The result was keep. Rename has already happened. Daniel ( talk) 04:50, 14 July 2021 (UTC)
[Hide this box] New to Articles for deletion (AfD)? Read these primers!
No notable sources, fails wiki:gng and nfilm Hyperwave11 ( talk) 01:19, 7 July 2021 (UTC)
*Delete Fails
WP:NFILM
Donaldd23 (
talk) 01:36, 7 July 2021 (UTC)
The article discusses the movie in detail.
The book notes about Li Han-hsiang: "He left Shaw in 1963 and went to Taiwan where he created his own film company, Guolian, making twenty films; he returned to Hong Kong in 1970, rejoining Shaw in 1972, and worked there for another ten years, introducing the theme of duplicity in movies such as Legends of Cheating (1971) and Cheating in Panorama (1972)."
The book notes on page 16: "The ascendant popular culture of this period includes the films of Bruce Lee, Cantonese TV series and Canto-pop, but there were many other film genres of the crude and vulgar variety that have been largely forgotten in the nostalgia for the 1960s and 1970s, which collectively falls under what John Chan Koon-chung / Chen Guanzhong has described as 'slovenly aesthetics'. In this category are Li Han-hsiang / Li Hanxiang's series of 'duplicity films' (such as Cheating in Panorama / Pian Shu Da Guan, 1972) and his later soft-core fengyue (literally 'wind' and 'moon' ) films (described as the 'Aesthetics of the Cynical'), ..."
The book notes about Li Han-hsiang on page 320: "He returned to Hong Kong in 1970 and shot The Legends of Cheating / Pian Shu Qi Tan (1971), Cheating In Panorama / Pian Shu Da Guan (1972 ) and Cheat to Cheat / Pian Shu Qi Zhong Qi (1973), starting off a trend for films on duplicity."
Keep Per Cunard. Easily meets requirements. Donald once again showing his value to the project...† Encyclopædius 06:31, 7 July 2021 (UTC)