Parlor or parlour guitar usually refers to a type of acoustic guitar smaller than a Size No.0 Concert Guitar by C. F. Martin & Company. Mottola's Cyclopedic Dictionary of Lutherie Terms describes the term as referring to "any guitar that is narrower than current standards." [1]
The popularity of these guitars peaked from the late 19th century until the 1950s. Many blues and folk musicians have used smaller-bodied guitars, which were often more affordable, mass production models.
Parlor guitar has also come to denote a style of American guitar music from the 19th and early 20th centuries. [2] Noted composers include William Foden, Winslow Hayden, William Bateman, Justin Holland, and Wilhelm Bischoff. The music for the guitar includes a variety of dance forms ( waltz, schottische, polka), instrumental arrangements of popular songs, guitar arrangements of then popular classical music, operatic arrangements and music from European guitar composers ( Sor, Giuliani, Carcassi, Coste and Mertz). In the 1860, Henry Worrall composed two influential pieces for parlor guitar, "The Siege of Sebastopol" (sometimes spelled Sevastopol) and "Spanish Fandango." [3]
In the 2000s, the parlor guitar began enjoying a renaissance among players "who like their midrangery tone, historic vibe, and easy portability". [4] Modern luthiers are making parlor guitars in a wide variety of tonewoods. Takamine Guitars produces one made of cedar and koa, with a preamp powered by a 12AU7, the first acoustic guitar with a tube preamp. [4] Fylde Guitars produces the 'Single Malt Ariel' constructed from used whisky casks.
... Claire's Guitar [released circa 2005] is the fanciest Size 5 [guitar which] C. F. Martin has produced in more than 80 years, ...