The Tears of Hercules is the thirty-second
studio album by British singer-songwriter
Rod Stewart. It was released on 12 November 2021 through
Warner and
Rhino. It was produced by Stewart and
Kevin Savigar.
Background
Stewart began a songwriting and production partnership with
Kevin Savigar in the early 2010s, and they experienced widespread commercial success with Time (2013), Another Country (2015) and Blood Red Roses (2018).[2] Stewart then released a series of compilation albums, including You're in My Heart, Cupid and a box set of material recorded between 1975 and 1978.[3]
Music and lyrics
Stewart co-wrote nine of the album's tracks with
Kevin Savigar and
Emerson Swinford. "I Can't Imagine" is dedicated to Stewart's wife
Penny Lancaster. "Hold On" addresses topical issues including bigotry and racism, with a reference to civil rights activist
John Lewis. "Born to Boogie" is dedicated to
Marc Bolan.
The title track was written by Canadian singer-songwriter
Marc Jordan and composer
Stephan Moccio, and originally released on Jordan's album Make Believe Ballroom (2004).[4] Jordan had previously co-written "
Rhythm of My Heart" with
John Capek, a major hit for Stewart in 1991. The album also includes covers of "
Some Kind of Wonderful" and the
Johnny Cash song "These Are My People".
Release and promotion
The Tears of Hercules was released on 12 November 2021.[1] "One More Time" was released as the lead single on 16 September 2021 with an accompanying music video filmed in London on 21 August 2021. "Hold On" was released as the second single on 15 October 2021. "I Can't Imagine" followed as the third single on 5 November 2021, with an accompanying music video.
The photograph used for the cover artwork of The Tears of Hercules was taken by
Penny Lancaster during the video shoot for "One More Time". It depicts Stewart wearing an embroidered military-style jacket and a necklace that reads "Celtic", in support of
Celtic Football Club.
The Tears of Hercules was met with mixed reviews from music critics. On
Metacritic, which assigns a
normalised score out of 100 to ratings from publications, the album received a
weighted mean score of 57 based on 5 reviews, indicating "mixed or average reviews".[7]
Referencing Stewart's songwriting,
AllMusic's Stephen Thomas Erlewine wrote that Stewart is "in a decidedly looser frame of mind" than he was on Time (2013). He described the album as "alternately baffling, absurd, sweet, and endearing".[8] Writing for Classic Rock magazine, Paul Moody stated that Stewart has "always been a master interpreter of other people’s material", describing the title track as an "atmospheric ballad".[10] In American Songwriter, Hal Horowitz was critical of the album's songwriting and production, but stated that "a few moments almost save this from moving into the “better luck next time” pile."[9] In a wholly negative review for The Independent, Roisin O'Connor described the album as a "12-track cringefest" where "Stewart celebrates carnal love in between songs about his late father".[11]