Terele Pávez | |
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Born | Teresa Marta Ruiz Penella 29 July 1939
Bilbao, Spain |
Died | 11 August 2017
Madrid, Spain | (aged 78)
Occupation | Actress |
Years active | 1954–2017 |
Children | 1 |
Parent |
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Relatives |
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Teresa Marta Ruiz Penella (29 July 1939 – 11 August 2017), better known as Terele Pávez, was a Spanish actress. [1] She appeared in more than ninety films since 1954.
Teresa Marta Ruiz Penella was born in Bilbao on 29 July 1939 but she was raised in Madrid. [2] [3] She was the daughter of CEDA politician Ramón Ruiz Alonso and Magdalena Penella Silva and the niece of actress Teresita Silva . [4] [5] Composers Manuel Penella Moreno and Manuel Penella Raga were, respectively, her grandfather and great-grandfather. [2] She was the aunt of actress Emma Ozores . [6] Two out of her three sisters also pursued an acting career, under the artistic names of Emma Penella and Elisa Montés, reneging on the paternal surname. [2] [7] She took her artistic name after the second family name of her grandmother on her mother side, Emma Silva Pávez, of Chilean background. [7] [8] She made her big screen debut in Boyfriend in Sight. [4]
He starred as witch-procuress Celestina in La Celestina (1996). She reportedly was surprised at being offered a leading role instead of the supporting role to which she was used to, and claimed to be afraid of diving into the psychology of an extremely manipulative and dark character. [9] She had already experience in Fernando de Rojas' work as she had played Celestina's pupil Elicia in a 1978 play. [10] Her work earned her an Actors Union Award for Best Leading Performance in a Film. [11]
Pávez had one son (Carolo) with publisher José Benito Alique. [12]
She died on 11 August 2017 at the Hospital de La Paz in Madrid due to a stroke at the age of 78. [13] [14]
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1954
|
Novio a la vista (Boyfriend in Sight) | Pecas | Feature film debut | |
1959
|
Las dos y media y... veneno | |||
15 bajo la lona | ||||
1961
|
Tenemos 18 años | Pili | ||
Salto mortal | ||||
1962
|
La boda era a las doce | |||
1968
|
No somos de piedra | |||
1970
|
Fortunata y Jacinta | Mauricia la Dura | ||
1974
|
La revolución matrimonial (The Marriage Revolution) | Secretaria | ||
1975
|
Malocchio (Evil Eye) | |||
1976
|
Tatuaje (Tattoo) | La Andaluza | ||
La espada negra | Reina Madre | |||
1978
|
Carne apaleada | |||
Oro rojo (Red Gold) | ||||
1984
|
Los santos inocentes (The Holy Innocents) | Régula | ||
1985
|
Réquiem por un campesino español (Requiem for a Spanish Peasant) | La Jerónima | ||
La noche de la ira | ||||
1986
|
El hermano bastardo de Dios (The Bastard Brother of God) | Ramona | ||
1987
|
Laura, del cielo llega la noche (Laura) | |||
1988
|
El Lute II: mañana seré libre (El Lute II: Tomorrow I'll be Free) | |||
Diario de invierno (Winter Diary) | Madre ('mother') | |||
El aire de un crimen (Scent of a Crime) | ||||
1990
|
Los días del cometa | |||
1993
|
El laberinto griego (The Greek Labyrinth) | Remei | ||
1995
|
El día de la bestia (The Day of the Beast) | Rosario | ||
1996
|
La Celestina | Celestina | ||
1997 |
99.9: La frecuencia del terror (99.9) | Dolores | ||
2000 |
La comunidad (Common Wealth) | Ramona | ||
2002 |
800 balas (800 Bullets) | Rocío | ||
2003
|
Nudos | |||
2004
|
Mala uva | |||
2007
|
Café solo o con ellas (Love Expresso) | Paca | ||
Los Totenwackers | Doña Sabrina | |||
2010
|
Balada triste de trompeta (The Last Circus) | Dolores | ||
2013
|
Las brujas de Zugarramurdi (Witching & Bitching) | Maritxu | ||
2015
|
Las aventuras de Moriana | |||
Mi gran noche (My Big Night) | Dolores | |||
2016
|
La puerta abierta (The Open Door) | Antonia | ||
2017
|
El bar (The Bar) | Amparo | ||
Incerta glòria (Uncertain Glory) | Molinera | |||
2019
|
¡Ay, mi madre! | Petra | Posthumous work | |
2020
|
Caribe, todo incluido | Posthumous work |
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1977 |
Curro Jiménez | Lola | ||
1978 |
Cañas y barro | Samaruca | ||
1979 |
La barraca | |||
1985 |
La huella del crimen | Pilar Prades Expósito | ||
2002 |
Cuéntame cómo pasó | Doña Pura | Introduced in season 2 | |
2006 |
Manolo y Benito Corporeision | Antonia | ||
2016 |
Buscando el norte | Nines |
Year | Award | Category | Work | Result | Ref. |
---|---|---|---|---|---|
1988 |
2nd Goya Awards | Best Supporting Actress | Laura | Nominated | |
1989 |
3rd Goya Awards | Best Supporting Actress | Winter Diary | Nominated | |
1997 |
6th Actors Union Awards | Best Film Performance in a Leading Role | La Celestina | Won | |
2001 |
15th Goya Awards | Best Supporting Actress | Common Wealth | Nominated | |
2011 |
25th Goya Awards | Best Supporting Actress | The Last Circus | Nominated | |
2014
|
1st Feroz Awards | Best Supporting Actress in a Film | Witching & Bitching | Won | |
28th Goya Awards | Best Supporting Actress | Won | |||
2016
|
25th Actors and Actresses Union Awards | Best Film Actress in a Secondary Role | Las aventuras de Moriana | Nominated | |
2017
|
4th Feroz Awards | Best Supporting Actress in a Film | The Open Door | Nominated | |
31st Goya Awards | Best Supporting Actress | Nominated | |||
26th Actors and Actresses Union Awards | Best Film Actress in a Secondary Role | Nominated |