Both Pangaea and its predecessor Agharta were recorded on February 1, 1975, in
Osaka,
Japan, at the
Festival Hall. The Agharta concert took place during an afternoon
matinee, whereas Pangaea was recorded in the evening.[3] This album's music was split into two tracks, "Zimbabwe" and "Gondwana", the latter of which was the name of
the ancient supercontinent, as was "
Pangaea".[4] According to discographer Peter Losin, the first track contains performances of "Turnaroundphrase", "Tune in 5", "Turnaroundphrase" again, "Tune in 5" again and "Zimbabwe" (not to be confused with the actual medley recording's title). The second track contains performances of "Ife", and "For Dave (Mr. Foster)", performed in that order.
Release
The album was first released exclusively in Japan by
CBS Sony in 1976.[5] It did not see release anywhere else until 1991, when in May that year,
Columbia Records released Pangaea on CD in the United States, as part of the label's
Columbia Jazz Contemporary Masters reissue program.[5][6]
In The Village Voice,
Robert Christgau gave Pangaea's 1991 CD reissue an
honorable mention, citing "Zimbabwe" as the highlight while lamenting the flute playing and scant track listing.[15] Davis biographer
Jack Chambers found the performance "vastly" inferior to Agharta,[5] as did
Paul Tingen, who lamented Davis' reduced presence and role directing his band. Tingen also observed "a sense of tiredness and drift", which he attributed to the septet having played the first concert earlier that day: "There are several extended periods during which the band just plays out the grooves, waiting for Miles to give the next cue."[16] In the Los Angeles Times,
Bill Kohlhaase called Pangaea "a striking personal soundtrack of decline that, like Miles himself, suffers from exhaustion before playing itself out".[11]
AllMusic's Thom Jurek was more enthusiastic. Although he found the band less impressive here than on Agharta, Jurek said some individual members stood out more on Pangaea, which he found just "as relentless" and "plenty satisfying".[2]J. D. Considine rated it half-a-star higher than Agharta in The Rolling Stone Album Guide.[13] In The Penguin Guide to Jazz,
Richard Cook and
Brian Morton wrote that like its predecessor, Pangaea's lengthy performances combined
musical forms from
African-American genres with
Karlheinz Stockhausen's "conception of a '
world music' that moves like creeping tectonic plates".[4] Furthermore, Cook and Morton write that 'Miles's trumpet playing on these bruising, unconscionable records is of the highest and most adventurous order...'[17] At the end of 1991, Pangaea was voted the ninth best
reissue of the year in the
Pazz & Jop, an annual poll of American critics published in The Village Voice.[18]
Influence
As with several other of Davis' live albums from the period, Pangaea became an influence on several
no wave and
funk artists.[19] Highbrow
new wave and
punk rock musicians, including
Tom Verlaine of
Television and
Robert Quine, were also influenced by the album after managing to obtain copies as an import from Japan.[20]
Track listing
1976 LP
Side one
No.
Title
Length
1.
"Zimbabwe" (Part 1)
20:25
Side two
No.
Title
Length
1.
"Zimbabwe" (Part 2)
21:13
Side three
No.
Title
Length
1.
"Gondwana" (Part 1)
23:23
Side four
No.
Title
Length
1.
"Gondwana" (Part 2)
23:57
1991 CD
Disc one
No.
Title
Length
1.
"Zimbabwe"
41:48
Disc two
No.
Title
Length
1.
"Gondwana"
46:50
"Gondwana" runs a length of 49:46 on the album's 1996 Japanese reissue.
Nakayama, Yasuki (2011). マイルス・デイヴィス『アガルタ』『パンゲア』の真実 [Miles Davis: The truth of Agharta and Pangaea] (in Japanese). Tokyo, Japan: Kawade Shobo Shinsha.
ISBN978-4309272412.