American classical composer
Roger Alfred Nixon (August 8, 1921 – October 13, 2009) was an American
composer, musician, and professor of music. He wrote over 60 compositions for
orchestra,
band,
choir and
opera. Nixon received multiple awards and honors for his works, many of which contain a feel of the rhythms and dances of the early settlers of his native state of
California.
Biography
Nixon was born and raised in California's Central Valley towns of
Tulare and
Modesto. Nixon attended
Modesto Junior College from 1938–1940 where he studied
clarinet with Frank Mancini, formerly of
John Philip Sousa's band. He continued his studies at
UC Berkeley, majoring in composition and receiving a Bachelor of Arts degree in 1941. His studies were then interrupted by almost four years of active duty in the
Navy during
World War II, serving as the commanding officer of an
LCMR in the Atlantic.
Following the war Nixon returned to UC Berkeley, first receiving a M.A. degree and later a
Ph.D. His primary teacher was
Roger Sessions. He also studied with
Arthur Bliss,
Ernest Bloch,
Charles Cushing, and
Frederick Jacobi. In the summer of 1948, he studied privately with
Arnold Schoenberg.
From 1951 to 1959, Nixon was on the music faculty at Modesto Junior College. He was then appointed to the faculty at
San Francisco State College, now San Francisco State University, in 1960 and began a long association with the Symphonic Band, which premiered many of his works. Most of Nixon's works are for band, but he has also composed for orchestra, chamber ensembles, solo piano, choral ensembles, as well as song cycles and an opera. His most popular and most-performed work is
Fiesta del Pacifico, a piece for concert band.
[1]
Nixon received several awards including a
Phelan Award, the
Neil A. Kjos Memorial Award, and five grants from the
National Endowment for the Arts. He was elected to the
American Bandmasters Association in 1973, the same year he won the association's
Ostwald Award for his composition Festival Fanfare March. In 1997, Nixon was honored by the Texas Bandmasters Association as a Heritage American Composer. At his death, he was Professor Emeritus of Music at San Francisco State University.
His students at San Francisco State University include
Kent Nagano.
Nixon died on October 13, 2009, from complications from
leukemia at Mills Peninsula Hospital in
Burlingame, California.
[2]
Selected works
- Stage
- Orchestra
- Air for Strings for string orchestra (1948)
- Mooney's Grove Suite (1964, revised 1967)
- Three Dances (1962)
- Overture
- Concertante
- Concerto for violin and orchestra (1950s)
- Reflections for flute and band (1965)
- Elegiac Rhapsody for viola and orchestra; initially composed as a separate work, used as movement II of the Viola Concerto
- Concerto for viola and orchestra (1969)
- Two Elegies for solo cello and cello ensemble (1978, 1984)
- Concert band
- Music of Appreciation (1944, premiered 1992, published 1994)
- Elegy and Fanfare-March (1958, revised 1967)
- Fiesta del Pacifico (1960)
- Prelude and Fugue (1961)
- San Joaquin Sketches (1962, revised 1982)
- Nocturne (1965)
- Reflections (1965)
- Centennial Fanfare-March (1970); composed for the centennial of the founding of
Modesto, California
- A Solemn Processional (published 1971)
- Festival Fanfare-March (1971); received the 1973 Ostwald Award of the American Bandmasters Association
- Psalm (1972, revised 1979)
- Music for a Civic Celebration (1975)
- Pacific Celebration Suite (1976)
- Chamarita! (1981)
- Academic Tribute (1982, published 1987)
- California Jubilee (1984)
- Arises the New Flower (1985)
- Flower of Youth (1988, published 1992)
- A Centennial Overture (1995)
- A Lyric Remembrance (1997)
- Las Vegas Holiday (2001)
- Monterey Holidays (2001)
- Mondavi Fanfare
- Brass
- Ceremonial Fanfare No. 1 for brass (1976)
- Ceremonial Piece for brass (1976, published 1980); composed for Bicentennial of America
- Concert Prelude for brass (1982–1988)
- Chamber music
- String Quartet (1949)
- Nocturne for flute and piano (1960)
- Four Duos for flute or oboe (or violin) and clarinet (or viola) (1966)
- Movement for clarinet and piano (1975)
- Variations for bass clarinet (1978)
- Conversations for violin and clarinet (1981)
- Variations for bassoon (1982, published 1983)
- Duo (Dialog) for flute and alto flute (published 1982)
- Two Duos for piccolo and E♭ clarinet (or flute) (published 1982)
- Three Duos for flute and clarinet (1983)
- Music for Clarinet and Piano, 5 Movements (1986)
- Variations for clarinet and cello (1991)
- Piano
- Five Piano Preludes (1946)
- Twelve Preludes (1984)
- Music for Piano (1994)
- Twenty-Four Preludes (1946–2000)
- Vocal
- Chinese Seasons, Song Cycle for soprano and piano (1942); words from The Hundred Names
- Six Moods of Love, Song Cycle for soprano and piano (1940s?)
- I Am Dark and Fair to See; anonymous words
- I Am in Love with High, Farseeing Places; words by
Arthur Davison Ficke
- Grief, Find the Words; words by
Philip Sidney
- It Was a Quiet Way; words by
Emily Dickinson
- Psalm to My Beloved; words by
Eunice Tietjens
- A Decade; words by
Amy Lowell
- Gliding o'er All for voice and piano (1972); words by
Walt Whitman
- A Narrative of Tides, Song Cycle for mezzo-soprano, flute and piano (1984); words from A Ring of Willows by Eric Barker
- Three Transcendental Songs on Poems by
Walt Whitman for mezzo-soprano and piano (1979)
- Choral
- Firwood for mixed chorus a cappella (1960); words by
John Clare
- Now Living Things for mixed chorus a cappella (1961); words by
Leonard Nathan
- The Wind for mixed chorus a cappella (published 1962); words from
A Child's Garden of Verses by
Robert Louis Stevenson
- Swallows for mixed chorus a cappella (1963); words by
Robert Louis Stevenson
- By-By-Baby, Lullay! for mixed chorus a cappella (1965); anonymous words from the 15th century
- Ditty for treble voices (SA) with piano (1966); words from
Songs of Travel by
Robert Louis Stevenson
- Love's Secret for male chorus a cappella (1967); words by
William Blake
- To the Evening Star for mixed chorus a cappella (1967); words by
William Blake
- Christmas Perspectives for mixed voices a cappella (1980)
- Festival Mass for mixed chorus and organ (1980)
- Chaunticleer, Motet for male chorus a cappella (1984); words by
Geoffrey Chaucer
- From
the Canterbury Tales for mixed voices a cappella (1986); words by
Geoffrey Chaucer in translation by Anne Worthington Prescott
- Chaucerian Visions for mixed voices and piano (1987); words by
Geoffrey Chaucer in translation by Anne Worthington Prescott
- Wonders of Christmas for soloists and mixed chorus a cappella (1993)
- How Great a Mystery; traditional words
- So Gracious Is the Time; words by
William Shakespeare
- Green Grow'th the Holly ; anonymous words from the 16th century
- The Star of Christmas Morning; traditional words
- Nativity Morn; words by
John Milton
- The Stable; anonymous words
- Our Joyful Feast for mixed chorus a cappella (published 2002); words by
George Wither
- The Christmas Tree for mixed chorus a cappella
- Long, Long Ago for mixed chorus a cappella
Further reading
- Anthony Mazzaferro, "Roger A. Nixon and His Works for Band", Journal of Band Research (Fall 1988)
References
Telephone interview of February 20, 1989 by Nicholas Pasquariello
[1]
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