Roberto Chavez | |
|---|---|
 Roberto Chavez, El Tamalito del Hoyo, 1959, Smithsonian American Art Museum | |
| Born | August 3, 1932 Los Angeles, California |
| Nationality | American |
| Education | Master of Arts |
| Alma mater | University of California, Los Angeles |
| Notable work | El Tamalito Del Hoyo, 1959; Jealousy or Guilt (The Tale of Genji), 1980 |
| Spouse | Janet Kassner |
| Website | https://www.robertochavez.art/ |
Roberto Chavez (born Roberto Esteban Chavez; August 3, 1932) is an American artist, [1] known for his personally symbolic portraits, public murals and "funny-grotesque" paintings [2] that reflect the multicultural landscape of Los Angeles. He was recently included in the Getty Center's Pacific Standard Time: Art in L.A., 1945-1980 and the Smithsonian’s Our America: The Latino Presence in American Art exhibits.
Background
Chavez was born in Los Angeles, California to Mexican immigrants who left the chaos and dangers of post-Revolution Mexico. Chavez and his seven siblings were raised in the Maravilla neighborhood in East Los Angeles, which at the time was inhabited by a mixture of working class families, mostly Latino, but also Jewish, Mexican, Armenian, Italian, Russian and Japanese emigres. [3]
Education
Chavez earned his Master of Fine Arts in 1961 at the University of California at Los Angeles, where he met and worked alongside Charles Garabedian, Gordon Rice, Eduardo Carrillo and Maxwell Hendler. In the early 1960s, Chavez became part of the "emerging gallery scene along La Cienega Boulevard" [4] at the Ceeje Gallery, which in contrast to the Ferus and Landau Galleries that often exhibited New York artists, highlighted local, ethnic and women artists. [5]
Murals
In the mid-1970s, Chavez began painting public murals [6] [7] throughout the city of Los Angeles, especially East L.A. where the La Raza political movement was gaining ground. [8] His 1972 anti-war mural Porque Se Pelean? Que No Son Carnales became part of artist Sandra de la Loza's Mural Remix. [9] show at LACMA Mural Remixed.
In 1974, Chavez painted The Path to Knowledge and the False University, a 200-foot mural on the East Los Angeles Community College campus, [10] where he worked as an arts educator and chair of the Chicano Studies department. Although the mural was destroyed by the college, the mural, its impact and the political questions surrounding the destruction were detailed in two museum exhibits: "Roberto Chavez and The False University: A Retrospective" at the Vincent Price Museum [11] and "Murales Rebeldes: L.A. Chicana/o Murals under Siege" [12] Pacific Standard Time: LA/LA Beyond Borders in 2017.
Recent exhibitions
- Advance of the Rear Guard: Ceeje Gallery in the 1960s [13] ArtCenter School of Design, Pasadena, California. October 2023 - March 2024.
- Zapata Después de Zapata Museo del Palacio de Bellas Artes, Mexico City, Mexico November 2019 - February 2020. [14]
-
Pacific Standard Time: LA/LA
[15]
- MURALES REBELDES!: Contested Chicana/o Public Art, LA Plaza de Cultura y Artes, Los Angeles, September 2017 - March 2018; San Francisco, California Historical Society, April - September 2018; Sacramento, California Museum, July - December 2019. [16] [17]
- A Universal History of Infamy, August 2017 - February 2018, [18] LACMA (Los Angeles County Museum of Art
- Our American: The Latino Presence in American Art, [19] Smithsonian American Art Museum, Washington DC, October 2013 - March 2014, National Tour through 2017 [20]
- Pacific Standard Time: Art in L.A. 1945 - 1980 [21] exhibits:
- Roberto Chavez and The False University: A Retrospective, Vincent Price Art Museum, September - December 2014 [24] [25]
References
- ^ "Smithsonian American Art Museum". Smithsonian American Art Museum. Retrieved 5 September 2014.
- ^ Miranda, Carolina A. (December 5, 2014). "Object Lesson: Roberto Chavez's dusty shelf of famous men". Los Angeles Times. Retrieved 18 May 2015.
- ^ Clark, Leilani (14 November 2012). "A Different World". Bohemian.com. Metro Newspapers. Retrieved 6 September 2014.
- ^ Noriega, Chon (Autumn 2011). "The City of Dreams....and Shoes". Tate Etc. (23). Retrieved 6 September 2014.
- ^ Noriega, Chon (Autumn 2011). "The City of Dreams...and Shoes". Tate Etc (23). Retrieved 6 September 2014.
- ^ Ostroff, Roberta (1971-01-31). "Up Against a Wall". Los Angeles Times.
- ^ Chavez, Roberto. "La Fiesta". The Mural Conservancy. The Mural Conservancy. Retrieved 6 September 2014.
- ^ Barnett, Alan W. (1984). Community murals : The People's Art. Alliance Press.
- ^ de la Loza, Sandra. "Mural Remix". LACMA. Los Angeles County Museum of Art. Retrieved 6 September 2014.
- ^ Venegas, Sybil (2014). Roberto Chavez and the False University. Vincent Price Art Museum. p. 44. ISBN 978-0-692-25542-1.
- ^ Venegas, Sybil. "Roberto Chavez and The False University: A Retrospective". Vincent Price Art Museum. Retrieved 21 July 2019.
- ^ "Exhibit: Murales Rebeldes". Murales Rebeldes. Pacific Standard Time: LA/LA. Retrieved 21 July 2019.
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^
"Advance of the Rear Guard: Ceeje Gallery in the 1960s". Alyce de Roulet Williamson Gallery. ArtCenter School of Design. Retrieved 16 September 2023.
A historical look at one of the most diverse galleries in 1960s Los Angeles.
- ^ "Zapata Despues de Zapata". Museo del Palacio de Belles Artes. INBAL. Retrieved 22 November 2019.
- ^ "Pacific Standard Time". The Getty. J. Paul Getty Trust. Archived from the original on 10 March 2015. Retrieved 6 September 2014.
- ^ "Pacific Standard Time at the Getty".
- ^ "Murales Rebeldes - California Museum - Home of the official California Hall of Fame". California Museum. Retrieved 22 November 2019.
- ^ "Universal History of Infamy Exhibit". LACMA.org. Los Angeles County Museum of Art. Retrieved 17 August 2019.
- ^ "Our America: The Latino Presence in American Art | Smithsonian American Art Museum".
- ^ "Our America". Smithsonian American Art Museum. Retrieved 5 September 2014.
- ^ "Pacific Standard Time". The Getty. J. Paul Getty Trust. Archived from the original on 10 March 2015. Retrieved 6 September 2014.
- ^ "Art Along the Hyphen". The Autry. Autry National Center. Retrieved 6 September 2014.
- ^ "PMCA.org". Pasadena Museum of California Art. Retrieved 6 September 2014.
- ^ "Vincent Price Museum". Vincent Price Museum online. Retrieved 6 September 2014.
- ^ Miranda, Carolina A. (12 September 2014). "Datebook". Los Angeles Times. Retrieved 12 September 2014.
Further reading
- Roberto Esteban Chavez (1961). Record of Creative Work in the Field of Painting.
- Carmen Ramos; Tomas Ybarra-Frausto (2014). Our America: The Latino Presence in American Art. GILES. ISBN 978-1-9078-0444-1.
- Eva Sperling Cockcroft; Holly Barnet-Sánchez (1993). Signs from the Heart: California Chicano Murals. UNM Press. pp. 45–46. ISBN 978-0-8263-1448-2.
- Material prepared for the CALIFAS Seminar at the Mary Porter Sesnon Gallery, Porter College, UCSC on April 16, 17, 18, 1982. Mary Porter Sesnon Gallery. 1982.
- Jesús Salvador Treviño (1 January 2001). Eyewitness: A Filmmaker's Memoir of the Chicano Movement. Arte Publico Press. pp. 124, 226. ISBN 978-1-61192-143-4.
- Sybil Venegas; William Moreno (10 September 2014). Roberto Chavez and the False University: A Retrospective. Vincent Price Art Museum. ISBN 978-0-692-25542-1.
- Roberto Chavez; Robert Ross (2012). Roberto Chavez: Paintings and Drawings. hit & run press. ISBN 978-0-936-15607-1.
External links
- El Tamalito del Hoyo, by Roberto Chavez, 1959, oil on masonite at the Smithsonian American Art Museum.
- "Self-Portrait with Speedy Gonzales", by Roberto Chavez, 1963, oil on canvas.
- "Ladies Art Class, Sawtelle", by Roberto Chavez, 1967, oil on canvas.
- "Jueves", by Roberto Chavez, 1992, Print Poster. Center for the Study of Political Graphics.