Mutual Film Company, LLC is an American film
production company based in Hollywood, California. The company was initially founded by financer Gary Levinsohn in 1989 as Classico Entertainment, before combining with
The Mark Gordon Company in 1995 to form Cloud Nine Entertainment. Mutual is a film financier that was involved in the co-production of feature films. Mutual notably co-produced and financed several feature films for
Paramount Pictures and
Universal Studios.
Following Cloud Nine's establishment, the company created an international sales division, and finalized a multi-year equity partnership with four companies — the United Kingdom's
BBC, Germany's
Tele-München, Japan's
Toho-Towa/
Marubeni and France's
UGC-PH. These four companies financed 60% (15% each) of the films' budgets,[6] in exchange for distribution rights in their respective territories and
equity stakes in the films on a worldwide basis.[5]
The company's first film under the new regime was 1997's The Relic.[4]
Eighteen months after forming Cloud Nine, Gordon and Levinsohn renamed the company to Mutual Film Company. The new name was meant to reflect the joint venture and the profits it would share with its international investors.[4]
In 2000, three of Mutual's partners,
Tele Munchen Gruppe,
BBC, and
Toho, negotiated with a banking consortium led by
Union Bank of California and secured a $200 million revolving credit line that would allow Mutual to produce and finance films without approval from a major film studio.[7]Lara Croft: Tomb Raider, released in 2001, became the second highest-grossing film produced by Mutual (after Saving Private Ryan), while its sequel, subtitled The Cradle of Life, underperformed. Mutual's investors left the company, citing the poor box office performances of the many films produced.[6]
In September 2000, Gordon left Mutual to relaunch his own company, the Mark Gordon Company.[8] Film producer
Don Granger joined the company, working alongside Levinsohn.[6]
Filmography
Mutual Film Company has produced 21 films. Of these, only two of them, Blue Ice and The Ripper were
made-for-television productions. Note that in some cases the distributor or distributors are also co-producers. The box office column reflects the worldwide gross for the theatrical release of the films in
United States dollars.