For exactly 40 years, the prolific Verneuil made movies as mainstream and commercial as any to be found in America or Britain. In his best period – the 1950s and 1960s – he delivered films in the "tradition of quality" so despised by the
Nouvelle Vague. Many of them proved excellent vehicles for old-timers Jean Gabin and Fernandel, and newcomers such as Jean-Paul Belmondo and Alain Delon.[1]
Life and career
Early life
Verneuil was born Ashot Malakian (
Armenian: Աշոտ Մալաքեան) to
Armenian parents in
Rodosto,
East Thrace,
Turkey.[2] In 1924, when Ashot was a little child his family fled to
Marseille in France,[3] to escape persecution after the
Armenian genocide.[2][1] He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into
a 1991 film with the same name, which was followed by a sequel,
588 Rue Paradis, the following year.[4]
Verneuil entered the
École Nationale d'Arts et Metiers in Aix-en-Provence in 1942. After graduation, he worked as a journalist, then became editor of Horizon Armenian magazine.
Film career
In 1947, Verneuil managed to convince the established European film actor
Fernandel to appear in his first film.[5]
In 1951 he directed his first feature, the black comedy La Table aux crevés. His second film, Forbidden Fruit (1952), based on a
Georges Simenon novel, was even more acclaimed.
After the American experience (he was called the "most American of French directors"), in 1969 Verneuil "found" France. He was awarded a
César[9] in 1996 and he was elected a member of the Academy of Fine Arts in 2000. He died at
Bagnolet, a suburb of Paris, in 2002.
The opening of the seventh annual
Golden Apricot International Film Festival in
Yerevan paid tribute to Verneuil. His son, television director Patrick Malakian, who reclaimed the name of his historical ancestors, received the posthumous award, the
Parajanov's Thaler, for his father's contribution to cinema.