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Roya Arab
Background information
Born1967
Tehran, Iran
Occupation(s) Musician, archaeologist, curator
Instrument(s)Vocals, piano, guitar
Years active1994–present
Website http://www.royaarab.com/

Roya Arab (born 1967) is a British musician and archaeologist. Born in Tehran, she is an exile of the Iranian Revolution.

Early life and education

Roya Arab was born in Tehran, Iran. [1] She attended Maktabe Tarbiat school in Tehran, while also studying at summer schools in Montana, Switzerland, and St Georges in Ascot. After the 1979 revolution she boarded at Ancaster House School in Bexhill-on-Sea, before taking her A-levels at North Westminster Community School. She then completed one year of a copywriting/advertising course.

She joined the Institute of Archaeology (UCL) in 2000 to complete an Archaeology BA and Public Archaeology MA and remained as an Honorary Research Associate from 2008 until 2015. She is currently undertaking research into music in Iranian films and what it reveals about society’s attitudes to music and musicianship. In 2020 she was made Associate Member of SMEI and CIS at SOAS, University of London.

Musical career

Arab learned the craft of singing during jam sessions around London in the early and mid-1990s. [2] She was the first Iranian female to receive a publishing and recording deal from a major Western label, when she was signed as a member of Archive to Island Records in 1994, and the album Londinium was released in 1996. [3] [4] [5] The band broke up shortly after. Arab went on to work with various artists, including Leila in Like Weather, [6] [7] [8] Grooverider in Mysteries of Funk, [9] [10] followed by some work in Paris with Zend Avesta and Naab, before working on a project with Mike Figgis. Courtesy of Choice (2000) by Leila was the last album Arab appeared on before a hiatus to study archaeology.

In 2008 Arab sang on Blood, Looms and Blooms, [11] [12] [13] before joining Leila on a European tour in 2009. [14] Arab started working with young Iranian musicians leaving Iran including Hichkas and Ash Koosha, and performing live again. In 2011 the live recording of ‘Killing fields’ with Hichkas was made available to the public. ‘Mooye Parishoon’ was released in 2013 for raising awareness of domestic violence and abuse. She appeared on Rosko John 's debut solo album Call to Arms. Arab started collaborating with Arshid Azarine in 2018 and recorded a song for his 2019 album. A collaboration with Rone appeared in 2021.

Archeological archiving and socio-political commentary

During and after Arab's studies in public archaeology at the UCL she has catalogued historical documents including the Wertime Collection and the Campbell archives.

Arab promotes the cultures of the MENA region with a special interest in Iran. She has worked with organisations and festivals such as Nour (RBKC) and the London Middle East Institute at SOAS, University of London to curate cultural and educational events celebrating the heritage of Middle East and North Africa. In 2019, Arab co-edited an issue of The Middle East in London covering Iranian cinema. [15]

Selected discography

  • 1996:  Archive,  Londinium (Island Records): "All Time", "So few Words", "Ubiquitous Wife" (a.k.a. "Headspace"), "Darkroom", "Londinium", "Nothing Else", "Parvaneh (Butterfly)", "Last Five", "Ubiquitous Wife Remix" (hidden song)
  • 1998 & 2020: Leila, Like Weather: "Blue Grace" (R. Arab, L. Arab)
  • 1998: Grooverider, Mysteries of Funk: "Rainbows of Colour" (Roya Arab, Grooverider, Optical)
  • 1999: Naab, L’étranger: "L’étranger" (R. Arab, Naab)
  • 2000 & 2020: Zend Avesta, Organique: "À la Manière" (Roya Arab, Rebotini)
  • 2000: Leila, Courtesy of Choice: "Different time" (R. Arab, L. Arab, G. Jones, Woolley)
  • 2008: Leila, Blood, Looms and Blooms: "Daisies, Cats and Spacemen" (R. Arab, L. Arab)
  • 2011: R. Arab & Hichkas, "Killing Fields" live (R.Arab & Hichkas)
  • 2012: Rosko John, "Tactical light" (Rosko John and R.Arab)
  • 2013: Funkshy, Think before you do: “Funkshy’ (T.Omar & R.Arab)
  • 2013: Hichkas, R. Arab & Dariush "Mooye Parishoon" (Hichkas, R. Arab, Dariush & Mahdyar Aghajani)
  • 2014: R. Arab, "Siren's call" film score for Hinterland, a short film by Sebastian Lister
  • 2014: Rosko John, Call to Arms: "March Forth" (Rosko John, R. Arab & M. Aghajani)
  • 2019: Arshid Azarine, Sing me a Song “Hidden Hell” (R.Arab & A.Azarine)
  • 2021: Faubourg, Rith Banney and Roya Arab ''Lost''
  • 2021: Rone, Rone & Friends, “Twenty 20” ( Rone, R.Arab)

Selected publications

  • Arab. R & Rehren.Th 2004. "The pyrotechnological expedition of 1968". In: Th. Stöllner, R. Slotta and A. Vatandoust, eds), Persiens Antike Pracht, Bergbau Handwerk Archäogie, Deutsches Bergbau-Museum, Bochum: 550–555.
  • Arab, R. & Rehren, Th. 2004. ‘The Wertime Pyrotechnological Expedition of 1968’, IAMS, Vol 24: 29–34.
  • Arab, R. 2005. Student Guide Book for IHF educational programme in conjunction with the British Museum exhibition British Museum with Achaemenid assistance from S. Razmjou, edited by F. Hakimzadeh & R. Dwyer.
  • Arab, R. 2009. "Comments and Reflections on ‘Archaeology in Conflict: Cultural heritage, site management and sustainable developments in conflict and post- conflict states in the Middle East" in www.wikiarc.org
  • Arab, R. 2010. "Open letter on Iranian heritage". Public Archaeology, Vol 9, No 2: 108–120.
  • Arab, R. & N. Earl. 2011. "Persians, Classics and Secondary Education", The Journal of Classics Teaching, no. 24, Autumn 2011: 11–14.
  • Arab, R. 2013, "Terror and I", 23 July 2013 in www.mediadiversified.org.
  • Arab, R. 2014. "Campbell, John Nicholl Robert ii. The Archives", Encyclopædia Iranica.
  • Arab, R. 2015. "Review and reflections on Culture in Crisis Conference V&A April 2015". 20 May 2015 in www.wikiarc.org
  • Arab, R. 2015. "Can Composition and Performance be Research?" 25 November 2015. City University Blogspot.
  • Arab, R. 2016. "Swaying to Persian and Middle Eastern tunes in London", The Middle East in London. Vol 12, No 2, February/March 2016: 19–20.
  • Arab, R. 2016. "The changing use of music in Iranian films reflects a complex culture in flux". 30 April 2016 in www.mediadiversified.org.
  • Arab, R. 2017. “How Men Became the Sole Adult Dancing Singers in Iranian Films” in Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) Autumn 2017, Vol. 3.
  • Arab, R. 2019. “Parviz Sayyad: Socio-political commentator dressed as village fool” in The Middle East in London. Volume 15 – Number 2 February–March 2019

Reports

  • 2009. "Review and reflections on: Is the kingdom of Saudi Arabia prepared to defend Human Rights, Civil Liberties and Fight Terrorism". A Conference by Society Outreach, House of Lords, 7 December 2009.
  • 2009. "A report of the seminar for National Interfaith week" at the Zoroastrian Centre in London ( ZTFE), 18 November 2009.
  • 2010. "An overview of ‘State terrorism and Libya’s record on human rights: fact of fiction? A Conference by Society Outreach", House of Lords, 27 January 2010.

References

  1. ^ Straight No Chaser, Spring 1999.
  2. ^ Straight No Chaser, Spring 1999.
  3. ^ NME, 28 September 1996.
  4. ^ Mojo, January 1997.
  5. ^ Sunday Times, 6 October 1996.
  6. ^ Melody Maker, 28 February 1998.
  7. ^ Ben Willmott album of the month, VOX, May 1998.
  8. ^ NME album of the month, 28 March 1998.
  9. ^ Blues and Soul, 1 September 1998.
  10. ^ Record Mirror, 29 August 1998.
  11. ^ "Review NME: Courtesy Of Choice". Nme.com. Retrieved 1 August 2020.
  12. ^ "Leila: Blood, Looms and Blooms". Pitchfork.com. Retrieved 1 August 2020.
  13. ^ "Leila: Blood, Looms And Blooms". 6 July 2008. Retrieved 1 August 2020.
  14. ^ "Dernière minute : Roya Arab remplace Terry Hall". Letelegramme.fr. 10 February 2009. Retrieved 1 August 2020.
  15. ^ "Iranian Cinema" (PDF). The Middle East in London. Vol. 15, no. 2. London Middle East Institute. 2019.

External links

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