Herschel "Tex" Evans (9 March 1909 – 9 February 1939)[a][1][2][3][4] was an American
tenor saxophonist who was a member of the
Count Basie Orchestra.[5] He also worked with
Lionel Hampton and
Buck Clayton.[6] He is also known for starting his cousin
Joe McQueen's interest in the saxophone. Joe McQueen, living until 2019 at age 100, may well have been the last surviving person to have known Herschel during his lifetime.
Life and career
Evans was born in
Denton, Texas,[3] but spent some of his childhood in
Kansas City, Kansas, where his cousin
Eddie Durham was a trombonist and guitarist. Durham persuaded him to switch from alto to tenor saxophone, the instrument that ultimately established Evans's reputation. After perfecting his craft in the jam sessions held in the jazz district between Twelfth and Eighteenth streets in Kansas City, Evans returned to Texas in the 1920s and joined the Troy Floyd orchestra in
San Antonio in 1929. He stayed with this
territory band until it dispersed in 1932. Evans performed for a time with
Lionel Hampton and
Buck Clayton in
Los Angeles, and in the mid-1930s returned to Kansas City to become a featured soloist in
Count Basie's big band.
For the next three years, Evans's prominence as a tenor saxophonist was at its peak, and he participated in musical duels with fellow band member
Lester Young. Count Basie's "One O'Clock Jump" featured the contrasting styles of the two musicians and brought to each the praise of both critics and the general public.[7] Evans's greatest single success was his featured solo on Basie's hit "Blue and Sentimental." A recently discovered recording of "Blue and Sentimental" by Basie's orchestra performing at the Famous Door features Evans on tenor saxophone and a vocal by Helen Humes.
Evans also made records with jazz musicians such as
Harry James,
Teddy Wilson, and
Lionel Hampton. Evans has been credited with influencing fellow tenorist
Buddy Tate — who, in 1939, came from the
Nat Towles band in
Omaha to replace Evans in the Basie band when he died.[8] He is also credited for influencing
Illinois Jacquet and
Arnett Cobb.[9][10][11][12] Although not a prolific composer, Evans wrote "Texas Shuffle" and "Doggin' Around", among other pieces.[13]
Death
Evans was a member of the
Basie Orchestra from September 1936 until his death.
Evans became ill while playing with Basie at the
Howard Theatre in
Washington, D.C., sometime during the week from January 13 to January 19, 1939. He didn't feel well enough to make the Basie band's
session with Decca on February 3;
Chu Berry substituted.[14] He collapsed while performing a one-nighter on February 6 with the Basie band at the Crystal Ballroom in
Hartford, Connecticut; he was rushed to Wadsworth Hospital in
New York City at 629 West 185th Street.[14]
Edgar Battle sued Lewis Publishing Company in 1952 for failing to adequately promote songs that he published with them.[17]
Notes
^A 1973 source, Biographical Dictionary of American Music, states that Evans was born in Denton, Texas. But a 1940 source, by Earl J. Morris as published in the Pittsburgh Courier, states that he was born in
Temple, Texas (see inline citations, below).
^Primary source: Index to New York City Deaths 1862–1948, (indices prepared by the Italian Genealogical Group (www.italiangen.org) and the German Genealogy Group (www.germangenealogygroup.com)
Note: Apparently, Alexander, a bassist living in Toronto, ceased maintaining the RHJ website years ago and it has been unattended to date (see
comment on Yahoo! Groups (retrieved January 22, 2015)