"Minnie the Moocher" is a
jazz-
scat song co-written by American musician
Cab Calloway and first recorded in 1931 by Calloway and his orchestra, selling over a million copies.[1] "Minnie the Moocher" is most famous for its nonsensical
ad libbed ("
scat") lyrics (for example, "Hi De Hi De Hi De Ho"). In performances, Calloway would have the audience and the band members participate by repeating each scat phrase in a form of
call and response, eventually making it too fast and complicated for the audience to replicate.
Released by
Brunswick Records, the song was the
biggest chart-topper of 1931.[2] Calloway publicized and then celebrated a "12th birthday" for the song on June 17, 1943, while performing at New York's Strand Theatre. He reported that he was then singing the song at both beginning and end of four performances daily, and then estimated his total performances to date: "she's kicked the gong around for me more than 40,000 times."[3]
"Minnie the Moocher" was inducted into the
Grammy Hall of Fame in 1999, and in 2019 was selected for preservation in the
National Recording Registry as "culturally, historically, or aesthetically significant" by the
Library of Congress.[5] It has been argued that the record was the first jazz record to sell a million copies.[6]
The lyrics describe the story of a woman known as "Minnie the Moocher", a "moocher" being American slang for a person who constantly asks others for money or who takes unfair advantage of generosity. She is described as a performer of the sexually-suggestive
Hoochie coochie dance. The lyrics are heavily laden with
drug references, and describe Minnie's vivid dreams after drug use. The character "Smokey" is described as "cokey", meaning a user of
cocaine; the phrase "kick the gong around" was a slang reference to smoking
opium.[9] The song ends with Calloway wailing "Poor Min!" insinuating an untimely end for the protagonist.[10] The "hi-de-ho" scat lyrics came about when Calloway forgot the lyrics to the song one night during a live radio concert.[11]
The November 22, 1951 issue of Jet magazine claimed the song was partly inspired by a woman named Minnie Gayton who had recently died at the age of 85, and was known in the Indianapolis area due to her begging for food. However, Calloway's 1976 autobiography made no mention of Gayton.[12]
Notable performances and cover versions
"Minnie the Moocher" has been
covered or simply referenced by many other performers. Its refrain, particularly the
call and response, is part of the language of American
jazz. At the
Cab Calloway School of the Arts, which is named for the singer, students perform "Minnie the Moocher" as a traditional part of talent showcases.
In 1967, the song was covered again by an
Australian band, The Cherokees. A version by the Reggae Philharmonic Orchestra made number 35 in the
UK Singles Chart late in 1988.[13]Tupac Shakur and
Chopmaster J made a
hip hop version of the song in 1989. The song can be found on Beginnings: The Lost Tapes 1988–1991 from 2007. A contemporary
swing band,
Big Bad Voodoo Daddy, recorded a cover on their 1998 album, Americana Deluxe. L.A.-based new wave/rock band
Oingo Boingo has covered this song, as well as other Cab Calloway songs, during live performances throughout their career, dating back to their years as Mystic Knights of the Oingo Boingo.
On January 19, 2001,
Wyclef Jean opened his "All Star Jam @ Carnegie Hall" concert with this number, walking to the stage from the back of the audience, dressed all in white like Calloway's preferred white suit for performing. The song "The Mighty O" by
Outkast is also heavily inspired by the "Minnie the Moocher".
The English singer-songwriter
Robbie Williams is famed (and often lightheartedly ridiculed) for his frequent tendency to engage in call and response with his audience. As a tongue in cheek retort to the criticism, he performed "Minnie the Moocher" on the
Take the Crown Stadium Tour, albeit changing the lyrics to be about himself. He then released a studio recording of the song on his 10th studio album, Robbie Williams Swings Both Ways.
Bertie Wooster sings this song whilst playing the piano in Jeeves and Wooster, at first musing over the lyrics before insisting that an unenthusiastic Jeeves join in.[15]
Although it is not heard, the song is mentioned by name in the 1991 Sylvester Stallone movie, Oscar.
The song is performed on screen with a video of Calloway at every
New York Jets home game.
In 1932, Calloway sang the first lines of the song in the title sequence of comedy film The Big Broadcast. He performs the full song later in the film, miming snorting cocaine in between verses.[16]
Calloway performed the entire song in the movie Rhythm and Blues Revue (1955), filmed at the
Apollo Theater. Much later, in 1980 at age 73, Calloway performed the song in the movie The Blues Brothers. Calloway's character Curtis, a church janitor and the Blues Brothers' mentor, magically transforms the band into a 1930s swing band and sings "Minnie the Moocher" when the crowd becomes impatient at the beginning of the movie's climactic production number. According to director
John Landis in the 1998 documentary The Stories Behind the Making of "The Blues Brothers", Calloway initially wanted to do a disco variation on his signature tune, having done the song in several styles in the past, but Landis insisted that the song be rendered faithfully to the original big band version. Halfway through the song though, Calloway and the band would do a partial section of the song at a much faster pace, similar to Calloway's later performances.
In the 1935
Marx Brothers' film A Night at the Opera,
Groucho Marx famously quipped, "You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents. And for a buck and a quarter, you can get Minnie."
In the 1979 film Escape to Athena,
Stefanie Powers sings "Minnie the Moocher" for an audience of German officers in a POW camp.
The band
Mystic Knights of the Oingo Boingo performed the song in the
Richard Elfman film Forbidden Zone, with altered lyrics and titled "Squeezit the Moocher", after one of the movie's characters, Squeezit Henderson.
Danny Elfman, playing a rather
vaudevillian Satan, sings the song as his band (other members of Oingo Boingo at the time) respond to his calls. Oogie Boogie's song from The Nightmare Before Christmas, which Elfman composed the music for, is also similar to "Minnie the Moocher".
The popular refrain is performed by a funeral band in the 1999 film Double Jeopardy.
The song is played multiple times in the early stages of the 2013 film Magic Magic starring
Juno Temple.
The song was used in the Danish children's circus
Cirkus Summarum with other lyrics. It is sung by
Silja Okking with the audience repeating the nonsensical lyrics in the chorus.
Animation
In 1932, Calloway recorded the song for a
Fleischer StudiosTalkartoon short cartoon, also called Minnie the Moocher, starring
Betty Boop and
Bimbo, and released on March 11, 1932. Calloway and his band provide most of the short's score and themselves appear in a live-action introduction, playing "Prohibition Blues". The thirty-second live-action segment is the earliest-known film footage of Calloway. In the cartoon, Betty decides to run away from her parents after they insist in old-country broken English that she eat
Hasenpfeffer despite her not wanting to (to the
Harry Von Tilzer tune "They Always Pick on Me"), and Bimbo comes with her. While walking away from home, Betty and Bimbo wind up in a spooky area and hide in a hollow tree. A spectral
walrus—whose gyrations were
rotoscoped from footage of Calloway dancing—appears to them, and begins to sing "Minnie the Moocher", with many fellow ghosts following along, during which they do scary things like place ghosts on electric chairs who still survive after the shock, and a cat feeding her kittens so much milk that they grow big immediately while the mother grows thin and dies. After singing the whole number, the ghosts chase Betty and Bimbo all the way back to Betty's home. While Betty is hiding under the covers of her bedsheets, her runaway note is torn up and the remaining letters read "Home Sweet Home". In 1933 another Betty Boop/Cab Calloway cartoon with "Minnie the Moocher" was The Old Man of the Mountain.
The 1933
Pooch the Pup cartoon She Done Him Right also features the song "Minnie the Moocher's Wedding Day". It was sung by the nightclub singer whom Pooch is in love with.[17]
Minnie herself is mentioned in a number of other Cab Calloway songs, including "Minnie the Moocher's Wedding Day", "Ghost of Smokey Joe", "Kickin' the Gong Around", "Minnie's a Hepcat Now", "Mr. Paganini – Swing for Minnie", "We Go Well Together", and "Zah Zuh Zaz". Some of these songs indicate that Minnie's boyfriend Smokey was named Smokey Joe as well.
In the 1935
Marx Brothers' film A Night at the Opera,
Groucho Marx famously quipped, "You're willing to pay him a thousand dollars a night just for singing? Why, you can get a phonograph record of 'Minnie the Moocher' for 75 cents. And for a buck and a quarter, you can get Minnie."
Jeffrey Lewis referenced "Minnie the Moocher" in his song "Mini-Theme: Moocher from the Future" from his 2009 album 'Em Are I.
In 1931, the same year that Calloway recorded the first version of "Minnie the Moocher", his sister Blanche (who performed as
Blanche Calloway with her "Joy Boys") recorded "Growlin' Dan", in which Minnie is evoked, along with a variation on Calloway's "hi-de-ho".
Minnie is referenced in
Clarence Williams and His Orchestra's 1934 song "Jerry the Junker": "Well, you've heard about Minnie the Moocher/ And about Smokey Joe / Gather 'round friends and I'll tell you a tale / Of a cat you oughta know".
Referenced in
Beastie Boys song “Finger Lickin’ Good”: “‘Cause I’m Pete the Puma, Minnie the Moocher/Got every type of flavor that will suit ‘ya.” The song was featured on the band’s multi-platinum album
Check Your Head (1992).