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The 97th Army Band, at
Fort Sill, Oklahoma, was a
United States Army band established in 1918 as the Second Engineer Band. In 1927 it moved to
Fort Logan, southwest of
Denver, and was renamed the "Post Band" and served there until 1939. The band was then reclassified as the 18th Engineer Combat Regimental Band and assigned to the First Corps Area. In that capacity, the band served tours of duty in
Washington,
Canada, and
Alaska. In 1944, the band was redesignated as the 97th Ground Forces Band and moved from
Alaska to
Camp Gruber, Oklahoma, near
Muskogee. The band was then assigned to the 4th Army and, in 1948, moved to
Fort Sill.[1]
History
After World War II, the
U.S. Army established The Field Artillery Field Troops at Fort Sill organized as a Headquarters Battery and 8
battalions.
More changes followed due to a need preserve the names of units that had earned distinguished combat records and to dispense with the table of distribution units that had been established as a wartime expedient in February 1945, Army Ground Forces directed certain reactivations and redesignations effecting the School Troops on August 1, 1946. The following table of organization units were activated at Fort Sill utilizing the personnel of the table of distribution units, all of which were concurrently discontinued.
5th FA Group
17th
FA Battalion (
105-mm Howitzer)
18th
FA Battalion (
105-mm Howitzer)
6th Armored
FA Battalion (
105-mm Howitzer)
2nd
FA Battalion (
155-mm Howitzer)
let
FA Battalion (Observation)
53d Infantry Battalion (Rifle)
Headquarters and Headquarters Detachment, 53rd
Quartermaster Battalion, Mobile
164th Quartermaster Tank Company
377th Quartermaster Tank Company
521st Quartermaster Tank Company
522d Quartermaster Tank Company
Soon thereafter, on November 1, 1946, The Artillery Center and The Artillery School was established at Fort Sill as part of The Field Artillery Field Troops.
Since 1946, the following units have served as School Support Units for the U.S. Army Artillery and Missile School:
Like all modern U.S.
military bands, the 97th provided a broad range of music services for the Army — some of which routine or scheduled, but often on short-notice such as (i) military ceremonies that might include
parades, presentations, and receptions; (ii)
reveille, (iii)
taps, (iv) pop and classical
wind ensemble concerts, (v) choral concerts, (vi) dance band, (vii)
military funerals, and (viii) civilian community service events, which included radio and television broadcasts, regional concert tours, and recruiting. The repertoire of the military wind ensemble ranged from march music — particularly that of the uniquely
AmericanSousa swing style — to original works, to avant-garde, to transcriptions of orchestral classics, to arrangements of popular music. Many musicians in military bands held several roles and often had the ability to play multiple instruments in multiple styles. Many military musicians, including Slater, composed and arranged works. The disciplines required in military bands was education and cultivated leadership that was useful outside the military. Military musicians held ranks of enlisted personnel, yet many had academic college degrees. During the World War II, the U.S. military was the largest employer of musicians in the world.[1]
Beginning 1955, the 97th was able to collaborate with musicians of another unit — the 77th Army Band, an erstwhile de-activated unit that was re-activated February 24, 1955, at
Fort Sill. After sixty-nine years, the 7777th endures, today. The
Army deactivated the 97th Army Band May 6, 1970, and reassigned its members to the 77th Army Band.
Selected personnel
1040s
1941–1945: Joseph August Manak (1919–2004), snare, trap, and bass drums[3]
1944–1946: Dale Edward Nelson (1926–2015), trumpet
1949–1951: William P. Lockard (1928–2013), instructor, saxophonist
1944–1946: Frank Donald Calistro (1925–2013), trumpet
1950s
1954–1956: Neil Slater, among other things, directed a weekly television show from
Fort Sill. During Slater's era in the 97th,
Gary McFarland was among the musicians.[4] The 97th Army Band has many distinguished alumni, which include the late jazz composer
Clare Fischer, brother of the late music educator
Dirk Fischer.
1950–1952: David Warren Powell (1930–1912),
1955–1957: Eugene Wilson "Gene" Shirley (1933–2015) went on to become a high school music educator, notably as Choir Director and head of the Fine Arts Department at
Parkland High School,
El Paso, for 29 years, ending 1991.
Stater, during his tenure with the 97th, was able to collaborate with musicians of another unit — the 77th Army Band, an erstwhile de-activated unit that was re-activated February 24, 1955, at
Fort Sill. After sixty-nine years, the 7777th endures, today. The Army deactivated the 97th Army Band May 6, 1970, and reassigned its members to the 77th Army Band.
1952–1954: Morris Repass (born 1932), 02B, trumpet; Morris, Ernie's brother, went on to become a prolific studio musician on trombone, recording on dozens of major labels with renowned big bands, including those of
Clare Fischer; he played in the
One O'Clock Lab Band in 1960
1950s: Bill Galanko (né William Robert Galanko; 1931–2012), 42R
1953–1955: Junior Rudolph Karas (1933–2017), clarinet and saxophone
1953–1955: Morton Cecil Cuplin (1927–2012), bugler; Cuplin went on to become a high school band director in Oklahoma, and notably, head of the music department at
Bartlesville High School from 1966 to 1982.
1953–1955: Ted Hegvik (né Arthur Theodore Hegvik; born 1932), 02L, clarinet, saxophone[7]
1950s: Firmin J. Baye, Jr. (1931–2016) 02J, clarinet[8]
1956: CWO Nicholas Keller was in charge of the 97th Army Band
1950s: Paul F. Knickerbocker (1927–2014) (not sure whether it was the 77th and 97th), was Director of the Army Band at Fort Sill during the Korean War.
source
1963–19??: Gordon Glenn Walliman (1921–1991), a native of
Globe, Arizona, became the Band Director and Commander of the 97th in 1963.
CWO Thomas R. Porter, 20 years with the Army, retired while with the 97th Army Band in 1959.
97th Army Band Dance Band at Fort Sill (circa 1953)
Bob Slejko (leader), Ernest Repass (trombone), Prentice Jeffries (alto), Al Rosata (alto), Dwight Beckham (né Dwight Russel Beckham, Sr.; born 1931) (trumpet), Dick Kovac (tenor), Don Larsen (drums), George Unger (bass), Jim Ecker (piano)
97th Army Dance Band, 1955
Neil Slater (piano), Dick Walker, Fred Mueller (sax), Floyd Sullivan (bass), Ray Papa (alto), Bob Glover (alto), Chuck Yabenski (bass) (incomplete list)
Source: The Bugler 97th Army Band, Ft. Sill, Okla. Newsletter, Vol. 3, No. 6, November–December 2000; source url www2.moreheadstate.edu
See: 97th Army Band Newsletter
1960s
1966–1967: Doyle Maron Selph (1946–2013), trumpet
1969–1971: C. Tom Lane (né Charles Thomas Lane; 1950–2002), woodwinds, saxophone. After an honorable discharge, he returned to his hometown in
Des Moines to play with the
territory bands of Don Hoy, Everett Boyer, Bobby Layne, Bob Smith, Dwayne Mueller, Lonnie Lynn, Conrad Johns, and others.
Around 1976 to about 1999 (23 years): Steven C. Lingle (born 1947), saxophonist and big band conductor. Originally form
Tulsa, now living in the
Olympic Peninsula, Lingle, while in the Army, conducted the jazz bands of the the 14th Army Band (the old WAC Band), the 296th Army Band in Japan, and the 6th Infantry Division Jazz in
Anchorage, Alaska. Other band assignments included 97th Army Band at
Fort Sill, 1st Army Band at
Fort Meade, Maryland, and the
U.S. States Army Field Band.[9]
Around 1970 to ??: James R. Bagby, Jr. (born 1943), trombonist.
Notes and references
The Cannoneer was, from 1949 to 2015, the official weekly newspaper of
Fort Sill. In 2015, the paper was renamed The Fort Sill Tribune. Reprints are obtainable by calling 580-442-5150 or emailing the request to CannoneerSill (at) conus (dot) army (dot) mil.
The Bugler
Vol. 1 #1 (Dwight Beckham), January/February 2008
Vol. 1 #2 (Morris Repass)
Vol. 1 #3 (Clare Fischer)
Vol. 1 #4 (Mort Cuplin)
Vol. 1 #5 (Firmin Baye)
Vol. 1 #6 (Dick Kovac)
Vol. 2 #1 (Ernest Repass)
Vol. 2 #2 (Ted Hegvik)
Vol. 2 #3 (Bill Galanko)
Vol. 2 #4 (Art Theil)
Vol. 2 #5 (Neil Slater)
Vol. 2 #6 (Larry Wilson)
Vol. 3 #1 (Eddie Edwards)
Vol. 3 #2 (Jim Ecker)
Vol. 3 #3 (no feature)
Vol. 3 #4 (Roco Esposito and Robert Terrell Wilson)
Vol. 3 #5 (Frank Calistro)
Vol. 3 #6 (Fred Mueller)
Vol. 4 #1 (Jerold Ottley and Arthur Voiles)
Vol. 4 #2 (Clarence “Hoss” Boyd)
Vol. 4 #3 (Irving Jacobson)
Vol. 4 #4 (Glenn Koca)
Vol. 4 #5 (Charles “Red” Spurlin)
Vol. 4 #6 (C. Tom Lane - obituary and Jerold Ottley - Pt 2)
This historic article was posted online April 2, 2016, by Steve Cerra, at JazzProfiles, the blog of Steven Anthony Cerra, EdD (retired),
Santa Ana, California at jazzprofiles.blogspot.com, April 2, 2016; with the article, Cerra also posted the cover a 2015 CD/DVD release of the 2006
documentary, This Is Gary McFarland (
OCLC905239654), a film by Kristian Paul St. Clair (born 1972) (retrieved August 19, 2016)