For other people with the same name, see
Samuel Green.
Sam Green is an American
documentary filmmaker. His most recent projects are “live documentaries” in which he narrates a film in-person while musicians perform a live soundtrack. His 2018 project A Thousand Thoughts features a live score by the
Kronos Quartet, and his 2012 project The Love Song of R. Buckminster Fuller featured a live score by the band
Yo La Tengo. Green's 2004 film The Weather Underground was nominated for an
Academy Award, included in the
Whitney Biennial, and broadcast nationally on
PBS.[1]
One of Green's earliest films, The Rainbow Man/John 3:16, focuses on the life of
Rollen Stewart, who became famous during the 1970s by appearing at thousands of televised sporting events wearing a rainbow-colored wig.[3] The film premiered at the 1997 Sundance Film Festival, where director of programming Trevor Groth described it as "a parable about alienation, the media, and the meaninglessness that often defines American life."[4] Green received the
Creative Capital Moving Image Award in 2001.[5]
Green's feature-length documentary film The Weather Underground focused on the group of violent extremists of the same name, who during the late 1960s and '70s attempted to violently overthrow the
United States government. The film premiered at the 2003
Sundance Film Festival and was nominated for a 2003
Academy Award for Documentary Feature category.[6] The award winning film interweaves extensive archival material with modern-day interviews to explore the story of the Weather Underground. The New York Times film critic Elvis Mitchell called the documentary a "terrifically smart and solid piece of film-making."[7]
Sam Green's documentary Utopia in Four Movements (2010) also premiered at the
Sundance Film Festival, in the category entitled "New Frontiers." In this "live" documentary, Green narrates the 75-minute film while a live band performs the soundtrack; the film examines various topics, including an American exile in Cuba, the world's largest shopping mall (located in China), the treatment of mass graves, and the history of the man-made language
Esperanto.[4]
Green’s 2012 live documentary, The Love Song of R. Buckminster Fuller, is a portrait of the theorist and designer
Buckminster Fuller and features a live soundtrack by the band
Yo La Tengo.[8] The piece combines in-person narration and live music alongside projected film clips and photographs.[9] It was commissioned by the
San Francisco Museum of Modern Art and premiered at the
San Francisco Film Festival in May 2012.
Green's 2018 live documentary, A Thousand Thoughts, chronicles the multi-decade career of the
Kronos Quartet. The piece premiered at the 2018
Sundance Film Festival and won the
San Francisco Film Festival audience award.[10] The piece is screened with a live score performed by the Kronos Quartet.[11]
32 Sounds, Green's most recent live documentary, is a collaboration with electronic musician
JD Samson. The film, which premiered at the 2022
Sundance Film Festival and played at
SXSW 2022, is described as a "meditation on the power of sound to bend time, cross borders, and profoundly shape our perception of the world around us".[12] In a review for
Rolling Stone, David Fear called 32 Sounds, 'the greatest documentary you've ever heard.'[13] Writing for
IndieWire, Eric Kohn says of 32 Sounds, 'the project’s long-term viability provides a valuable case study for how unconventional, smaller-scale non-fiction filmmaking can remain sustainable. Staying small and strange is a way to stay safe.'[14]
Julius Caesar was Buried in a Pet Cemetery (2018)[21][22]
This is What the Future Looked Like, co-directed with
Gary Hustwit (2017)
Brent Green/Sam Green: Live Cinema (2016)
The Measure of All Things, with the chamber music group yMusic and a trio made up of Brendan Canty (Fugazi), T. Griffin, and Catherine McRae (2014)[23]
A Cinematic Study of Fog in San Francisco, co-directed with Andy Black (2013)[24]