6th episode of the 6th season of The Sopranos
"Live Free or Die" is the 71st episode of the
HBO original series
The Sopranos and the sixth of the show's sixth season. Written by
David Chase,
Terence Winter,
Robin Green, and
Mitchell Burgess, and directed by
Tim Van Patten, it originally aired on April 16, 2006.
Starring
* = credit only
Guest starring
Synopsis
Christopher reports to
Tony and his crew that
Vito has been spotted in a
gay club.
Meadow reveals to
Carmela that
Finn witnessed Vito
performing oral sex on a security guard. As a result, Finn is taken by Tony to the back room of
Satriale's where, very frightened, he is made to repeat the story for the crew. The main reaction is disgust and anger;
Carlo says they should "put him down for the honor of the family." Tony, despite everything, is hesitant to kill Vito. As he tells
Dr. Melfi, he abhors
homosexuality, and is “a strict Catholic”; but he doesn’t mind what happens between consenting adults, and he cares about Vito as a friend and an earner. "I had a second chance,” he says. “Why shouldn't he?"
Benny,
Dante Greco and
Terry Doria visit Vito and his mistress at a beach house on the
Jersey Shore, where he's been lying low. They try to escort him to see Tony, but he speeds away. Vito returns home later that night, kisses his sleeping children, packs some keepsakes, necessities, and cash, and drives off into a stormy night. After his car hits a downed tree branch, he proceeds on foot and finds himself stranded in a small town in
New Hampshire. Exhausted, he checks into an inn. Vito has cousins in New Hampshire but cannot find them. He stays in the pleasant town, comfortable in its friendly, open-minded ambiance.
Meadow starts an internship at a law firm handling
white collar crimes, although she is also working as a volunteer in a law center. In an argumentative conversation with Finn, she contrasts the soft treatment of white-collar criminals with the harsh treatment of others, for example, the humiliation of
Johnny at his daughter's wedding. Finn challenges her values and notes her
hypocrisy: Tony's crew is going to punish Vito for his
sexual orientation. Meadow storms out.
Carmela is still pressuring Tony to get permission from the building inspector to move forward with her
spec house, which he seems to keep forgetting. She is appalled to find that
Hugh has been selling materials salvaged from the construction site. Carmela also discovers that
Angie Bonpensiero has secretly branched out into business with members of the crime family, putting money up for street loans and buying stolen car parts.
Tony informs Chris that two Italian hitmen will be sent over to the U.S. to kill
Rusty, and tells him to hire a "third party" to equip them with weapons and act as an intermediary between the assassins and the
Soprano family. Chris gives the task to
Corky Caporale, a Soprano family associate who speaks Italian, and pays him in
heroin.
First appearances
-
Corky Caporale: A DiMeo crime family associate and heroin addict who is tasked with serving as the "third party" intermediary between Christopher Moltisanti and the Italian hitmen coming to murder Rusty Millio.
-
Jim Witowski: Owner of a local diner at Dartford, New Hampshire, the town where Vito has taken refuge.
Title reference
- The episode's title, "
Live Free or Die," refers to the
New Hampshire state motto, which Vito notices on a license plate while he is browsing an antique shop.
- It also possibly refers[
according to whom?] to Vito's options: Live free (stay in New Hampshire) or die (return to New Jersey).
Production
Night Club scene filmed at Big Al's Redzone in Queens.
-
Sharon Angela (
Rosalie Aprile) is promoted to the main cast and now billed in the opening credits for the episodes in which she appears, with some exceptions.
- "Live Free or Die" is the final episode written by the married writing team of
Robin Green and
Mitchell Burgess. They left the series, which they had been with since the first season, to produce a new project for HBO, which never took shape. This is also one of only three episodes in the entire series where four writers share credit for the script, the others being "
Calling All Cars" of Season 4 and Season 6 Part II premiere "
Soprano Home Movies."
- The scenes filmed for the fictional town of Dartford, New Hampshire were actually filmed in
Boonton, New Jersey.
[1]
- The highway Vito was traveling on when his car broke down,
New Hampshire Route 228, is also fictitious.
Other cultural references
- In the opening scene, Tony is sitting by his pool reading
Yachting.
- When Christopher's friend "Murmur," standing outside the AA meeting, asks the guy from Yonkers if he's "lost," it possibly alludes to the play and movie
Lost in Yonkers.
- Tony uses the word
recchion', an Italian pejorative term for a homosexual.
- When Meadow explains to her family about a Muslim family who was in need of legal assistance, she mentions
9/11 and how
George W. Bush is “using it as an excuse to erode our constitutional protections.”
- Tony asks Chris if he thinks Ahmed and Muhammad are
Al-Qaeda operatives; Chris doesn’t think so.
- Tony angrily calls Carlo, who talks about killing Vito, Judge
Roy Bean.
- When the highway department worker finds Vito's phone on the side of the road and is antagonized by Tony, Tony says "Oh, yeah? Telephone tough guy, eh?"
Joe Pesci, known for his mobster roles, says this exact line while arguing with
Mel Gibson's character in
Lethal Weapon 4.
- After Finn confirms to the Soprano crew that he caught Vito performing oral sex on a security guard ("
Unidentified Black Males"), Christopher suggests that he should cut off his penis and "feed it to him." This same fate befell actor Michael Imperioli's character at the hands of the
Viet Cong in the film
Dead Presidents.
- Also in the scene where Finn confirms Vito's sexual preference, the table and the seating of the crew around the table suggest
The Last Supper in placement, as well as mood, as "betrayal" is an oft-repeated suggestion by Christopher, Paulie among others.
- Silvio tells Tony that Paulie has "gone Mau-Mau" on the subject of the necessity of killing Vito. This is a reference to the brutal
Mau-Mau uprising in Kenya (1952–60).
- In the scene with Dr. Melfi, Tony referenced the
controversial comments made by
Senator
Rick Santorum (pronouncing his last name as "
Sanatorium") who once claimed that allowing
gay marriage would be the first step in a
slippery slope leading to tolerance of more taboo practices, including
bestiality.
- Also in the scene with Dr. Melfi, Tony referenced a
Showtime series (
The L Word) when talking about "that
lesbian show with
Jennifer Beals."
- When discussing Ahmed and Mohammad with Tony, Christopher mentions their reaction to the "Danish cartoons" incident - the 2005
Jyllands-Posten Muhammad cartoons controversy.
- After speaking with Carlo in the backroom of the
Bada Bing!, Tony starts reading the
Robb Report magazine.
- At a diner in Dartford, Vito is introduced to
jonnycakes,
pancakes made with white corn meal. "
Johnny Cakes" is also the title of the eighth episode of the season.
- Vito also tries to order some
Jimmy Dean sausages.
- The room that the innkeeper assigns to Vito Spatafore is called the "Franklin Pierce" room, a reference to
the 14th President of the United States, a native of New Hampshire.
- In the diner, the two guys mention watching
Cold Case.
- When Carmela is confronting her father Hugh De Angelis for looting their stop-ordered spec house, Hugh mockingly calls her
Sarah Bernhardt, a 19th and 20th-century French actress.
Music
- The song playing in the background of the scene at the Bada Bing! during the meeting discussing Vito's sighting at a gay bar is Rock & Roll Queen by The Subways
- The song playing on the radio in the New Hampshire diner where Vito eats his breakfast is Let the Teardrops Fall, performed by
Patsy Cline.
- After Meadow tells Carmela and Rosalie Aprile about Vito and the security guard, Tony comes down the stairs singing the opening line of "
Aqualung" by
Jethro Tull.
- The songs playing in the background of the scene at the Bada Bing! when Tony promotes Carlo are "Loops of Fury" by
The Chemical Brothers and "After" by Wide Open Cage.
- The song played during the end credits is "4th of July" by
X.
References
External links