Ogotemmeli (also: Ogotemmêli[2] or Ogotommeli, died 1962[1]) was the
Dogon elder and
hogon who narrated the cosmogony, cosmology and symbols of the Dogon people to French anthropologist
Marcel Griaule during the 1930s, 1940s, and 1950s, that went on to be documented and adapted by contemporary scholars. A lot of what is known about the
Dogon religion, cosmogony and symbolism came from Griaule's work, which in turn came from Ogotemmeli—who taught it to him.[3][4][5]
Early life and work
Ogotommeli was blind since his youth as a result of his gun accidentally exploding in his face during a hunting expedition. That incident occurred as he was about to fire at a
porcupine. Despite the painful accident and his disability, Ogotemmeli attributed it to fate. As a diviner, elder and hogon, Ogotemmeli recounted that this fate was previously made known to him, but he chose to ignore it, and as such, had paid a costly price for ignoring the predictions.[2]
In 1931,
Marcel Griaule was on an
ethnographical expedition in
West Africa. He has heard of Ogotemmeli's name and reputation—as a famous diviner and "a man of outstanding wisdom" in the region. As such, Griaule tried to get an interview with him—sending messengers to search for him. When Ogotemmeli finally agreed to the interview, Griaule left for the
Dogon region of
Mali in 1933. For thirty–three days, Ogotemelli divulged to Griaule the Dogon's belief system.[2]
Those conversations with Ogotemmeli resulted in Griaule's most famous work—a diary of religious instructions by the high priest titled Dieu D'eau or Conversations With Ogotemmeli (
Griaule, M., Conversations with Ogotemmêli: An Introduction to Dogon Religious Ideas (contribution:
Dieterlen, Germaine,
International African Institute), International African Institute (1965),
ISBN9780195198218 (Originally published in 1948 as Dieu d'Eau)), and a finished anthropological report on the Dogon religion titled Le Renard Pale or The Pale Fox.[2][3]
Griaule's work has been criticised by scholars over the years as being "too idealistic at the expense of historical dynamism."[2]
In anthropology, Ogotemmeli has become a well known name, to the extent that "it epitomizes 'the informant', the person who describes phenomena and traits of his/her own culture, making them understandable to the researcher."[6]
Peck, Philip M., '"Recasting Divination Research'" [in]
John Pemberton III (ed.), Insight and Artistry in African Divination (Washington, DC, and London:
Smithsonian Institution Press (2002)
Imperato, Pascal James, Dogon Cliff Dwellers: The Art of Mali's Mountain People, L. Kahan Gallery/African Arts, (1978)