Margaret Randall (born 1936,
New York City, USA) is an American writer, photographer, activist and academic. Born in New York City, she lived for many years in Spain, Mexico, Cuba, and Nicaragua, and spent time in North Vietnam during the last months of the U.S. war in that country. She has written extensively on her experiences abroad and back in the United States and has taught at
Trinity College in Hartford, Connecticut, and other colleges.
Biography
In 1958, she met with
Elaine de Kooning in New Mexico, where the painter had a teaching position, and they became friends. Margaret Randall being a fan of bullfights would take Elaine to Mexico to watch these events.[1]
Randall moved to Mexico in the 1960s, married the Mexican poet Sergio Mondragón and gave up her American citizenship.[2] She moved to Cuba in 1969, where she deepened her interest in women's issues and wrote oral histories of mainly women, "want[ing] to understand what a socialist revolution could mean for women, what problems it might solve and which leave unsolved."[2] Her 2009 memoir To Change The World: My Years in Cuba chronicle that period of her life.[3] She lived in Managua, Nicaragua, from 1980 to 1984, writing about Nicaraguan women, and returned to the United States after an absence of 23 years.[2]
Shortly after her return in 1984, she was ordered deported under the
McCarran-Walter Act of 1952. The government’s case rested on two arguments. First, while living in Mexico and married to a Mexican citizen, she had taken out Mexican citizenship, thereby presumably losing her U.S. citizenship.[4] This was in 1967. In addition, under McCarran-Walter, the government claimed that the opinions Randall expressed in several of her books were "against the good order and happiness of the United States". The
INS district director gave the justification that "her writings go far beyond mere dissent".[5][6][7][8] With the support of many well-known writers and others, Randall won a
Board of Immigration Appeals case in 1989 ordering the INS to grant her
adjustment of status to
permanent residence and restoration of citizenship.[9][10]
Among her best-known books are Cuban Women Now, Sandino’s Daughters, Sandino’s Daughters Revisited, and When I Look into the Mirror and see You: Women, Terror and Resistance (all oral history with essay).
Recent books include Che On My Mind (essay), The Rhizome as a Field of Broken Bones[11] (poetry), and Haydée Santamaría, Cuban Revolutionary: She Led by Transgression (essays), .To Change the World: My Years in Cuba (memoir, with photos), Narrative of Power and First Laugh (essay), and Stones Witness, Their Backs to the Sea, My Town, Something's Wrong with the Cornfields, and Ruins (poems, with photos), and As If the Empty Chair / Como si la silla vacía (poems in tribute to the disappeared of Latin America, in bilingual edition, translations by Leandro Katz and Diego Guerra). Time’s Language: Selected Poems 1959-2018 was published by Wing’s Press in 2018. In 2020 Duke University Press brought out her memoir, I Never Left Home: Poet, Feminist, Revolutionary.
Two of Randall’s photographs are in the Capitol Collection at the Round House in Santa Fe, New Mexico. In 2017 she was awarded a medal for Literary Achievement by the state of Chihuahua, Mexico, in 2019 Poesía en Paralelo Cero gave her its Poet of Two Hemispheres Prize, and Casa de las Américas in Cuba gave her its prestigious Haydée Santamaría medal. That same year the University of New Mexico awarded her its Doctor Honoris Causa in Letters. In 2020 she won AWP’s George Garrett prize and Chapman University’s Paulo Freire distinction.
Randall's four children are Gregory (1960), Sarah (1963), Ximena (1964), and Ana (1969). Her ten grandchildren are: Lía, Martín, Daniel, Ricardo, Sebastián, Juan, Luis Rodrigo, Mariana, Eli and Tolo. She has two great grandchildren: Guillermo and Emma Nahui.
The desert of the U.S. Southwest is her spiritual home, and ancient ruins—here and in other parts of the world—are increasingly her greatest source of inspiration.
Works
Her writings include:
Randall, Margaret (1959). Giants of Tears: and Other Poems. Tejon Press.
——; De Kooning, Elaine (1961). Ecstasy is a number: Poems. Orion Press.
—— (1965). October. Ediciones el Corno Emplumado.
—— (1967). Water I Slip into at Night: Poems. Printed at Talleres Avelar y de la Parra.
—— (1967). 25 stages of my spine. Elizabeth Press.
—— (1 January 1975). Los Hippies: Expresión de una Crisis (Volume 11 of Colección mínima). Siglo Veintiuno.
ISBN978-968-23-0777-5.
—— (1968). So many rooms has a house, but one roof. New Rivers Press.
——; Mondragón, Sergio (1969). El Corno emplumado, Issue 31.
—— (1973). Part of the solution: portrait of a revolutionary. New Directions.
——; Slipka, Yvonne (1974). Cuban Women Now: Interview with Cuban Women. Women's Press.
—— (April 15, 2020). My Life in 100 Objects. New Village Press.
ISBN978-1-61332-114-0.
—— (May 2020). Estrellas de mar sobre una playa: los poemas de la pandemia / Starfish on a Beach: The Pandemic Poems. Escarabajo and Abisinia.
ISBN978-958-52793-1-5.
^Gwin, Minrose (2009). "The Paella of Revolution: To Change the World: My Years in Cuba by Margaret Randall". The Women's Review of Books. 26 (6): 4–6.
JSTOR20698244.