Richard Wolin (born 1952) is an American
intellectual historian who writes on 20th Century European philosophy, particularly German philosopher
Martin Heidegger and the group of thinkers known collectively as the
Frankfurt School.
Labyrinths: Explorations in the Critical History of Ideas.(1995)
Heidegger's Children: Philosophy, Anti-Semitism, and German-Jewish Identity (2001) also as Heidegger's Children:
Hannah Arendt, Karl Löwith,
Hans Jonas, and
Herbert Marcuse
The Seduction of Unreason: The Intellectual Romance with Fascism from Nietzsche to Postmodernism (2004)
Herbert Marcuse, Heideggerian Marxism Co-Editor (2005).
The Frankfurt School Revisited. (2006).
The Wind from the East: French Intellectuals, the
Cultural Revolution, and the Legacy of the 1960s.(2010).
Heidegger in Ruins: Between Philosophy and Ideology. (2023).
Articles
Telos 41, The De-Aestheticization of Art: On Adorno's Aesthetische Theorie. New York: Telos Press Ltd., Fall 1979. (
Telos Press).
Telos 43, An Aesthetic of Redemption: Benjamin's Path to Trauerspiel. New York: Telos Press Ltd., Spring 1980. (
Telos Press).
Telos 53, The Benjamin-Congress: Frankfurt (July 13, 1982). New York: Telos Press Ltd., Fall 1982. (
Telos Press).
Telos 62, Modernism vs. Postmodernism. New York: Telos Press Ltd., Winter 1984–1985. (
Telos Press).
Telos 63, The Bankruptcy of Left-Wing Kulturkritik: The "After the Avant-Garde" Conference. New York: Telos Press Ltd., Spring 1985. (
Telos Press).
Telos 64, Against Adjustment. New York: Telos Press Ltd., Fall 1985. (
Telos Press).
Telos 66, Leonetti-Deutscher-Rizzi Correspondence; False Criteria: The New Criterion or the Cultural Politics of Neo-Conservatism. New York: Telos Press Ltd., Winter 1985–1986. (
Telos Press).
Telos 67, Foucault's Aesthetic Decisionism. New York: Telos Press Ltd., Spring 1987. (
Telos Press).
“Carl Schmitt, Political Existentialism, and the Total State.” Theory and Society 19, no. 4 (1990): 389–416.
http://www.jstor.org/stable/657796.
“Carl Schmitt: The Conservative Revolutionary Habitus and the Aesthetics of Horror.” Political Theory 20, no. 3 (1992): 424–47.
http://www.jstor.org/stable/192186.