Title is the debut
EP by American singer-songwriter
Meghan Trainor.
Kevin Kadish produced all of its songs and wrote them with Trainor. The two conceived the EP shortly after Trainor signed with
Epic Records in 2014. The label released it on September 9, 2014, and replaced it with a pre-order for Trainor's 2015 debut major-label
studio album of the same name the following month.
Musically, Title comprises songs inspired by
1950sdoo wop that lie between
modern R&B and melodic
pop. The EP has a lyrical theme of commitment and staying true to oneself, which Trainor hoped would
empower women. It includes Trainor's debut
single, "
All About That Bass", which was released on June 30, 2014, and reached No.1 in 58 countries with worldwide sales of 11 million units.
Title garnered mixed reviews from critics, who thought its tracks had potential for commercial success, but considered the lyrics too repetitive and questioned Trainor's musicality. The EP debuted at number 15 on the
Billboard 200 and sold 171,000 copies in the United States. It also entered charts in Canada and Denmark. Trainor promoted Title by performing "All About That Bass" on various television shows and its
title track at other venues. She included all tracks from the EP on the
set lists of her 2015 concert tours
That Bass Tour and
MTrain Tour.
Background and development
Meghan Trainor developed an early interest in music and started singing at age six. After her father encouraged her to pursue her musical interests, she independently released three albums from material she had written, recorded, performed, and produced, between the ages 15 and 17. These included Trainor's eponymous 2009 release, and her 2010 albums I'll Sing with You and Only 17.[1] She introduced herself to former
NRBQ member
Al Anderson at a music conference in Nashville.[2] Impressed by Trainor's songwriting, he referred her to his publisher Carla Wallace of music publishing firm Big Yellow Dog Music.[1][2] Though Trainor had been offered a full scholarship to the
Berklee College of Music, she decided to pursue her songwriting career and signed with Big Yellow Dog in 2012.[3][4]
American songwriter
Kevin Kadish met Trainor in June 2013 at Wallace's request. He liked Trainor's voice and felt a strong songwriting affinity with her due to their mutual love of
pop music from the
1950s and
1960s.[5][6] Disenchanted with the
electronic dance music that populated
Top 40 radio, he had wished to create a "'50s-sounding record of
doo-wop-inspired pop" for three years, but could not find any artist that shared his interest.[7][8] Trainor, who had been introduced to doo-wop by her father at a young age, found it to be "the
catchiest stuff" and wanted to create something reminiscent of
The Chordettes's 1958
single "
Lollipop".[9] Kadish shared his idea with Trainor after the two bonded over
Jimmy Soul's 1963 song "
If You Wanna Be Happy", and they decided to create an
extended play (EP) with the same sound, "just for fun".[7][8] They completed three songs before Kadish started producing a
rock album for the rest of the year.[7] Trainor moved to Nashville in November 2013 and they co-wrote the song "
All About That Bass", pitching it to different record labels, all of which rejected it due to its doo-wop pop sound as
synth-pop was more popular at the time.[1][4][10]
L.A. Reid, the chairman of
Epic Records, heard the song and encouraged Trainor to record it herself. She signed with the label in 2014 and immediately began working on more songs with Kadish as Epic wanted her to record an entire album.[5] The label briefly suggested that Trainor work with other producers, such as
Pharrell Williams or
Timbaland, but she insisted on continuing with Kadish: "Kevin's my guy".[7] Epic Records's
artists and repertoire division called Kadish and said, "whatever you did on 'Bass,' do it 10 more times. Don't bring in any more writers. Don't bring in any other producers. Whoever you used on that song."[7] Upon its release as Trainor's debut single on June 30, 2014,[11] "All About That Bass" reached numberone in 58 countries and sold 11 million units worldwide.[12][13][14] Some critics considered it a
novelty song,[15][16][17] and questioned if Trainor would be able to release a successful follow-up or end up a
one-hit wonder.[6][18]
The opening track, "All About That Bass", is a
bubblegum pop,[22][23] doo-wop,[2][24]hip hop,[6][25] Italo-Latin
soul,[26] and
retro-R&B pop song,[27] influenced by 1960s genres—soul-pop,
groove,[28]Motownbounce,[22] and girl-group pop.[15][25] The song includes
syncopated handclaps, bass instrumentation,[29] and, according to Slate's Chris Molanphy, "a
scattingtempo and shimmying melody".[26] The
title track is a doo-wop song with
Caribbean music influences and a
ska-inflected
bridge,[30][23][29] which blends the
horn and ukulele
folk-pop with island percussion instrumentation and a programmed
beat, and also incorporates handclaps and modern sound effects.[29] Trainor projects an assertive and retro aural tone according to Knoxville News Sentinel, and delivers a
rapverse.[29][31] She felt it showcased "what [her] sound really is", and considered its
Caribbean drum and rapping new territory for her.[32] "
Dear Future Husband" is a doo-wop,[32][33] pop,[34][35][36] and girl-group bounce song, with influences of
jazz.[37][38] It opens with a
stylus sound on a damaged
vinyl and transitions into retro ukulele instrumentation,[1] further incorporating brisk piano, buoyant
brass, and a drum track.[29] The final track, "Close Your Eyes", is a contemporary
ballad on which Trainor gives a soulful and "nuanced, fluttery vocal performance" over an acoustic guitar and pitch-shifted background vocals.[19][29][31]
Lyrics
For Title, Trainor wrote lyrics about things she thought many people ignore, such as "commitment and staying true to one's self".[39] She wanted to speak from the place of "an awkward 19-, 20-year-old, when you're pretty sure you're an adult but you're not, yet," and identified the EP's material as "too young for Kesha" and too mature for
Disney.[2] It comprises "very personal, girl power anthems" that Trainor wishes existed when she attended high school: "Like, love yourself more, respect yourself more[...] There are
girl empowerment songs—like 'I love myself I'm beautiful'—but there are also 'I deserve a good man, I deserve a good boyfriend, man, you should take me out.'"[1][2]
Trainor and Kadish grew up as "chubby" kids,[30][40] and wrote the lyrics of "All About That Bass" as a call to embrace inner beauty, and promote positive
body image and self-acceptance.[41][42][43] She calls out the fashion industry for creating unreachable beauty standards and criticizes the use of
Photoshop in magazines.[44] It includes the line "I'm bringing booty back", as a reference to
Justin Timberlake's single "
SexyBack" (2006).[29] Trainor, who was ill-treated by unemployed men she dated in the past,[4][30] wrote the title track and "Dear Future Husband" to correct issues with contemporary
dating and
hookup culture, like women basing their self worth on social media likes and whether their partner replied to their texts.[45] On the title track, she refuses to be
friends with benefits and pushes her partner to define their relationship more clearly.[20][46] "Dear Future Husband" is about
chivalry and dating,[39][47] and lists the things a man needs to do to be Trainor's life partner, and win her adoration and dedication.[48] These include "treat[ing her] like a lady" even when she behaves insanely, calling her pretty every night, and putting her family above his.[45][49] "Close Your Eyes" encourages listeners to embrace what makes them different and show their authentic personality to the world.[31]
Release and promotion
MTV News premiered the title track on September 5, 2014.[46] Epic Records released the EP through
compact disc (CD) and
digital download formats four days later.[50][51] The label released the CD in Australia on September 12.[52] It debuted at number 15 on the
Billboard 200 chart dated September 27, with first-week sales of 21,000 copies,[53] and sold over 171,000 copies in the United States.[54]Title peaked at number 17 on the
Canadian Albums Chart and number 35 on the
Danish Albums Chart.[55][56] The digital release of "All About That Bass" in some European countries shared an identical track list.[57][58][59] A pre-order of Trainor's 2015 debut major-label
studio album of the same name, which included all tracks from the EP, replaced it later that month.[60]
"All About That Bass" served as the
lead single from Title.[61] It spent eight consecutive weeks at number one on the US
Billboard Hot 100, the longest run for any Epic Records artist in the chart's history,[62][63] and was the best-selling song by a female artist in the
2010s, with 5.8 million digital downloads.[64] The lyrics caused controversy; some critics called the song
anti-feminist and accused Trainor of
shaming thin women.[27][65][66] It was nominated for
Record of the Year and
Song of the Year at the
57th Annual Grammy Awards.[67] "Dear Future Husband" and the title track were both considered options for release as Trainor's second single.[32] Reid scrapped them in favor of "
Lips Are Movin" (2014), which he thought "will do better".[68] "Dear Future Husband" was eventually chosen as the third single from the album in 2015, and peaked at number 14 on the Billboard Hot 100.[a][69] The title track attained
viral popularity on video-sharing service
TikTok in 2021.[70]
Title received mixed reviews from music critics. Collar rated the EP four
stars out of five,[19] and Knoxville News Sentinel and Dolan rated it three.[20][31] Collar praised Trainor's vocals as "soulful, highly resonant," and catchy; he considered "Dear Future Husband" and "All About That Bass" irresistible.[19] Others criticized the lyrical themes as repetitive on Title despite its short duration. Knoxville News Sentinel thought she showed crisp artistic vision on the EP but dubbed its tracks "sort-of sequels" of her debut single.[31] The newspaper said it proved Trainor was a "one-trick pony" and left much to the imagination about what else she is capable of doing.[31] Chris DeVille of Stereogum thought she could only outlast the success of "All About That Bass" if she found new topics to write about, and was disappointed that the lyrics of "Dear Future Husband" and the title track were interchangeable. He maintained that any tracks on Title could achieve chart success with ample promotion.[29]
Track listing
Kadish produced all songs and wrote them with Trainor.[21]