Mule Variations is the thirteenth studio album by American musician
Tom Waits, released on April 16, 1999, on the
ANTI-label. It was Waits' first studio album in six years, following
The Black Rider (1993). The album was backed by an extensive tour in Europe and North America during the summer and autumn of 1999, which was Waits' first proper tour since 1987. Other promotional stops included a solo performance on VH1 Storytellers.
Upon its release, Mule Variations received widespread critical acclaim.
AllMusic reviewer
Stephen Thomas Erlewine stated that "the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish. So Mule Variations delivers what fans want, in terms of both songs and sonics" and awarded the album four out of five stars.[2] Former Village Voice editor
Robert Christgau gave the album an A− rating and praised the songwriting of Waits and his wife
Kathleen Brennan, saying "together they humanize the percussion-battered Bone Machine sound, reconstituting his '80s alienation effects into a
Delta harshness with more give to it."[11]David Browne of Entertainment Weekly said that Mule Variations "restores the wizened humanity – and a more traditional sense of songcraft – to [Waits'] music", gave the album a B+ rating and concluded that Waits was "the last of the classic American tunesmiths."[3]
Hot Press reviewer
Peter Murphy described the album as "an emotionally forthright record" and called it "a record of at least two minds: scuffed rooming-house madrigals [...] contrasted with big, fat, bleeding heart ballads."[12] Zach Hooker of Pitchfork awarded the album a 9.5 out of 10 rating, describing it as "a great album" and further saying that "sonically, it picks up where Bone Machine left off, but drops some of that album's artifice: the clattering, trebly out-back-of-the-shed sound is still here and the inexplicable presence of
Primus persists."[7]Rolling Stone said that the album "contains the most blues of any album [Tom Waits has] made" but added "the problem is that it's more of the same", describing it as "the latest installment of discourse" and awarding the album three out of five stars.[8]
In 2010, Mule Variations was awarded a platinum certification from the
Independent Music Companies Association,[19] which indicated sales of at least 500,000 copies throughout Europe. As of 2006, sales in the United States have exceeded 440,000 copies, according to
Nielsen SoundScan.[20]
Christopher Marvin, the son of actor
Lee Marvin, was featured as a guest drummer as a nod to Waits' membership in
The Sons of Lee Marvin, a humorous secret society of Marvin look-alikes.