Shot-for-shot (or shot-for-shot adaptation, shot-for-shot remake) is a way to describe a visual work that is transferred almost completely identically from the original work without much interpretation.
Production uses
In the film industry, most
screenplays are adapted into a
storyboard by the director and/or storyboard artists to visually represent the director's vision for each shot, so that the crew can understand what is being aimed for.
300 - Director
Zack Snyder photocopied the graphic novel and constructed the preceding and succeeding shots.
Watchmen -
Zack Snyder again used the graphic novel as his main storyboard, featuring several shots that are almost identical to their literary counterparts.
From comics to television
The Adventures of Tintin comics series was adapted into The Adventures of Tintin television series, often with many of the panels from the original comic transposed directly to the television screen.
The Marvel Super Heroes animated series used extremely limited animation produced by
xerography, consisting of photocopied images taken directly from the comics and manipulated to minimize the need for animation production.
The Maxx - Sam Keith and William Messner-Loebs' Image Comics series was adapted in an animated television series by Rough Draft Studios and MTV in 1995. Richard Mathes wrote of it, "The cartoon version of The Maxx follows the comics' art almost line-for-line. Instead of attempting to cartoon-ify the dark tone of the comic books, the producers made the decision to use animation that is nearly identical to the panels within the Image comics. In addition, the animators did as little animating as possible. They don’t insert motion just to show that they can; instead, they hold on to shots, using movement only when absolutely necessary."[1]
Many Japanese
anime series that are based on a preceding
manga series strive to adapt the story without many changes. One example of this is Monster, which besides adding animation, music and shuffling around some scenes, is a perfect recreation of the source material. If the anime and manga are being produced concurrently, however, and should the anime overtake the release of new source material, the producers might then be forced to create their own new ending to the story, go on hiatus, or create a "filler arc" with an original story arc that non-canonically continues the story until more material has been created.
Film to film
Some films are remade in an almost identical "frame-to-frame" fashion.
Star Wars Uncut is an online fan-remake of Star Wars, which consist of close to 500 fifteen-second shot-for-shot segments created and submitted from a variety of participants. The sequel Empire Uncut was also released.
In the early days of sound film, it was common for Hollywood studios to produce
foreign language versions of their films using the same sets and costumes but a different set of actors as the original. Although a different director would be brought in for the foreign-language version, they would have access to the daily footage from the English language production and would often use the same shots and camera setups. Often the result would be similar to a 'shot-to-shot' remake, although in some notable examples (such as
Dracula (1931 Spanish-language film)), the alternate director exercised more creative freedom.
A genre of online collaboration projects, sometimes called "
reanimated collabs," strives to create a shot-for-shot remake of an animated feature or television episode with many different animators handling different scenes. One example is Shrek Retold, a shot-for-shot remake of Shrek which was produced using 200 different creators and art styles.[7]
Homage
Some directors pay tribute/
homage to other works by including scenes that are identical.
To celebrate its 100th episode "
Mercy", the showrunners of The Walking Dead created a shot-for-shot remake of the first scene broadcast of the series from the pilot "
Days Gone Bye".[8]
The Iranian TV series Haft Sang has been described as a shot-for-shot adaptation of Modern Family.[9]
Parodies
Many comedy works that rely heavily on
parody use shot-for-shot as a substance of humor.
The television show Family Guy commonly transitions into shot-for-shot remakes of famous scenes, sometimes depicting the original actors, at others inserting characters relevant to the current episode.
A fan-made
web comic parody of the manga Akira by
Katsuhiro Otomo, titled Bartkira, has been created by Ryan Humphrey and is currently ongoing, with the first three volumes adapted. It is a panel-for-panel retelling of the manga illustrated by numerous artists contributing several pages each, with Otomo's characters being portrayed by members of the cast of The Simpsons; for example, Kaneda is represented by
Bart Simpson,
Milhouse Van Houten replaces Tetsuo, and Kei and Colonel Shikishima are portrayed by
Laura Powers and
Principal Skinner respectively.[12]