Saoirse Una Ronan was born on 12 April 1994 in
the Bronx, a borough of New York City,[3] the only child of Irish parents Monica[4] (née Brennan) and
Paul Ronan, both from Dublin.[5] Her father worked in construction and in bars before training as an actor in New York,[6][7] and her mother worked as a nanny and had acted as a child.[7][8] Her parents were initially undocumented immigrants who had left Ireland due to the recession of the 1980s, and struggled economically during their time in New York.[5] The family moved back to Dublin when Ronan was three years old.[9] She was raised in
Ardattin, County Carlow, where she attended Ardattin
National School.[9] Her parents later had her tutored privately at home.[7] In her early teens, Ronan was living again in Dublin with her parents, who settled in the seaside village of
Howth.[3][9] She was raised Catholic, but has stated that she questioned her faith as a child.[10]
Career
Early work and breakthrough (2003–2009)
Ronan made her screen debut on Irish national broadcaster
RTÉ, in the 2003 prime time medical drama The Clinic and appeared in the mini-serial Proof.[11] During the same time, Ronan auditioned for the part of
Luna Lovegood in the fantasy film Harry Potter and the Order of the Phoenix (2007), a role she lost out to fellow Irish actress
Evanna Lynch.[12][13] Ronan's first film was
Amy Heckerling's romantic comedy I Could Never Be Your Woman, which was filmed in 2005. It was theatrically released in a few international markets in 2007 and given a
direct-to-video release in the US in 2008, after it struggled to attract financing and several deals disintegrated during its post-production.[14] In the film, Ronan portrayed the daughter of
Michelle Pfeiffer's character and
Paul Rudd co-starred as Pfeiffer's love interest.
Joe Leydon of Variety labelled the film "desperately unfunny" but considered the interplay between Ronan and Pfeiffer's characters to be among the film's highlights.[15]
At the age of 12, Ronan attended a
casting call for
Joe Wright's 2007
film adaptation of
Ian McEwan's novel Atonement. She auditioned for and won the part of Briony Tallis, a 13-year-old aspiring novelist, who affects several lives by accusing her sister's lover of a crime he did not commit. She acted alongside
Keira Knightley and
James McAvoy. Budgeted at US$30 million, the film earned over US$129 million worldwide.[16]Ty Burr of The Boston Globe called her "remarkable [and] eccentric",[17] and
Christopher Orr of The Atlantic wrote that she is "a marvel, elegantly capturing the narcissism and self-doubt that adhere to precocity".[18] Ronan was nominated for a
BAFTA Award, a
Golden Globe Award and an
Academy Award for Best Supporting Actress, becoming the seventh
youngest nominee in that category.[19]
Ronan played the daughter of an impoverished psychic (played by
Catherine Zeta-Jones) in the supernatural thriller Death Defying Acts (2007) and starred as Lina Mayfleet, a heroic teenager who must save the inhabitants of an underground city named Ember in the fantasy film City of Ember (2008). Both films received a mixed critical reception and failed at the box office.[20] In a review for the latter, the critic
Stephen Holden took note of how Ronan's talents were wasted in it.[21]
In 2009, Ronan starred alongside
Rachel Weisz,
Mark Wahlberg,
Susan Sarandon and
Stanley Tucci in
Peter Jackson's supernatural drama The Lovely Bones, an adaptation of the
book of the same name by
Alice Sebold. Ronan played 14-year-old Susie Salmon, who, after being raped and murdered, watches from the after-life as her family struggles to move on with their lives while she comes to terms with her quest for vengeance.[22] Ronan and her family were originally hesitant for Ronan to accept the role due to its subject matter, but agreed after Jackson assured them that the film would not feature gratuitous scenes of rape and murder.[23][24] Several sequences in the film relied on extensive special effects and much of Ronan's scenes were filmed in front of a blue screen.[24] Reviewers were critical of the film's story and message,[25] but
Richard Corliss of Time believed that Ronan had successfully invested the gruesome tale with "immense gravity and grace".[26] He later considered it to be the third best performance of the year.[27] Sukhdev Sandhu of The Daily Telegraph considered Ronan to be the sole positive aspect of the production, writing that she "is simultaneously playful and solemn, youthful yet old beyond her years".[28] The film was a box office disappointment. It earned Ronan a
BAFTA Award for Best Actress in a Leading Role nomination.[29]
Rise to prominence (2010–2014)
In
Peter Weir's war drama The Way Back (2010), Ronan played the supporting part of Irena, a Polish orphan during
World War II, who joins escaped Siberian convicts in a 4,000-mile (6,400 km) trek to India. It co-starred
Jim Sturgess,
Colin Farrell and
Ed Harris, and was filmed on location in Bulgaria, India and Morocco.[30] The following year, Ronan reunited with Joe Wright to play the title character in the action film Hanna, about a 15-year-old girl raised in the
Arctic wilderness to be an assassin. The film co-starred
Eric Bana and
Cate Blanchett as Hanna's father and a villainous CIA agent, respectively. Ronan performed her own stunts and in preparation, she spent several months training in martial arts, stick fighting and knife fighting.[31] Ronan's performance and the film's action sequences were praised by critics.[32] In his review for Rolling Stone,
Peter Travers termed the film "a surreal fable of blood and regret" and labelled Ronan an "acting sorceress".[33]Hanna was a moderate commercial success.[34] She voiced the lead role in the dubbed English version of
Studio Ghibli's anime film Arrietty.[35] At the age of 16, Ronan was invited to join the
Academy of Motion Picture Arts and Sciences.[36]
In 2011, Ronan took part in a promotion for the
Irish Film Institute's Archive Preservation Fund, in which she was digitally edited into popular Irish films of the past, as well as documentary footage.[37] Ronan and
Alexis Bledel played the titular assassins in
Geoffrey S. Fletcher's action film Violet & Daisy (2011). Eric Goldman of
IGN compared the film unfavourably to the work of
Quentin Tarantino and commented that Ronan's abilities had surpassed the material.[38] Peter Jackson approached Ronan to play an elf in
The Hobbit film series, but she withdrew from the project due to scheduling conflicts.[39] She was instead drawn to
Neil Jordan's horror film Byzantium (2012), as the "dark, gothic and twisted" project provided her an opportunity to play a more complex and mature character. The film starred
Gemma Arterton and her as mother-and-daughter vampires.[40] Writing for Radio Times, the critic Alan Jones found the film to be an "evocative fairy tale that uses vampires as a prism to comment on humanity" and considered both Arterton and Ronan to be "radiant" in it.[41]
In a 2013
film adaptation of
Stephenie Meyer's novel The Host, Ronan played the dual role of Melanie Stryder, a human rebel, and Wanderer, a parasitic alien. Critics disliked the film;[42]Manohla Dargis termed it "a brazen combination of unoriginal science-fiction themes [and] young-adult pandering", but took note of an "otherworldly aspect to [Ronan's] screen presence, partly due to her stillness and her own translucent eyes, which can suggest grave intensity or utter detachment".[43] In
Kevin Macdonald's drama How I Live Now, an adaptation of the novel of the
same name by
Meg Rosoff, Ronan played an American teenager sent to a remote farm in the United Kingdom during the outbreak of a fictional
World War III. Olly Richards of Empire found Ronan to be in "typically watchable form" in it, but the film earned little at the box office.[44] In her final film release of the year, Ronan voiced a barmaid named Talia in the critically panned animated film Justin and the Knights of Valour.[45]
Ronan had two film releases in 2014 with widely diverse critical receptions—the acclaimed comedy film The Grand Budapest Hotel from the director
Wes Anderson and
Ryan Gosling's panned directorial debut Lost River.[46] In the former, an ensemble film headed by
Ralph Fiennes and
Tony Revolori, Ronan played the supporting part of the love interest to Revolori's character. It was the first project that she filmed without her parents accompanying her on set.[40] The film earned over $174 million on a $25 million budget and was ranked by the
BBC as one of the greatest films of the century.[47] In the surrealistic fantasy film Lost River, Ronan played a mysterious young girl named Rat who owns a pet rat; Geoffrey Macnab of The Independent termed the film a "wildly self-indulgent affair" but praised Ronan's "tough but vulnerable" portrayal.[48]
In 2016, Ronan moved to New York City to begin rehearsals for her debut appearance on
Broadway, in a revival of
Arthur Miller's play The Crucible.[56] She took the role of
Abigail Williams, a manipulative maid responsible for the death of 150 people accused of witchcraft.[57] Based on the
Salem witch trials, the play was directed by
Ivo van Hove and ran for 125 performances.[58] In preparation, she read
Stacy Schiff's book The Witches: Salem, 1692, and collaborated closely with van Hove to empathise with her villainous character.[59] Instead of relying on previous portrayals of Williams, Ronan played her as "more victim than victimizer".[60] Writing for The Hollywood Reporter, David Rooney considered Ronan to be "icy and commanding" and Linda Winer of Newsday commented that she had played the part "with the duplicity of a malevolent surfer-girl".[61]
Ronan next voiced Marguerite Gachet in the biographical animated drama Loving Vincent (2017), and starred alongside
Billy Howle as troubled newlyweds on their honeymoon in a
film adaptation of
Ian McEwan's novel On Chesil Beach. In a mixed review of the latter film, Kate Erbland of
IndieWire thought Ronan was underutilised in it and that her performance had been overshadowed by that of Howle.[62] She starred in
Greta Gerwig's coming-of-age film Lady Bird, in which she played the titular role of Christine "Lady Bird" McPherson, a high school senior who shares a tumultuous relationship with her mother (played by
Laurie Metcalf). It ranks among the best-reviewed films of all time on the review-aggregator site
Rotten Tomatoes.[63] Deeming Ronan's performance one of the best of the year,
A. O. Scott of The New York Times wrote, "Ronan navigates each swerve in Lady Bird's story with an uncanny combination of self-confidence and discovery. She is as spontaneous and unpredictable as an actual 17-year-old ... which suggests an altogether stupefying level of craft."[64] She won the
Golden Globe Award for Best Actress in a Comedy or Musical; and received Academy Award, BAFTA and
SAG nominations for Best Actress.[65]
In 2017, Ronan hosted an episode of the
NBC sketch comedy Saturday Night Live, in which one of her sketches was criticised for its stereotypical portrayal of Irish people,[66] and featured in the music video for
Ed Sheeran's song "
Galway Girl".[67] The following year, she starred in an
adaptation of
Anton Chekhov's play The Seagull, in which she played Nina, an aspiring actress.[68] In a mixed review of the film, Michael O'Sullivan of The Washington Post praised Ronan's performance, writing that she "makes for an incandescent Nina, especially in her loopy final-act speech".[69] She starred as
Mary Stuart in the period drama Mary Queen of Scots, co-starring
Margot Robbie as
Elizabeth I of England.[70] To maintain the distance between their characters, Ronan and Robbie did not interact with one another until filming their climactic encounter.[71] Critic
Todd McCarthy praised both actresses' performances and credited Ronan for "carr[ying] the film with fiercely individualistic spirit".[72]
After becoming aware of a forthcoming film adaptation of
Louisa May Alcott's novel Little Women, written and directed by Greta Gerwig, Ronan campaigned to play the lead role of
Jo March, an aspiring author in the
American Civil War era.[73] In preparation, she read Marmee & Louisa, a biography about Alcott and her mother; the cast rehearsed the script for two weeks, and filming took place on location in
Concord, Massachusetts.[74]Little Women was released in 2019 to widespread critical acclaim.[75]Richard Lawson of Vanity Fair took note of how well Ronan had portrayed her character "in all her conflicted loyalty, the struggle between her familial contentment and her yearning for something more."[76] The film grossed over $218 million to emerge as her highest-grossing release.[77] Once again, she received Oscar, BAFTA and Golden Globe nominations for Best Actress.[78] This made Ronan—at 25 years and six months of age—the second youngest person to accrue four Oscar nominations, behind
Jennifer Lawrence.[79]
In 2020, Ronan portrayed the geologist
Charlotte Murchison opposite
Kate Winslet's
Mary Anning in
Francis Lee's Ammonite, a drama about a romantic relationship between the two women in the 1840s. The two actresses collaborated closely on the project, and they choreographed their own sex scenes.[80] Steve Pond of TheWrap considered it to be "the most mature performance of [Ronan's] remarkable career".[81] In the next year, Ronan had a small part in Wes Anderson's ensemble film The French Dispatch, about American journalists in France.[82] She made her
West End theatre debut at London's
Almeida Theatre, performing as
Lady Macbeth in a revival of The Tragedy of Macbeth, opposite
James McArdle. Ronan was intimidated by the experience of performing Shakespeare for the first time in her career, and drew inspiration from
Kanye West and
Kim Kardashian's marriage for portraying the relationship between Macbeth and Lady Macbeth.[83] Alexandra Pollard of The Independent took note of Ronan's "rare skill to make Shakespeare’s beautiful but weighty words easy to understand".[84]
Professional expansion (2022–present)
Ronan and
Sam Rockwell played cops solving a murder in 1950s London in the comedy mystery film See How They Run (2022).[85]Far Out's Calum Russell was pleased with her against-type "exercise in comedy acting".[86] She then starred opposite
Paul Mescal in a 2023
film adaptation of the science fiction novel Foe by
Iain Reid, directed by
Garth Davis.[87] Receiving dire critical reviews, it emerged as her most poorly received film in many years.[88][89]
Ronan, her boyfriend
Jack Lowden, and producer Dominic Norris formed the production company Arcade Pictures.[90] Under it, they produced The Outrun (2024), an adaptation of
Amy Liptrot's
memoir of the same name, directed by
Nora Fingscheidt.[91] Ronan also starred in the film as Rona (based on Liptrot); she found playing her character's struggle with alcoholism to be "very upsetting" as she had personally experienced the effects of addiction from those close to her.[92][93]The Guardian's Adrian Horton found her performance "at once titanic and quiet, and utterly convincing even in the very difficult art of acting drunk".[94] Lowden and Ronan stepped down from Arcade Pictures soon after the film's premiere at the
2024 Sundance Film Festival.[95]
Ronan will next star in
Steve McQueen's
World War II-set drama film Blitz.[96] She will also lead the comic thriller Bad Apples, playing a primary school teacher disrupted by an unruly student.[97]
Personal life and off-screen work
Ronan holds dual Irish and American citizenship and has said, "I don't know where I am from. I'm just Irish."[98] She also identifies as a New Yorker.[59][99] She is close with her parents, and lived with them until age 19.[100] She has credited her mother, who accompanied her on film sets as a teenager, for protecting her from uncomfortable situations.[101][100] In 2018 Ronan purchased a home in
Greystones, County Wicklow;[102] she sold the home in late 2019.[103] In late 2020 she purchased a house in
West Cork.[104] Since 2018, she has been in a relationship with Scottish actor
Jack Lowden, her co-star in Mary Queen of Scots, and divides her time between Dublin, London, and Scotland.[105][106] Lowden's
Instagram post in July 2023 sparked speculation about their engagement.[107]
She does not use social media, finding it "too stressful".[108] She had previously joined
Twitter in late 2009 due to being a fan of English comedian
Stephen Fry, whose heavy usage of the site
has been well documented, but soon deleted her account.[109] She said in a February 2018 interview, "I get why musicians do it, and journalists or people in the public eye. But acting is a different thing, 'cause you're not yourself when you're working. I'm not me in anything that anyone sees me in ... and self-promotion has always made me feel really uncomfortable."[109]
Erica Wagner of Harper's Bazaar has described Ronan's off-screen persona as "lively, funny, warm", while Vanessa Thorpe of The Guardian found her "unpretentious".[100][114] While reviewing Lady Bird in 2017, The New York Times critic A. O. Scott called Ronan "one of the most formidable actors in movies today".[115] In 2020, the newspaper ranked her tenth on its list of the greatest actors of the 21st century.[116] In the same year, she was placed sixth on The Irish Times' list of Ireland's greatest film actors of all time.[117]
In 2016, Ronan was featured by Forbes in two of their
30 Under 30 lists and in Time's
Next Generation Leaders list.[118] In 2018, she was featured in Maxim's Hot 100 list and was named among the best American actors under 30 by IndieWire.[119] She was ranked one of the best-dressed women in 2018 by the fashion website
Net-a-Porter.[120] Also that year,
Calvin Klein appointed her and
Lupita Nyong'o as the faces of
Raf Simons's "Women", his first fragrance for the company.[101][121] To support
sustainable fashion, she wore a dress to the 2020 Oscars that was made from the surplus fabric of the dress she wore to the BAFTAs.[122]
^Sandhu, Sukhdev (17 February 2010).
"The Lovely Bones, review". The Daily Telegraph.
Archived from the original on 15 December 2017. Retrieved 15 December 2017.
^Richards, Olly (25 September 2013).
"How I Live Now Review". Empire.
Archived from the original on 15 December 2017. Retrieved 15 December 2017.
"How I Live Now". Box Office Mojo.
Archived from the original on 4 April 2014. Retrieved 4 April 2014.
^Scott, A. O.; Morris, Wesley (7 December 2017).
"The 10 Best Actors of the Year". The New York Times.
Archived from the original on 7 December 2017. Retrieved 8 December 2017.