Mughal carpets (Moghul or Mogul carpets) were the handwoven floor coverings used in the
Mughal Empire in their courts. Mughal carpets and rugs have their roots in India since the 16th and 17th centuries. Mughal
carpets were a blend of Persian and Indian artistry uniquely designed with scenic landscapes, floral, and animal patterns.
Kashmir was producing the finest
wool and
silk carpets and rugs, including prayer rugs. Sometimes the
knot density in these
rugs was so fine and tight as 300 knots per square centimeter.
The
Mughal emperors were enthusiastic about textile materials, especially the third Mughal emperor
Akbar who set numerous
imperial workshops across
India. He also arranged training of local artisans to improve the skill. In addition to
textile, the manufacturing of carpets was an important industry. [1][2][3][4][5][6]
Production
Mughal carpets are thought to have been produced in various locations, including
Agra,
Lahore, and
Fatehpur Sikri.[7] The karkhanas of carpet, rugs, tents, and various other floor coverings was called Farrash khana.[8]
In the Mughal period, the production of carpets went beyond being merely an economic pursuit. Instead, it was intricately connected with the refined preferences of the royalty, societal traditions, and the artistic principles cherished within the Islamic realm.[9]
Farsh-i-chandani
Nur Jahan is credited with popularizing farsh-i-chandani, a sandalwood-colored carpeting style, which gained widespread popularity throughout the country during her reign.[10]Heinrich Blochmann characterised it with a sandalwood hue, whereas
Samsam ud Daula Shah Nawaz Khan referred to it as a silvery carpet.[11]
Farsh-i-chandani was also used in
Mughal Harem.[12] The elegantly embellished ceiling and floor colors of the
tomb of I'timād-ud-Daulah offer a glimpse into the potential aesthetics of the Farsh-i-Chandani carpet, which is associated with Nur Jahan's distinctive fashion sensibility.[13]