The result was speedy keep per WP:SKCRIT#1. The nominator has withdrawn the nomination and no one other than the nominator recommended that the page be deleted or redirected. Malcolmxl5 ( talk) 20:56, 10 July 2021 (UTC)
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Not notable I believe. There's only this single source, the one currently in the article. Maybe I missed something, but everything else that turns up in google is about the far more famous Zhao Mengfu. LordPeterII ( talk) 09:32, 6 July 2021 (UTC)
Details about the seven-page journal article are also available here archive.today. The abstract notes from Google Translate:
On May 10, 1945, He Mengfu's death in Chongqing plunged the film industry in the rear area into a silent grief. The memorial activities and commemorative chapters entrusted the memory of the filmmakers to the deceased, and they have also become a spiritual dialogue with them and even express their realistic demands. Opportunity. This article intends to use it as the starting point for the discussion, while combing the activity tracks of He Mengfu's movie director, stage art, movie theory and document translation, while comprehending the artistic ideals and life temperature engulfed in the turbulent history.
This article archive.today cites this source: "忆贺孟斧[J]. 刘静沅. 戏剧艺术. 1982(02)".
This is translated to: "Recalling He Mengfu[J]. Liu Jingyuan. Dramatic Art. 1982(02)".
From Google Translate:
Chinese stage artist and drama director. Formerly known as Shanke. People from Wujin, Jiangsu. In 1931, he graduated from the Theater Department of the National Peking University Art College. Worked in Shanghai Lianhua Film Company and Chengdu Northwest Film Company, organized the Shanghai Weekly Experimental Small Theater with Zhao Dan, Zhang Ming and others, and participated in the Amateur Theater Association, Amateur Experimental Theater Troupe, Anti-enemy Theater Troupe, and China Theater Arts Society. And other theater groups. He was also employed as the director of the Research and Experiment Department of the National Drama School and taught stage installation.
The book has a section titled "第三節 曹葆華、天藍、田禽、舒非、趙如琳、賀孟斧的譯介 21", which is translated to "Section 3 Translation and Introduction of Cao Baohua, Tianlan, Tianqi, Shu Fei, Zhao Rulin, and He Mengfu 21".
There is a chapter titled "賀孟斧軼事", which is translated to "An Anecdote of He Mengfu". The book summary notes: "The more than one hundred articles contained in this book are works by famous artists selected from the vast volumes. They reflect from one aspect the path of the publication of "Shanghai Drama" in the past 50 years, and thus the development path of the drama art industry in the past 50 years."