American swing jazz guitarist (1911–1987)
Freddie Green |
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Birth name | Frederick William Green |
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Born | (1911-03-31)March 31, 1911
Charleston, South Carolina, U.S. |
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Died | March 1, 1987(1987-03-01) (aged 75) Las Vegas, Nevada, U.S. |
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Genres |
Jazz,
swing |
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Occupation(s) | Musician |
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Instrument(s) | Guitar |
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Website |
freddiegreen.org |
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Musical artist
Frederick William Green (March 31, 1911 – March 1, 1987) was an American
swing
jazz guitarist who played
rhythm guitar with the
Count Basie Orchestra for almost fifty years.
Early life and education
Green was born in Charleston, South Carolina on March 31, 1911. He was exposed to music from an early age, and learned the
banjo before picking up the guitar in his early teenage years.
A friend of his father by the name of Sam Walker taught Freddie to read music, and keenly encouraged him to keep up his guitar playing. Walker gave Freddie what was perhaps his first gig, playing with a local community group of which Walker was an organizer. Another member of the group was
William "Cat" Anderson, who went on to become an established trumpeter, working with notable figures such as
Duke Ellington.
[1]
Career
It was around this time that Green's parents died, and he moved to
New York City to live with his aunt and continue his education. The move opened up a new musical world to Freddie. While still in his teens, he began to play around the clubs of the city, earning money and a reputation. In one of these gigs, he was noticed by the legendary talent scout
John H. Hammond, who realized the potential of Green and introduced him to Basie.
[2]
In 1937, Basie and his ensemble went to one of Green's gigs on the advice of an associate. Basie was an immediate fan, and approached Green with a job offer. Except for a brief interruption, Freddie Green would remain a pivotal fixture of the Count Basie Band for the next fifty years.
[2]
"You should never hear the guitar by itself. It should be part of the drums so it sounds like the drummer is playing chords—like the snare is in A or the hi-hat in D minor"
Throughout his career, Green played rhythm guitar, accompanying other musicians, and he rarely played solos. "His superb timing and ... flowing sense of harmony ... helped to establish the role of the rhythm guitar as an important part of every rhythm section."
[3]: 100 Green did play a solo on the January 16, 1938,
Carnegie Hall concert that featured the
Benny Goodman big band. In the
jam session on
Fats Waller's "
Honeysuckle Rose," Green was the rhythm guitarist for the ensemble, which featured Basie,
Walter Page (Basie's bassist), and musicians from
Duke Ellington's band. After Johnny Hodges' solo, Goodman signalled to Green to take his own solo, which the musician
Turk Van Lake described in his commentary on the reissued 1938 Carnegie Hall concert as a "startling move."
[4]
He rapidly changed chords, often with every beat, rather than every measure. His chord fingering often involved him covering four strings with his fingers, while depressing only a subset of the notes. He dampened the unsounded notes from chords with his left hand.
[5] Green's playing on his signature
Stromberg guitar was the model for
Ralph Patt's big-band playing.
[6]
Green was not a prolific composer, but he did make two major contributions to Count Basie's repertoire, "Down for Double" (recorded in 1941) and "
Corner Pocket" (recorded for the album
April in Paris in 1955).
On March 1, 1987, Green died of a heart attack in Las Vegas, Nevada at the age of 75.
[7]
Discography
As leader/co-leader
As sideman
With
Count Basie
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The Original American Decca Recordings (
GRP, 1992) – rec. 1937–1939
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The Count! (
Clef, 1955) – rec. 1952
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Basie Jazz (Clef, 1954) – rec. 1952
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The Swinging Count! (Clef 1956) – rec. 1952
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Dance Session (Clef, 1953)
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Dance Session Album #2 (Clef, 1954)
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Basie (Clef, 1954)
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Count Basie Swings, Joe Williams Sings with
Joe Williams (Clef, 1955)
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April in Paris (Verve, 1956)
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The Greatest!! Count Basie Plays, Joe Williams Sings Standards with Joe Williams (Verve, 1956)
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Metronome All-Stars 1956 with
Ella Fitzgerald and Joe Williams (Clef, 1956)
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Hall of Fame (Verve, 1956 [1959])
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Basie in London (Verve, 1956)
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One O'Clock Jump with Joe Williams and Ella Fitzgerald (Verve, 1957)
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Count Basie at Newport (Verve, 1957)
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The Atomic Mr. Basie (
Roulette, 1957) – aka Basie and E=MC2
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Basie Plays Hefti (Roulette, 1958)
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Sing Along with Basie with
Joe Williams and
Lambert, Hendricks & Ross (Roulette, 1958)
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Memories Ad-Lib with Joe Williams (Roulette, 1958)
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Basie/Eckstine Incorporated with
Billy Eckstine (Roulette, 1959)
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Basie One More Time (Roulette, 1959)
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Breakfast Dance and Barbecue (Roulette, 1959)
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Everyday I Have the Blues with Joe Williams (Roulette, 1959)
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Dance Along with Basie (Roulette, 1959)
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String Along with Basie (Roulette, 1960)
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Not Now, I'll Tell You When (Roulette, 1960)
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The Count Basie Story (Roulette, 1960)
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Kansas City Suite (Roulette, 1960)
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First Time! The Count Meets the Duke (Columbia, 1961)
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Count Basie and the Kansas City 7 (1962,
Impulse!)
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Back with Basie (Roulette, 1962)
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Basie in Sweden (Roulette, 1962)
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On My Way & Shoutin' Again! (Verve, 1962)
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This Time by Basie! (
Reprise, 1963)
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More Hits of the 50's and 60's (Verve, 1963)
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Pop Goes the Basie (Reprise, 1965)
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Basie Meets Bond (
United Artists, 1966)
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Live at the Sands (Before Frank) (Reprise, 1998) – rec. 1966
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Sinatra at the Sands with
Frank Sinatra (Reprise, 1966)
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Basie's Beatle Bag (Verve, 1966)
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Basie Swingin' Voices Singin' with the Alan Copeland Singers (ABC–Paramount, 1966)
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Broadway Basie's...Way (Command, 1966)
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Hollywood...Basie's Way (Command, 1967)
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Basie's Beat (Verve, 1967)
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Basie's in the Bag (
Brunswick, 1967)
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The Happiest Millionaire (Coliseum, 1967)
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Half a Sixpence (
Dot, 1967)
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The Board of Directors with
The Mills Brothers (Dot, 1967)
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Manufacturers of Soul with
Jackie Wilson (Brunswick, 1968)
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The Board of Directors Annual Report with The Mills Brothers (Dot, 1968)
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Basie Straight Ahead (Dot, 1968)
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How About This with
Kay Starr (
Paramount, 1968)
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Standing Ovation (Dot, 1969)
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Basic Basie (
MPS, 1969)
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Basie on the Beatles (Happy Tiger, 1969)
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High Voltage (MPS, 1970)
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Loose Walk with
Roy Eldridge (
Pablo, 1972)
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Satch and Josh (with
Oscar Peterson) (Pablo, 1974)
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Kansas City 8: Get Together (Pablo, 1979)
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Me and You (Pablo, 1983)
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Mostly Blues...and Some Others (Pablo, 1983)
With
Buck Clayton
With
Al Cohn
With
Harry Edison
With
Paul Quinichette
With
Joe Newman
With
Sarah Vaughan
With others
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Lorez Alexandria,
Early in the Morning (Argo, 1960)
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George Benson,
20/20 (Warner Bros., 1985)
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Bob Brookmeyer and
Zoot Sims,
Stretching Out (United Artists, 1958)
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Judy Carmichael, Two–Handed Stride (
Progressive, 1982)
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Al Grey,
The Thinking Man's Trombone (Argo, 1960)
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Coleman Hawkins,
The Saxophone Section (World Wide, 1958)
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Jo Jones,
The Main Man (Pablo, 1977)
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Gerry Mulligan,
The Gerry Mulligan Songbook (
World Pacific, 1957)
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Charlie Parker,
Big Band (Clef, 1954)
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Buddy Rich,
The Wailing Buddy Rich (
Norgran, 1955)
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Charlie Rouse and Paul Quinichette,
The Chase Is On (
Bethlehem, 1958)
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Sonny Stitt,
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones (
Roost, 1955)
- Sonny Stitt,
Sonny Stitt Plays (Roost, 1955)
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Teri Thornton,
Devil May Care (
Riverside, 1961)
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The Manhattan Transfer,
Vocalese (Atlantic, 1985)
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Eddie "Cleanhead" Vinson,
Clean Head's Back in Town (Bethlehem, 1957)
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Big Joe Turner,
The Boss of the Blues (Atlantic, 1956)
- Big Joe Turner, Big Joe Rides Again (Atlantic, 1960)
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Frank Wess,
Opus in Swing (Savoy, 1956)
- Frank Wess,
Jazz for Playboys (Savoy, 1957)
References
External links
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