The accompanying music video was directed by film director
Marcus Nispel. Several music journalists have cited it as the first rap music video with a seven-figure budget;[6][7] with the video's production being reported to have cost approximately 1.3 million dollars at the time of its release, making it one of the
most expensive music videos ever.[8]
Background
The song contains a sample of "Boadicea" by
New-Age singer,
Enya from her first solo album, Enya (1987). Enya considered suing the Fugees because they had sampled "Boadicea" without her permission.[9] Enya stated, "We were actually on the verge of suing them because of the
copyright infringement, because they just didn't approach us. It was a case of, I wasn't featured at all on the credits and it [the sample] was very much a part of the song."[10] However, the singer reached an agreement with the Fugees to an out-of-court
settlement after she realized that their music wasn't
gangsta rap.[9] According to Wyclef, "Luckily when Enya heard everything, she was like, ‘This is different’ and she gave us a pass – which she don't even need to do."[11] The situation was a learning experience for the group, who at the time were unaware of copyright clearance and unfamiliar with publishing procedures.[11]
The song's chorus is based on "
Ready or Not Here I Come (Can't Hide from Love)" by
the Delfonics, which was an addition suggested by
Wyclef Jean.[12] Reflecting on the recording process,
Pras said: "At one point, the group had disbanded.
Lauryn Hill had left the group at this point and we didn't know what we were going to do. She calls me and says, 'Listen, I'm going to come down to the studio and I'm going to lay down a reference for you guys, a hook. I give you permission to use my hook, my voice, but I don't want to be a part of this group anymore.' I said, 'Fair enough. No problem.' She said, 'Make sure certain people are not around when I'm there.' I said, 'No problem.' She's laying the reference for 'Ready or Not' and then she goes into the bridge and she's crying. I see her crying. She stops and says, 'I can't do this anymore,' and leaves. A couple months later she re-joins the group. She said, 'Let's do 'Ready or Not' again 'cause I was crying. It was emotional.' She goes in the studio to do 'Ready or Not' again. She was in there five hours doing the hook. Every hit is incredible. But we go back and say, 'There's something about that reference. I don't know if we can touch that.' We end up keeping the reference. That's what the world has come to hear. There's something about that record... That's magic."[13]
Critical reception
Larry Flick from Billboard felt the song was "far more representative of the act's vibe", and that "this cut nicely illustrates its lyrical strength as well as its talent for switching from smooth
soul singing to sharp rapping within the space of a few seconds."[14] Gil L. Robertson IV from Cash Box named it a "standout track" of The Score album.[15] Damien Mendis from Music Week's RM Dance Update rated it five out of five, commenting, "
New Jersey's pride and joy retum with a soulful blend of
rap,
R&B and
reggae. The original Radio version taken from their gold-selling album [...] already won fans due to its hypnotic use of
The Delfonics' number 41 hit of 1971 '
Ready Or Not, Here I Come (Can't Hide From Love)'. The promos even adopt the original Bell label logo colour and style."[16] David Fricke from Rolling Stone remarked "the sweet heat of Lauryn Hill's
alto".[17] A reviewer from
Spin magazine described the song as "an eerily ambient flow of confused musings (Jean), confident harmonies (Hill), and immigrant pride (Michel), tapped insistently into your consciousness by a simple snare beat."[18]
Recognition
"Ready or Not" tied with the group's version of "
Killing Me Softly" as the best song of year by Spin.[19] In the annual
Village Voice's
Pazz & Jop mass critics poll of the year's best in music in 1996, it was ranked at number thirteen.[20]
In 2012, NME ranked it number 77 on their '100 Greatest Songs Of NME's Lifetime (so far)' list;[21] and placed on their ranking of the 100 best songs of the 1990s.[22]Pitchfork listed it as one of the '250 Best Songs of the 1990s' (2022).[23] In 2023, Rolling Stone ranked it as one of the 100 best
East Coast hip hop songs of all time.[5]
Music video
The accompanying
music video for "Ready or Not" was directed by
Marcus Nispel.[24]Vibe reported that the video helped usher in the era of bank-breaking, movie-like hip-hop videos. The video featured helicopters, explosions, sharks, chase scenes, and a price tag of 1.3 million US dollars. In justifying the cost, Pras told Vibe "People want to see drama, man. You figure: A kid pays sixteen dollars for your CD. Let him see a good video."[25]
Legacy
Philosopher
Alison Stone credits "Ready or Not" as one of the earliest examples of a rap song with combined rapped and melodic elements in its vocal parts or with a "straightforwardly melodic" chorus.[26] Lauryn Hill's verse in particular has been noted as precursor for modern melodic rap from singing-rappers like
Drake and
Young Thug.[27] Hill's verse saw her addressing misogyny in the male dominated hip-hop scene, along with taking aim at gangsta rappers at the height of
gangsta rap, while carving out a lane for The Fugees in
alternative hip-hop.[28][29] Journalist William E. Ketchum of Billboard, proclaimed that Hill "is largely considered as the greatest woman rapper of all time", and added that her verse on the song showcases "her bars on full display".[30]Complex named it one of the best rap songs of 1996, and wrote "Like much of the
East Coast hip-hop from the '90s, "Ready or Not" was rough around the edges, informed by the harsh realities of
life in the ghetto. But instead of relying on fictitious tough talk, the song harnessed that energy for positive, referencing the strength of
Bob Marley,
Muhammad Ali, and
Haitian refugees passing through
Guantanamo Bay."[31]
"Ready or Not" has often received praise for its strategic use of
sampling.[32] The song's use of the sampling the
Enya song "
Boadicea" from the
Stephen King movie Sleepwalkers (1992), marked one of the earliest rap songs to sample from a horror movie soundtrack.[33] "Ready or Not" also aided in further exposing music from Enya and
The Delfonics to a generation of hip hop audiences through sampling, with the song "Boadicea" being sampled numerous times by other artists following the release of "Ready or Not".[34][35] Chris Tart of HotNewHipHop wrote "Most hip-hop songs derived from something from the parent generation, and this one is no exception. The creative juice that melted the Delfonics, Enya and some Brooklyn-based
refugees is very much a cause for celebration. "Ready or Not "; is one of the greatest moments in rap history."[36]
In 2016, a video of the rapper
Drake reciting the lyrics to the song at the age of 8, went viral on the internet;[59] the song would later be covered by
Sunday Service Choir, during Drake's benefit concert alongside
Kanye West to advocate for the prison release of
Larry Hoover.[60] In 2018, the clothing brand Afield Out released a capsule collection that paid homage to "Ready or Not".[61] Actress
Gina Rodriguez received backlash after reciting a lyric in the song that used the
N-word in a video, she later issued a public apology.[62]
The
NBA TV documentary of the same name (2021), was titled and themed after the song.[67] American mixed martial artist
Sean Soriano, used it for his walkout song during
UFC Fight Night 198.[68] A remixed version of the song featuring the main vocal is played at the
Tottenham Hotspur Stadium during the audio-visual build up ahead of
Tottenham Hotspur's home games.[69]
This song was also used as an entrance theme for the late professional wrestling hall of famer
Scott Hall during a brief wrestling stint for
ECW in the year 2000. It was also used as an entrance theme along with fellow wrestler
Kevin Nash during their tenure in
WCW as the
Outsiders (professional wrestling) when the company held
house shows.
Track listings
UK CD1
"Ready or Not" (radio version) – 3:47
"Ready or Not" (Salaam's Ready for the Show Remix) – 4:24
^Robertson IV, Gil L. (March 30, 1996).
"Urban"(PDF). Cash Box. p. 11. Retrieved November 12, 2022.
^Mendis, Damien (August 31, 1996).
"Hot Vinyl"(PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 9. Retrieved September 1, 2021.
^Fricke, David (December 26, 1996-January 9, 1997). "The year in recordings". Rolling Stone. Issue 750/751.