Mata (stylised in
all caps) is the sixth studio album by English recording artist
M.I.A. It was released on 14 October 2022 through
Island Records, marking her first album release for six years. M.I.A. worked with a number of producers on the album, including
Skrillex and long-time collaborator
Diplo, and recorded tracks in various locations around the world. As with M.I.A.'s earlier releases, the album mixes
Eastern and
Western musical influences, with styles such as
moombahton and
bhangra incorporated into the music. Mata received generally positive reviews from music critics but, unlike her previous albums, it did not enter the album charts in either the UK or US.
Background
In September 2016,
M.I.A. released her fifth studio album AIM, which was originally promoted as being her final studio album.[2] In 2019, however, M.I.A. revealed that she had begun working on a new studio album. On 31 January 2020, she launched a
Patreon page to fund new music, stating that her upcoming album was "nearly finished".[3] On 22 March 2020, coinciding with the release of "OHMNI 202091", her first song in three years, she suggested that a new record would arrive later the same year.[4] She released another track, "Babylon", in 2021,[5] but there was little further news about the album.[6]
Tracks for the album were recorded in various locations around the world, including
London,
Los Angeles,
Italy,
Bali,
Jakarta, and
Saint Vincent.[7] Navz-47, an artist of
Sri Lankan descent like M.I.A., provided vocals on the track "Puththi". Another track created for the album, "Tribe", featured rapper
Juice Wrld, who died in December 2019, but it was dropped at the last minute.[8]Doja Cat and
Nicki Minaj were also reportedly set to appear on the album with M.I.A. claiming that she had "had to wait 2 years for [their verses]... never mind".[9] She worked with various producers, including
Skrillex, Rex Kudo, T-Minus, and Heavy Mellow, as well as
Diplo, with whom she had collaborated intermittently since 2004.[10][11]
Music and lyrics
As with M.I.A.'s earlier releases, the album mixes
Eastern and
Western musical influences. The album incorporates a range of
world music styles, including
moombahton on "Beep" and
reggaeton on "
Popular". "Energy Freq" incorporates
bhangra and vocals from a
Tamil film; Saeed Saeed of
Abu Dhabi's The National opined that the song could be "this generation's version of
Punjabi MC's [sic] 2002 hit '
Mundian To Bach Ke'."[12] The track "100% Sustainable" incorporates a
field recording of a Tamil choir.[8] "K.T.P. (Keep the Peace)" contains a sample of the 2003 song "
Maps" by
rock band
Yeah Yeah Yeahs.[8] Lyrically, "Zoo Girl" contains references to the rapper's status as a Sri Lankan refugee, calling her a "zoo girl straight out the
wild, wildEast". "Time Traveller" refers to the
vimana, a mythical flying palace mentioned in
Hindu texts.[13]
Release and artwork
M.I.A. had considered naming the album Ikhyd after her son.[14] On 31 October 2021, however, she officially announced the album title through an
Instagram post stating "to reflect where I am and what we want to build, I'm proud to announce starting today my LP is now Mata." The post was a parody of the announcement earlier in the month that the company which operates
Facebook was changing its name to
Meta.[9] The album was released on 14 October 2022.[15][16] The album cover features a logo with the T resembling a
Christian cross; the singer had revealed earlier in the year that she had become a
born-again Christian.[1][17][18]
Promotion
"
The One" was released on 26 May 2022 as the lead single from the album along with its
music video. Prior to the release of the single, M.I.A. performed it at Just Like Heaven festival.[19] "Popular" was released as the album's second single on 12 August 2022. It was announced three days prior to its release and was accompanied by a video featuring M.I.A.'s "robotic double" M.A.I.[20] "Beep" was released as the third single from the album on 30 September 2022; the track also featured on the soundtrack of
footballvideo gameFIFA 23.[21]
In a review for
AllMusic, Heather Phares concluded that, "six albums in, M.I.A. still has a remarkable gift for tapping into the emotions behind the issues" and that by "focusing on that skill makes MATA one of her most consistent albums, and not so much a safe return as a savvy one".[1] Writing for Rolling Stone, Michelle Hyun Kim wrote that the album "reminds listeners of the novelty of [M.I.A.'s] pioneering music style" but criticised the lyrical content, saying "Yes, M.I.A. is still here, but it's unclear whether she has anything new to say."[13] Shaad D'Souza of The Guardian stated that the album "may be MIA's most contemplative record, recalling lyrical themes from every part of her career" but that it was "very clearly not an attempt to re-enter the mainstream
pop world she was orbiting in the
2010s".[23]Slant Magazine's Sam C. Mac called it an album of "exhilarating musical riches" and praised the juxtaposition of "sociopolitical commentary and personal identity".[8]Robert Christgau, reviewing in his "Consumer Guide" on
Substack, conceded that while she is "always longer on political instinct than political acuity", Mata proves again the distinctiveness of her "hip-hop groove and rap dialect" alongside "brags beyond the reach of any rival".[22]