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The Whole Truth
Directed by John Guillermin
Written by Jonathan Latimer
Based onplay The Whole Truth by Philip Mackie
Produced by Jack Clayton
Starring Stewart Granger
Donna Reed
George Sanders
Gianna Maria Canale
Cinematography Wilkie Cooper
Edited by Gerry Hambling
Music by Mischa Spoliansky
Production
company
Distributed by Columbia Pictures
Release dates
  • 29 July 1958 (1958-07-29) (London)
  • September 1958 (1958-09) (United States)
Running time
84 minutes
CountriesUnited Kingdom
United States
LanguageEnglish
Box office392,806 admissions (France) [1]

The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley. [2] It was based on the 1955 play of the same title by Philip Mackie.

It was made at Walton Studios with some brief location shooting in France. The film's sets were designed by the art director Anthony Masters.

Plot

While making a film on the French Riviera, the producer, Max Poulton, has been having an affair with his star, Gina Bertini. A married man, Max does not want to lose his wife Carol, but the hot-tempered Gina threatens to tell all.

Max comes home with a blood stain on his shirt cuff. A visit follows from an Inspector Carliss of Scotland Yard, who says Gina's body has just been found, stabbed to death.

Rushing to the house where he and Gina used to secretly meet, Max gathers up possessions he's left behind. A neighbour spots his car. Upon returning home, to a party Carol is hosting, Max is astounded to find Gina alive and well among the guests.

Confused, he drives her home, leaves her in the car briefly, then returns to find her lifeless body, stabbed. This time, a local police official, Inspector Simon, comes to call. The only conclusion Max can draw is that Carliss is somehow trying to frame him.

His suspicions are correct. Carliss is not a Scotland Yard inspector at all but Gina's jealous husband. He has arranged things to make Max appear guilty, and Simon, having the neighbour's eyewitness description of seeing Max's car, has little choice but to place Max under arrest.

When it looks as though Carliss intends to harm Carol as well, Max escapes from jail. He manipulates Carliss into stealing his own car, and when the police give chase to the wrong man, Carliss, in a panic, drives off a cliff to his death. Max's innocence becomes apparent to the police.

Cast

Original TV play

Philip Mackie's 90-minute play debuted on television, airing on the BBC in July 1955. The TV play was screened again in March 1956. [3] Stephen Harrison directed.

Cast

  • Griffith Jones as Lewis Paulton
  • Michael Brill as Hugh Carliss
  • Sarah Lawson as Brenda Paulton
  • Margot Lorenz as Marion Gray
  • Arnold Bell as Det-Insp Brett
  • Ellen Blueth as Deenie
  • John Howlett as Det-Sgt Petty
  • Oswald Laurence as Police Constable

Stage play

It was then turned into a stage play, which was presented by Henry Sherek at London's Aldwych Theatre in October 1955 starring Ernest Clark, Leslie Phillips and Sarah Lawson. [4] Leslie Linder directed.

Reviewing it, Kenneth Tynan said the first two acts were "the tautest puzzle play since Dial M for Murder" but he didn't like the ending. [5] Likewise, The Stage newspaper headed its review 'Good Thriller Ends Weakly'. [6] Soon after the play's West End run had finished, Mackie rewrote the last act, the new version first being played at the Connaught Theatre, Worthing in April 1956. [7]

Original cast

Production

The US rights and film rights were bought by Gilbert Miller in January 1956. [8]

The film was made by Romulus Productions. Stewart Granger had just finished his contract with MGM and signed a two-picture deal with Romulus, of which The Whole Truth was to be the first; the second was to be The Night Comers from a novel by Eric Ambler and co-starring Jean Simmons. [9] [10] (This film was never made.) Jeanne Crain was originally announced as the female lead, [11] but Donna Reed ended up playing it. George Sanders joined the cast in July 1957. [12]

During shooting, Romulus announced that they had offered Stewart Granger a six-picture contract worth $1.5 million; [13] but he made no more films for that company. Teddy Darvas, sound editor, recalled that Granger "behaved exceedingly badly to Jackie Clayton on that film" by demanding large amounts of money to do ADR. [14]

Reception

Filmink praised the "brilliant first half". [15]

References

  1. ^ Box office information for Stewart Granger films in France at Box Office Story
  2. ^ "WHOLE TRUTH, The". Monthly Film Bulletin. Vol. 25, no. 288. London. 1 January 1958. p. 106.
  3. ^ Our, R. C. (5 March 1956). "SUCCESSFUL PLAY REPEATED". The Manchester Guardian.
  4. ^ Review of London production of play at Variety
  5. ^ Tynan, K. (16 October 1955). "Music while you work". The Observer.
  6. ^ The Stage, 13 October 1955, p.9
  7. ^ 'The Whole Truth', The Stage, 5 April 1956, p.1
  8. ^ S. Z. (10 January 1956). "MILLER TWIN BILL PLAY BE A SINGLE". New York Times. ProQuest  113596657.
  9. ^ "MOVIELAND EVENTS". Los Angeles Times. 17 October 1956. ProQuest  166981939.
  10. ^ "MOPPING UP BEGUN ON BATTLE MOVIE". New York Times. 14 August 1957. ProQuest  114176715.
  11. ^ "Drama". Los Angeles Times. 21 May 1956.
  12. ^ Schallert, Edwin (2 July 1957). "Cornel Wilde Readies Hungary Saga; George Sanders Stars Abroad". Los Angeles Times. p. B7.
  13. ^ Schallert, E. (5 November 1957). British want Howard Keel. Los Angeles Times
  14. ^ "Interview with Teddy Darvas". British Entertainment History project. 1991–1992.
  15. ^ Vagg, Stephen (17 November 2020). "John Guillermin: Action Man". Filmink.

External links

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