Vuong was born in
Hồ Chí Minh City, Vietnam.[6] His grandmother grew up in the Vietnamese countryside, and his grandfather was a white American Navy soldier, originally from Michigan. His grandparents met during the Vietnam War, married, and had three children, including Vuong's mother. His grandfather had gone back to visit home in the U.S. but was unable to return when
Saigon fell to communist forces. His grandmother separated his mother and aunts in
orphanages, concerned for their survival. They fled Vietnam after a police officer came to suspect that his mother was of mixed heritage, leaving her prone to discrimination by the regime's labour policies at the time.[7]
Two-year-old Vuong and his family eventually arrived in a refugee camp in the Philippines before achieving asylum and migrating to the United States, settling in
Hartford, Connecticut, alongside six relatives. His father abandoned the family after this. Vuong was reunited with his paternal grandfather later in life.[8][9][7] Vuong, who suspects
dyslexia runs in his family,[7] was the first in his family to learn to read,[9] at the age of eleven.[10] At 15 years old, Vuong worked on a tobacco farm illegally and would later describe his experiences on the farm in On Earth We're Briefly Gorgeous.[11]
Education
Vuong attended
Glastonbury High School in
Glastonbury, Connecticut, a school known for academic excellence. "I didn't know how to make use of it," Vuong has stated, noting that his grade point average at one point was 1.7.[12]
While in high school, he told fellow Glastonbury graduate Kat Chow he "understood he had to leave Connecticut." After spending some time at Manchester Community College, Vuong headed to
Pace University in New York to study marketing. His time there lasted only a few weeks before he understood it "wasn't for him."[12]
His first
chapbook, Burnings (
Sibling Rivalry Press), was a 2011 "Over The Rainbow" selection for notable books on non-heterosexuality by the
American Library Association.[22] His second chapbook, No (YesYes Books), was released in 2013.[23] His debut full-length collection, Night Sky with Exit Wounds, was released by
Copper Canyon Press in 2016.[24] His first novel, On Earth We're Briefly Gorgeous, was published by
Penguin Press on June 4, 2019. While working on the novel, the biggest issue Vuong had was with grammatical tense, since there are no past participles in
Vietnamese. Vuong also regarded the book as a "phantom novel" dedicated to the "phantom readership of the mother, of [his] family," who are illiterate and thus cannot read his book.[25] Vuong's mother was diagnosed with breast cancer three months before the publication of On Earth We're Briefly Gorgeous.[26] After his mother died in 2019, Vuong began writing his second collection of poetry, Time is a Mother, which has been described as a "search for life after the death of his mother."[27]
In August 2020, Vuong was revealed as the seventh writer to contribute to the
Future Library project. The project, which compiles original works by writers each year from 2014 to 2114, will remain unread until the collected 100 works are eventually published in 2114. Discussing his contribution to the project, Vuong opined that, "So much of publishing is about seeing your name in the world, but this is the opposite, putting the future ghost of you forward. You and I will have to die in order for us to get these texts. That is a heady thing to write towards, so I will sit with it a while."[28]
Vuong has stated his view of fiction as a moral vehicle. Discussing On Earth We're Briefly Gorgeous, he said: "Fiction is strongest when it launches a moral question. When it goes out and seeks to answer. The questions that we couldn't ask in life because the costs would be too much. Fiction and narrative art give us a vicarious opportunity to see these questions play out, at no true cost to our own."[29]
He served as the 2019-2020 Artist-In-Resident at NYU's Asian/Pacific/American Institute, also working with the school's Center for Refugee Poetics and the Lillian Vernon Creative Writers House.[30][31] In 2022, he became a tenured Professor of Creative Writing at NYU,[32] and has also taught in the MFA Program for Poets and Writers at the
University of Massachusetts, Amherst.[33][34] In 2022, Vuong was named as one of "32 Essential Asian American Writers" by
Buzzfeed Books.[30]
Personal life
Vuong has described himself as being raised by women. During a conversation with a customer, his mother, a
manicurist, expressed a desire to go to the beach, and pronounced the word "beach" as "bitch". The customer suggested she use the word "ocean" instead of "beach". After learning the definition of the word "ocean" — the most massive classified body of water, such as the Pacific Ocean, which connects the United States and Vietnam — she renamed her son Ocean.[8]
Three months before the novel On Earth We're Briefly Gorgeous was published, Vuong's mother was diagnosed with
breast cancer, and she passed away in November 2019.[35] Vuong wrote Time Is a Mother while in mourning. According to him, this collection of poems is the search for life after this heartbreaking event.[36][37]
In November 2021, an excerpt from On Earth We're Briefly Gorgeous was featured in that year's
New South Wales Higher School Certificate exams. The paper, the first of two English exams taken by year twelve students in the Australian state, required examinees to read an excerpt from the novel and answer a short question responding to it. On the exam's conclusion, Australian school students bombarded Vuong with confused inquiries via Instagram, to which the author responded in humorous fashion.[38]
Vuong is gay,[11] and is a practicing
Zen Buddhist.[39] He lives in
Northampton, Massachusetts, with his partner, Peter Bienkowski, and his half-brother whom he took in after their mother passed away.[40][41][34]
As of 2024, Vuong has won, received a nomination, or was considered for literature awards as well as career awards for fellowship and grant, residences, and listicles.
^Ocean Vuong (October 31, 2016).
"Scavengers". The New Yorker. Vol. 92, no. 36. p. 51.
Archived from the original on December 28, 2023. Retrieved December 28, 2023.