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Richard Ramirez is an American noise music artist originally from Houston, Texas, recording and performing both as a solo artist and as part of several groups, including Black Leather Jesus, ^[1] Priest in Shit, An Innocent Young Throat-Cutter, House of the Black Death, Martyr of Sores, Last Rape and the "static noise" solo project Werewolf Jerusalem. ^[2] He is notable for being one of the earliest American harsh noise artists^{[ citation needed]}.

Ramirez draws a distinction between his relatively few professionally printed CDs and LPs and the many CD-Rs and tapes he produces for smaller record labels.^{[ citation needed]} He has done collaborations and split releases with many important figures in the noise field, including Merzbow, Emil Beaulieau, Kommissar Hjuler & Mama Baer, Skin Crime, The Haters, Prurient, Smell & Quim, Macronympha, Stabat Mors, Kenji Siratori, Sudden Infant, and MSBR.^{[ citation needed]}

Ramirez's work tends to consist of long, slowly changing or static tracks of heavily distorted low- to mid-range noise, with a gradual move over the last several years toward more drone-influenced sounds in addition to his harsh noise work. Parallel to this evolution has been a shift in thematic concerns, with album covers, titles, and general themes changing from more typical noise music concerns such as violence and war (largely borrowed from industrial culture) to a focus on homosexual themes and gay pornography artwork. In addition to his musical work, Ramirez also runs the noise and experimental music label Deadline Recordings. Ramirez is also an "avant-garde" fashion designer under the alias, Richard Saenz. He recently collaborated with Giovanni Mori, musician power noise, mind of the project L.C.B., his album Born ( Old Europa Cafe in 2015) and has also made with L.C.B. an album on cassette entitled "Homo Sense" (Black Leather Jesus - Le Cose Bianche, Signora Ward Records).

References

External links

• An interview with Richard Ramirez
• Deadline Recordings official site
• Next Halloween

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