"Red River Valley" is a
folk song and
cowboy music standard of uncertain origins that has gone by different names (such as "Cowboy Love Song", "Bright Sherman Valley", "Bright Laurel Valley", "In the Bright Mohawk Valley", and "Bright Little Valley"), depending on where it has been sung. It is listed as
Roud Folk Song Index 756 and by
Edith Fowke as FO 13. It is recognizable by its chorus (with several variations):
From this valley they say you are going,
We will miss your bright eyes and sweet smile.
For they say you are taking the sunshine
That has brightened our pathway a while.
So come sit by my side if you love me.
Do not hasten to bid me adieu.
Just remember the Red River Valley
And the cowboy that has loved you so true.
According to Canadian folklorist
Edith Fowke, there is anecdotal evidence that the song was known in at least five
Canadian provinces before 1896.[4] This finding led to speculation that the song was composed at the time of the 1870
Wolseley Expedition to
Manitoba's northern
Red River Valley. It expresses the sorrow of a local woman (possibly a Métis) as her soldier lover prepares to return to the east.[5]
The earliest known written manuscript of the lyrics, titled "The Red River Valley",[6] bears the notations "Nemaha 1879" and "Harlan 1885."[7]Nemaha and Harlan are the names of counties in
Nebraska, and are also the names of towns in
Iowa.
The song appears in sheet music, titled "In the Bright Mohawk Valley", printed in New York in 1896 with James J. Kerrigan as the writer.[8] The tune and lyrics were collected and published in
Carl Sandburg's 1927 American Songbag.[9]
In 1925,
Carl T. Sprague, an early
singing cowboy from Texas, recorded it as "Cowboy Love Song" (Victor 20067, August 5, 1925), but it was fellow Texan
Jules Verne Allen's 1929 "Cowboy's Love Song" (Victor 40167, March 28, 1929), that gave the song its greatest popularity. Allen thought the song was from Pennsylvania, perhaps brought from Europe.[10][dubious –
discuss]
Another important recording in this song's history was the 1927 Columbia Records master (15206-D) performed by Hugh Cross and
Riley Puckett under the actual title of "Red River Valley". This version was the very first commercially available recording of this song under its most familiar title, and it was the inspiration for many of the recordings that followed.[11]
Jimmie Rodgers wrote new lyrics titled "Dear Old Sunny South by the Sea", recorded by him in 1928.
Recordings
1924 Luther B. Clarke "Bright
Sherman Valley" (Columbia 15069-D)
1946 Gene Autry recorded "Red River Valley" for Columbia Records on August 30, 1946 which issued in 1947 with the 78 rpm set Gene Autry's Western Classics and later appeared on various compilations, including The Gene Autry Collection and The Essential Gene Autry 1933-1946.
1966 the children of
Eriskay School, in the
Outer Hebrides of Scotland, were recorded by fieldworker Rosemary Hutcheson of the School of Scottish Studies.[16]
An Estonian version with Harald Ferdinand Suurkask's words Kaugel, Kaugel, kus on minu kodu[17] has been performed by many artists including
Ivo Linna,
Tarmo Pihlap &
Apelsin, Lindpriid and Parvepoisid.[18]
1953, It was sung first by people in a pub with slightly different lyrics and more briefly at other points in a film about British paratroopers during World War Ii titled The Red Beret.
1971, Another film in which it had important but subtle usage in was The Last Picture Show a film about the internal decay of small town Texas in the early 1950s.
1973, The song was used instrumentally in Dillinger as a recurring theme for John Dillinger's longing for his boyhood home and his family.
1989, The song was sung in an adult contemporary style on the Shining Time Station episode "Mapping It Out". It also appeared on video Jukebox Band Lullaby.
1990, It was played in the film score when the gang member played by
David Morse meets his demise in the movie Desperate Hours.
2017, A harmonica version of it played repeatedly in the film Lucky.
TV appearances
1962-63, sung by
Ken Curtis on his TV series Ripcord, with
Harry Carey Jr. playing guitar. It was one of two guest appearances Carey made on the show (one in 1962, and the other in 1963).
Other cultural references
The song is played by Randall in Recess in the episode "
One Stayed Clean" while he is sitting with TJ, Gus and the diggers in their hole. In the episode, the gang helps Gus (who has never had a picture day because of his constantly changing schools) stay clean so he can have a great school photo.
"Red River Valley" was the theme song of Our Gal Sunday, a soap opera broadcast on CBS radio from 1937 to 1959.[23]
The tune to "Red River Valley", set to new lyrics and titled "Can I Sleep in Your Arms", was used on
Willie Nelson's 1975 album Red Headed Stranger. This version was based on the song "Can I Sleep in your Barn Tonight Mister."
Johnny Cash wrote and performed a humorous song titled "Please Don't Play Red River Valley" for his 1966 album Everybody Loves a Nut
The
Kidsongs Kids parodied this song on their 1995 Let's Put on a Show video as "We'll Put on a Show".
The Swedish song "I'm a Lapp", recorded in 1959 by Sven-Gösta Jonsson, is based on the melody of "Red River Valley."[24]
Johnny and the Hurricanes recorded a
rock and roll instrumental version in 1959 of the song titled "Red River Rock", which became a hit in the U.S. (#5), the UK (#3), and Canada (#3).
The tune of "Red River Valley" was used for the verses of the 1963
Connie Francis hit "Drownin' My Sorrows" (#36).[25]
"Drownin' My Sorrows" was covered in German as "Ich tausche mit keinem auf der Welt" in 1964 by
Margot Eskens and in Croatian as "Uz Tebe Sam Sretna" in 1968 by
Ana Štefok.
The premier Czech vocalist
Helena Vondráčková made her recording debut in September 1964 with "Červená řeka", a rendering of "Red River Valley".
A fatalistic chorus can be found in some sources related to
F-105 pilots in Vietnam:[26]
Come and sit by my side at the briefing,
We will sit there and tickle the beads,
Then we'll head for the
Red River Valley,
And today I'll be flying Teak lead,
To the valley he said we are flying,
With a Thud of the plane to the earth,
Many jockeys have flown to the valley,
And a number have never returned
In its soundtrack, the 2010 video game Fallout: New Vegas adapted the lyrics and tune of "Red River Valley" as "New Vegas Valley".
The first four verses of the chant "
ScouserTommy", sung by supporters of
Liverpool F.C., is to the tune of "Red River Valley".
"Red River Valley" is the official Slow March of the
Fort Garry Horse, a reserve Line Cavalry Regiment of the Canadian Army.
The 19th-century Manitoba song "Red River Valley" is played weekly on TV in the Philippines on a GMA TV comedy show titled Bubble Gang, with varied Tagalog humorous lyrics sung to the accompaniment of ukuleles, recurring from circa 2011 to present day by various performers.
David McEnery (1914–2002), singer-songwriter, otherwise known as Red River Dave, takes this name from the song.
Edith Fowke and Keith MacMillan. (1973). The Penguin Book of Canadian Folk Songs. Harmondsworth, Middlesex: Penguin.
Allen, Jules Verne. "Singing Along" (reprinted from New Mexico Magazine, 1935). Roundup of Western Literature: An Anthology for Young Readers pp. 82–85, edited by Oren Arnold.
Kerrigan, James J. "In The Bright Mohawk Valley". New York: Howley, Haviland & Co. (1896).
Fowke, Edith "The Red River Valley Re-examined." Western Folklore 23 (July 1964) 1630–71.
Fuld, James J. The Book of World-Famous Music: Classical, Popular, and Folk. Dover Publications (2000).
Waltz, Robert B; David G. Engle. "
The Red River Valley". The Traditional Ballad Index: An Annotated Bibliography of the Folk Songs of the English-Speaking World. Hosted by California State University, Fresno, Folklore, 2007.
^Fairfax, Arthur (December 28, 1940).
"Mr. Fairfax Replies"(PDF). Movie Radio Guide. 10 (12): 43. Archived from
the original(PDF) on 19 January 2015. Retrieved 19 January 2015.
^Jones-Bamman, Richard (2001). "From 'I'm a Lapp' to 'I'm a Saami': Popular Music and Changing Images of Indigenous Ethnicity in Scandinavia". Journal of Intercultural Studies. 22 (2): 189–210.
doi:
10.1080/07256860120069602.
S2CID145791883.