Philip Sallon was born in London in 1951, the grandson of Polish Jewish[7] immigrant tailors who moved to the UK in 1904. His father,
Ralph Sallon,[8] was a well-known
caricaturist[9] who married his mother Anna Simon in 1945. They had one son (Philip) and three daughters.[10] He was educated at
Harrow County School, later renamed Gayton school. In 1970 he enrolled on an arts foundation course at East Ham College. In 1975 he applied and was offered a place at
Saint Martin's School of Art to study fashion but he was expelled after one year for poor attendance. He then left St Martin's to pursue a career in theatre and later club promotion.
Career
In 1976 he applied for a job with the
BBC's
Costume Department and was taken on as an Assistant
Costume Designer during this time he was a fixture at the famous punk club Louise's where he became friends with
Sex Pistols and
Malcolm McLaren and began associating with a clique of young punk fans dubbed the "
Bromley Contingent".[11] after the BBC he then moved on to the
Royal Opera House in 1982 where he was employed as a Costume Designer during this period he pursued his other interests and is particularly known as an event organiser, DJ and club promoter who has been a well known fixture on the London club scene since the 1970s through the early
Punk movement[12] and the
New Romantic movement of the 1980s during which time he also staged
Vivienne Westwood's early catwalk shows[13] and into the 1990s and beyond.
Sallon's first foray on his own into club promotion was in 1981 with the one-nighter called Planets[25] in
Piccadilly[26] where he employed a young and then unknown DJ called George O'Dowd, who later became
Boy George.[27] This club-night ran for six months.
The Mud Club
In January 1983 Sallon began hosting the infamous Mud Club[28] on Fridays at 28 Leicester Square, launched with
Malcolm McLaren.[29] Here The Face magazine named the Mud as one of London's four coolest weekend club-nights,[30] before it subsequently moved on to Fooberts and in 1984 to Busbys, next to the Astoria Charing Cross Road where it ran until 1991. Sallon was known for his outrageous costumes and cutting personality. He scrutinised everyone entering the club and if you didn't look right or have the right attitude you would not be let in and told in no uncertain terms why you could not come in. The club's patrons were known for their sense of dressed-up decadence; the club's music policy was trashy disco played by original resident DJs
Mark Moore, Tasty Tim and Jay Strongman.[31]
Bagleys
In 1992 Sallon moved the Mud Club to Bagley's Warehouse that was then known for holding the biggest capacity nights in London. Phillip Salon's Mud Club dominated Bagleys on Saturday nights known for flamboyant clientele, staging productions of a large scale, designed by Gary Messider, including such strange design elements such as washing lines full of clothes above the dance-floor, housewife characters vacuuming on podiums the club ran until 1996[32] when the event was replaced by Freedom.[33]
Selected stage productions
Taboo the Musical
Phillip Sallon is portrayed[34] in Taboo the Musical, (2002), in which his character is the narrator; the show is based partly on the
New Romantic scene of the 1980s. At its core is the life and career of colourful pop star
Boy George (who rose to global prominence in the early 1980s with his band
Culture Club) and his contemporaries, including performance artist and club promoter
Leigh Bowery, pop singer Marilyn, Blitz nightclub host
Steve Strange (later of the electro-pop group
Visage), and Philip Sallon, punk groupie and Mud Club promoter.[35]
^"A piece by Philip Sallon". Burn Punk London. Burn Punk London, 23 September 2016. 23 September 2016. Archived from
the original on 17 March 2017. Retrieved 16 March 2017.
^Korol, Aro.
"Battle of Soho". Indiegogo. 2017. Retrieved 16 March 2017.
Sources
Everett, William A. and Laird, Paul R. (2009), The A to Z of the Broadway Musical, Scarecrow Press,
ISBN9780810870444
Hischak, Thomas S. (2008), The Oxford Companion to the American Musical: Theatre, Film, and Television, Oxford University Press, USA,
ISBN9780195335330