This is the user
sandbox of
Eurodog. A user sandbox is a subpage of the user's
user page. It serves as a testing spot and page development space for the user and is not an encyclopedia article. Create or edit your own sandbox
here.
Finished writing a draft article? Are you ready to request review of it by an experienced editor for possible inclusion in Wikipedia? Submit your draft for review!
The
flyleaf in a book sent from
New Jersey to Jacques Singer, new conductor of the Dallas Symphony Orchestra, disclosed the real name of the local maestro. It is Kuba (Zdziszek) Wacław Śpiewakowski. The Spiewakowski is Polish for the English word "singer."
Mr. Singer, born in
Galicia or
Austrian Poland, said that his family
Anglicized the name before they realized how much Spiewakowski sounds like Stokowski. As for his first name the Jacques is a professional refinement of Jack, by which he is known in this country. He started being Jacques when he made his debut as a violinist in
Town Hall, New York, at the age of 15.
"I have worn Jacques Singer as a label since I was 15 years old, so I guess I am he and he is I," Mr. Singer commented.
Editors, compositors and proofreaders of Dallas newspapers thank Mr. Singer for dropping the Spiewakowski.
"Symphony Conductor Is Spiewakowski," Dallas Morning News, December 23, 1937, p. 10
Notes
Śpiewak is Polish for "Singer." The suffix "owski" has a possessive meaning (i.e., :Śpiewakowski" translates to "of the Śpiewak family"). Kuba is a Polish diminutive of Jakub.
Moiscel Agranov, pianist and composer, Jacques Singer, violinist, gave a joint recital January 11, 1930, in the ballroom of the Park Lane Hotel. The recital was sponsored by the New History Society. The program featured two of Agranov's compositions.[3][4]
In collaboration with
Carlos Chávez and the
U.S. State Department, in an effort to warm relations with
Mexico, Singer led a series of Goodwill concerts during the 1941-1942 season with the
Dallas Symphony in a series of concerts feather a young Mexican soprano and three composers.
North American debuts
José Rolón, Zapotlán (North American debut, Dallas Symphony, December 7, 1941)
Daniel Ayala Pérez, North American premiere with the DSO, Singer conducting, Panoramas de México, (suite), November 16 and 17, 1941
The
Attack on Pearl Harbor began 7:48 a.m.Hawaiian Time, December 7, 1941 (in 1941, Hawaiian time was a half-hour difference from most other time zones); 18:13 GMT; 12:13 p.m. Dallas time.[5]
During one of Singer's visits to Mexico City to tour, hold conferences on music, meet composers and performing artists, and audition composers and performers to introduce in Dallas, the artist
José Clemente Orozco drew three portraits of Singer.[6] Singer also visited Guadalajara to interview artists with the assistance of Professor Ramón Serrato of the Conservatorio de Guadalajara.
Vol. 18, No. 24, December 15, 1941, Newsweek: Picture of Jacques Singer and Irma González and gave an account of the Dallas Symphony's hands-across-border concert of December 7, 1941, her first of two appearances with the orchestra. The attack on Pearl Harbor occurred the morning of December 7, 1941.[7]
In 1974, Jacques Singer was represented by Hurok Concerts, Inc.
Sol Hurok, the name principal, died in 1974.[9]
Notes and references
Notes
^Singer's American debut, in this case is defined as his first performance outside of an educational institution, in an established concert venue that is open to the the general public and media – particularly music critics. In
New York City, especially during the 1920s,
Town Hall was a notable venue for debuts.
^"Ten Years Ago the Japanese Also Blasted a Great Idea," Dallas Morning News, December 8, 1951, p. 5
^"Good Will Engendered in Mexico by Gesture of Dallas Symphony," by Curtis Vinson (né Eugene Curtis Vinson; 1893–1956), Dallas Morning News, September 2, 1941, pps. 14 & 15
^"National Spotlight," by F.N. (aka "Faxie," née Fairfax Winston Nisbet; 1901–1979), Dallas Morning News, December 11, 1941