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Nettie Pettway Young (1916–2010) was an American artist. She is associated with the Gee's Bend quilting collective and was an assistant manager of the Freedom Quilting Bee. [1] [2] Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art and the Nasher Museum of Art. [3] [4]

Life

Nettie Pettway Young's paternal grandfather and father were enslaved in Alberta, Alabama. Her grandfather was born to the Irby Plantation, but was sold to the Pettway Plantation. There he raised Nettie's father. Thus, his last name was Pettway until he gained his freedom when he was an adult and moved to the Young Plantation to sharecrop. Nettie was raised on the Young Plantation after sharecropping when her father and her step-mother, Deborah Pettway Young, rented land from the Young Plantation. [5] Nettie only attended around eight months of school in her life due to the family not being able to afford to send her or her siblings. In the 1960s Nettie took part in the civil rights movement and was even arrested for her participation in them. [6]

Nettie married Clint Young and together the couple had eleven children. [6] They bought a house together from their landlord, the Wilkinson family. It was an original 1930's "project house," which they later received an FHA loan to afford. Nettie lived in that house and tended to the surrounding land until she died. [5]

Work

Young worked with a keen intuition for construction that she learned from her step-mother, Deborah Pettway Young. She made all of her children's clothes and did not use patterns for sewing clothes or quilts. Nettie was a co-manager and quilter starting at the very beginning of the Freedom Quilting Bee’s existence. When she joined the Freedom Quilting Bee, she began to use patterns common among her peers, and this, she said, stifled her creativity. "It broke the ideas I had in my head. I should have stayed with my own ideas." [5] One of Nettie's favorite quilt patterns is reported to be The Bricklayer pattern. [6]

Exhibitions

Further reading

  • Beardsley, J. (2002). Gee's Bend: The Women and Their Quilts. Greece: Tinwood Books.
  • Arnett, W. (2006). Gee's Bend: The Architecture of the Quilt. Greece: Tinwood Books.
  • Beardsley, J. (2002). The Quilts of Gee's Bend. Greece: Tinwood Books.
  • Cassel Oliver, V. (2019). Cosmologies from the Tree of Life: Art from the African American South. United States: Virginia Museum of Fine Arts.
  • Creation Story: Gee's Bend Quilts and the Art of Thornton Dial. (2012). United States: Frist Center for the Visual Arts.

References

  1. ^ Arnett, William; Herman, Bernard (2006). Gee's Bend: The Architecture of the Quilt. Tinwood Books. p. 97. ISBN  9780971910478.
  2. ^ Callahan, Nancy (2005-04-17). The Freedom Quilting Bee: Folk Art and the Civil Rights Movement. University of Alabama Press. p. 193. ISBN  9780817352479.
  3. ^ "Philadelphia Museum of Art Expands African American Art Collection". Art & Object. 15 January 2018. Retrieved 2019-04-21.
  4. ^ "Nettie Young". Nasher Museum of Art at Duke University. Retrieved 2019-04-21.
  5. ^ a b c d e f g h "Nettie Young | Souls Grown Deep Foundation". www.soulsgrowndeep.org. Retrieved 2019-06-19.
  6. ^ a b c Callahan, Nancy (1987). The Freedom Quilting Bee. Tuscaloosa, Ala: University of Alabama Press. pp. 187–192. ISBN  978-0-8173-0310-5.
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