Via Google Books (limited preview).

• Gibbs, Craig Martin (December 18, 2012). Black Recording Artists, 1877–1926: An Annotated Discography. McFarland & Company, Inc. p. 105 – via Google Books (limited preview). LCCN  2012-44588; ISBN  978-1-4766-0085-7; OCLC  818293616 (all editions).

1. Via Google Books (limited preview).

• Morgenstern, Dan; Gitler, Ira; Bradley, Jack (né John N. Bradley III; 1934–2021), eds. (1973). Bird & Diz – A Bibliography. New York Jazz Museum.{{ cite book}}: CS1 maint: multiple names: editors list ( link) CS1 maint: numeric names: editors list ( link) LCCN  77-374454; OCLC  3630048 (all editions).

• Morgenstern, Dan; Bradley, Jack (1975). Count Basie and His Bands. New York Jazz Museum (publisher). LCCN  77-373174; OCLC  3540251 (all editions).

• Kuehl, Linda (né Linda Victoria Lipnack; 1940–1978); Schocket, Ellie (née Elsa D. Schocket; born 1941) (1973). Billie Holiday Remembered (booklet for exhibition of pictures, records, films, momentos and spoken recollections, April 7, 1972 – June 30, 1972, compiled and arranged by Kuehl & Schocket; assisted by Dan Morgenstern). New York Jazz Museum (publisher).{{ cite book}}: CS1 maint: multiple names: authors list ( link) CS1 maint: numeric names: authors list ( link) LCCN  77-373175; OCLC  1358163 (all editions).
  Note: One year, eleven months, three weeks, and three days after the exhibition opening, Schocket married Morgenstern.

• Giddins, Gary; Keepnews, Peter; Morgenstern, Dan (1974). The Sax Section – Biographical Sketches (research assistance by Joe Klee and Howard Fischer). New York Jazz Museum (publisher). OCLC  3842152 (all editions)

1. Martin, David Stone. Cover illustration.
2. Morgenstern, Dan. "The Saxophone in Jazz, an Outline History".

• Music America Magazine (April 1977). "New York Jazz Museum". 1 (6). Boulder, Colorado: Amordian Press Inc.: 38 – via Internet Archive ( Kahle/Austin Foundation). {{ cite journal}}: Cite journal requires |journal= ( help) ISSN  0145-5419; OCLC  2750697 (all editions).

• Washington International Arts Letter (1974). Millsaps, Daniel Webster, III (1919–1984) (ed.). "Private Foundations & Business Corporations Active in Arts / Humanities / Education" → "Ford Fdn" (a $140,000 grant → equivalent to $960,900 in 2023). The Arts Patronage Series. Vol. 2. Washington, D.C. p. 76 – via Internet Archive.{{ cite book}}: CS1 maint: location missing publisher ( link) CS1 maint: multiple names: editors list ( link) CS1 maint: numeric names: editors list ( link) LCCN  77-140925; ISBN  978-0-9120-7205-0, 0-9120-7205-9; OCLC  1602135 (all editions).

• Record Research; Kunstadt, Leonard Richard (1925–1996) (August 1972). "New York Jazz Museum Opens, Friday, June 16, 1972" (117): 1, 5. Retrieved September 22, 2022 – via Internet Archive. {{ cite journal}}: Cite journal requires |journal= ( help)CS1 maint: numeric names: authors list ( link)

• Primary source → Fischer, Howard E. (2003) [2004]. Jazz Exposé: The New York Jazz Museum and the Power Struggle That Destroyed It. Nashville: Sundog, Ltd. – via Google Books. ISBN  978-1-9322-0387-5, 1-9322-0387-7; OCLC  57394563.

• Fischer, Howard E. (August 13, 2021). "The New York Jazz Museum: 1972–1977". All About Jazz. Retrieved September 22, 2022.

To delete contents of a sandbox, use the following template

List