From Wikipedia, the free encyclopedia
Musical compositions of the composer
Thomas de Hartmann (1884–1956).
Orchestral
Suite from “La Fleurette rouge”. (1911)
[1]
Scherzo fantastique. Op. 25. (1929)
[2]
Two Organ Fugues of Bach transcribed for Orchestra. Op. 48. (1934)
[3]
First Symphonie-Poème. Op. 50. (1934)
[4]
Concerto for Violoncello and Orchestra. Op. 57. (c. 1936, published 1938)
[5]
Twelve Russian Fairy Tales. Op. 58. (1937)
[6]
Koliadky. Noëls ukrainiens, chant spiritual. Op. 60. (c. 1938)
[2]
Concerto for Piano and Orchestra. Op. 61. (1939)
[7]
Suite pour grand orchestre: Une Fête en Ukraine. Op. 62. (1941)
[2]
Fantasie-concerto for Contrabass and Orchestra. Op. 65. (1944)
[2]
Concerto for Violin and Orchestra. Op. 66. (1944)
[8]
Second Symphonie-Poème – Le dit du soleil. Op. 68. (1950)
[9]
“La Guzla” – Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Op. 72. (1945)
[10]
Concerto d’après un cantate de Bach. For Violoncello and String Orchestra. Op. 73. (1949)
[11]
Dances from the opera Esther. Op. 76. (1949)
[12]
Concierto Andaluz, for Flute and Orchestra. Op. 81. (1949)
[13]
Third Symphonie-Poème. Op. 85. (1953)
[14]
Fourth Symphonie-Poème. Unfinished. Op. 90. (1956)
[15]
Chamber and instrumental music
Sonate pour violon et piano. Op. 51. (1935)
[16]
Concerto for Violoncello and Orchestra. Arrangement for Violoncello and Piano. Op. 57. (1936)
[17]
Koliadky. Noëls ukrainiens, chant spiritual. Arrangement for Saxophone Quartet. Op. 60. (c. 1938)
[18]
Concerto for Piano and Orchestra. Arrangement for Two Pianos. Op. 61. (1939)
[19]
Sonate pour violoncelle et piano. Op. 63. (1941)
[20]
Deux Pleureuses. Violin and Piano. Op. 64 (c. 1942)
[12]
Fantasie-concerto for Contrabass and Orchestra. Arrangement for Contrabass and Piano. Op. 65. (1944)
[21]
Concerto for Violin and Orchestra. Arrangement for Violin and Piano. Op. 66. (1944)
[21]
La Guzla: Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Arrangement for Harp and Piano. Op. 72. (1945)
[2]
Concerto d’après un cantate de Bach. Arrangement for Violoncello and Piano. Op. 73. (1945)
[21]
Trio pour flute, violon et piano – “Quasi variations.” Op. 75. (1946)
[22]
Two Preludes of J.S. Bach. Cello and piano. (1947)
[2]
Dances from the opera Esther. Arrangement for Violin and Piano. Op. 76. (1949)
[23]
Concierto Andaluz, for Flute and Orchestra. Arrangement for Flute and Piano. Op. 81. (1949)
[21]
La Kobsa: deux musiques de veilleurs ukrainiens pour violoncelle solo. (1950)
[21]
Music for stage works
Incidental music for the play “Caligula,” by Alexander Dumas. For Orchestra. (1903)
[24]
La Fleurette rouge, ballet en cinq actes. Op. 9. (1906)
[25]
Les Bacchantes, Choreographic Suite for “Danses Plastique” performed by Sacharoff. (1910)
[26]
Fra Mino. Choreographic poem. Op. 14. (1912)
[27]
Gelbe Klang [Yellow Sound], with Wassily Kandinsky. Unfinished. (1912)
[28]
Forces de l’amour et de la sorcellerie, divertissement comique en trois interludes. Op. 16. (1916)
[2]
Flenushka. Unfinished opera. (1916)
[29]
Music for the drama “In the Grip of Life,” by Knut Hamson. Tiflis Art Theater. Op. 22. (1919)
[30]
Music for “The King of the Dark Chamber,” by Rabindranath Tagore. Tiflis. Op. 23. (1919)
[30]
Le General Boulanger, d’après Maurice Rostand. Unfinished. (c. 1931)
[28]
Babette, comédie-ballet en deux actes par Henri Cain. Op. 49 (1935)
[2]
Suite pour grand orchestre: Une Fête en Ukraine, ballet en un acte. Op. 62. (1941)
[2]
Esther, tragédie musicale d’après Racine. Opera. Op. 76. (1949)
[2]
Musique pour la fête de la Patronne, d’après Degas. Ballet. Op. 77. (1949)
[2]
Piano Solo
Sonata for Piano. Op. 2. (1902)
[30]
Trois Morceaux. Op. 4. (c. 1903)
[31]
Six Pieces. Op. 7. (c. 1903)
[32]
Three Preludes. Op. 9. (1904)
[30]
La Fleurette rouge. Reduction for Piano Solo. Op. 9. (1906)
[24]
Suite from “La Fleurette rouge”. Arranged for Piano Solo. (1911)
[21]
Fra Mino. Selections. Reduction for Piano Solo. Op. 14. (1912)
[21]
Forces de l’amour et de la sorcellerie. Reduction for Piano Solo. Op. 16. (1917)
[21]
Humoresque Viennoise. Op. 45. (1931)
[21]
Babette, comédie-ballet en deux actes par Henri Cain. Arranged for Piano Solo. Op. 49 (1935)
[21]
Twelve Russian Fairy Tales. Version for Piano Solo. Op. 58. (1937)
[33]
Koliadky. Version for Piano Solo. Op. 60. (c. 1940)
[30]
First Piano Sonata. Op. 67. (1942)
[34]
Lumière noire. Op. 74. (1948)
[35]
Musique pour la fête de la Patronne, d’après Degas. Reduction for Piano Solo. Op. 77. (1949)
[2]
Second Piano Sonata. Op. 82. (1951)
[36]
Six Preludes. Op. 83. (1952)
[37]
Two Nocturnes. Op. 84. (1954)
[38]
Four Serenades. Op. 86. (1954)
[39]
Three Songs. Under pseudonym of Thomas Kross. (c. 1955)
[40]
Poco Rubato. Piano solo. n.d.
[30]
Vocal
Romance. Words by Tatiana Shchepkina-Kupernik. Voice and Piano. (1901)
[41]
Three Romances. Words by Pyotr Kapnist and Mikhail Golenischev-Kutusov. Op. 5. Voice and Piano. (c. 1903)
[42]
Mermaids. Words by B. Kakhovsky. Op. 5. Voice and Piano. (c. 1903)
[30]
Four Poems of K. Balmont. Op. 8. Voice and Piano. (c. 1904)
[32]
John of Damascus, cantata for soloists, mixed choir and symphony orchestra. Text based on the poem by A. K. Tolstoy. Op. 1. (1906)
[26]
From the Verses of D.M. Ausonius. Op. 13. Voice and Orchestra. Also arranged for Voice and Piano. (1911)
[43]
Three Songs of Balmont. Op. 12. Voice and Piano. (1912)
[30]
Three Moorish Songs. Translated by Konstantin Balmont. Op. 15. Voice and Piano. (1913)
[44]
Four Melodies. Words by Anna Achmatova. Op. 17. Voice and Piano. (1915)<Reproduced manuscript in Montreal collection</ref>
Christ is Risen. Words by Sergei Gorodetsky. Op. 18. Voice and Piano. (1915)
[30]
Two Spanish Songs. Words by Valery Bryusov. Op. 19. Voice and Piano. (1916)
[45]
To the moon. Words by Shelley. Op. 11. Voice and Piano. (1917)
[12]
Nightingale. Voice and Orchestra. (c. 1919)
[30]
Cranes. Words by Vassily Zota. Voice and Piano. (1920)
[46]
Bulgarian Songs. Translated by Konstantin Balmont. Op. 46. Voice and Piano. (1933)
[47]
Three Ballads. Words by G. Adamovich and Maria Tsvetaeva. Op. 47. Voice and Piano. (1934)
[48]
Lament for King Alexander. Voice and Piano. (1934)
[30]
Three Poems of Shelley. Op. 52. Voice and Orchestra. Also arranged for Voice and Piano. (1936)
[49]
Sonnet de Ronsard. Op. 54. Voice and Piano. (1934)
[50]
Romance 1830. Op. 55. Voice and Piano. (1936)
[51]
In Helen’s Herb Garden. Words by Vassilli Travnikov. Voice and Piano. (1936)
[12]
A Poet’s Love: Nine Poems by Pushkin. Op. 59. Voice and Piano. (1936)
[52]
Indian Summer. Words by Don Aminado. Voice and Piano. (1938)
[30]
Sept Paysages Tristes. Words by Paul Verlaine. Op. 69. Voice and Piano. (1943)
[12]
Two Songs. Words by Fyodor Sologub and William Shakespeare. Voice and Piano. (c. 1943)
[12]
Fragment of Proust. Op. 70. Voice and Piano. (1945)
[30]
Six Commentaries from Ulysses by James Joyce. Op. 71. Voice and Piano. (1948)
[53]
Second Fragment of Proust. Op. 79. Voice and Piano. (1948)
[2]
Les Courbes d’Atalante: Déclamation avec musique d’Harpe. Words by Serge Moreux. (1949)
[30]
La Tramuntana. Words by J. Gual. Op. 80. For a cappella choir. (1949)
[2]
A la St. Jean d’été. Words by Serge Moreux and Thomas Kross (pseud.). Voice and Piano. (1949)
[54]
Frenchman in Arizona. Words and Music by Thomas Kross (pseud.). Voice and Piano. (1951)
[12]
The Song of the Dead Venetian. Words by Jean Loynel; Music: Thomas Kross (pseud.). Voice and Piano. (c. 1951)
[30]
The Barrel Organ Girl. Words by Maria Tsvetaeva. Voice and Piano. (c. 1954)
[12]
Four popular Russian songs. Men’s a cappella quartet. (n.d.)
[30]
In the Nocturnal Silence. Men’s a cappella quartet. (n.d.)
[30]
Twilight. Words by Luc Durtin. Voice and Piano. (n.d.)
[12]
Two Chinese Songs. Translated by George Soulié de Morant. Voice and Piano. (n.d.)
[30]
White flocks. Words by Anna Achmatova. Voice and Piano. (n.d.)
[30]
Collaborations with G.I. Gurdjieff
The following volumes are all published by
Schott Music Group :
Gurdjieff/de Hartmann: Music for the Piano.
Volume I: Asian Songs and Rhythms
Volume II: Music of the Sayyids and the Dervishes
Volume III: Hymns, Prayers and Rituals
Volume IV: Hymns from a Great Temple and Other Selected Works
References
^ Photocopy of reproduced manuscript in Montreal collection
^
a
b
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d
e
f
g
h
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j
k
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n Reproduced manuscript in Yale collection
^ Referred to in lists of works, but current location unknown
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549820 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549781 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549836 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549793 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549798 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549825 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549806 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549774 Accessed August 31, 2022.
^
a
b
c
d
e
f
g
h
i Reproduced manuscript in Montreal collection
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549765 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549828 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549832 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549859 Accessed August 31, 2022.
^ Published by M.P.Belaieff, 1938, copy in Montreal archive
^ Manuscript in Montreal archive
^ Published by M.P.Belaieff, 1951, copy in Yale archive
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549854 Accessed August 31, 2022.
^
a
b
c
d
e
f
g
h
i
j Manuscript in Yale collection
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549853 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549847 Accessed August 31, 2022.
^
a
b Photocopy of manuscript in Montreal collection
^ Location of full orchestral score unknown
^
a
b Manuscript in Moscow collection
^ Location of score unknown
^
a
b Manuscript sketches in Yale collection
^ Location of manuscript unknown
^
a
b
c
d
e
f
g
h
i
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o
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r
s Manuscript in Montreal collection
^ Published by Jurgenson in Moscow, copies of Nos. 2 & 3 in Montreal collection, No. 1 currently unavailable
^
a
b Published by Jurgenson in Moscow, copy in Montreal collection
^ Published by M.P. Belaieff, 1937, copy in Montreal collection
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549882 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549871 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549884 Accessed August 31, 2022.
^ Location of manuscript unknown - a recording of Thomas de Hartmann playing the piece exists in the Montreal collection
^ Published by M.P. Belaieff, 1954, copy in Montreal collection
^ Reproduced Manuscript in Montreal collection
^ Photostats of Manuscript in Montreal collection
^ Photocopy of printed version, publisher unknown, in Montreal collection
^ Printed version, publisher unknown, in Montreal collection
^ Orchestral version: Photocopy of manuscript in Montreal collection; Voice and Piano version: Published by Jurgenson in Moscow, copy in Montreal collection
^ Manuscript in Yale collection - mistranslated as "Three Maori songs" in Yale catalogue
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549892 Accessed August 31, 2022.
^ Printed, 1955, publisher unknown, copy in Montreal collection
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549895 Accessed August 31, 2022.
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549894 Accessed August 31, 2022.
^ Orchestral version: Manuscript in Montreal collection; Voice and Piano version: Published by Éditions Musicale Sam Fox, 1936, copy in Montreal collection
^ Published by M.P. Belaieff, 1953, copy in Montreal collection
^ Location of music unknown
^ Printed by M.P. Belaieff, 1960, copy in Montreal collection
^ MSS 46, The Thomas de Hartmann Papers in the Irving S. Gilmore Music Library of Yale University.
https://archives.yale.edu/repositories/6/archival_objects/2549897 Accessed August 31, 2022.
^ Published by Boosey & Hawkes, 1955, copy in Montreal collection
Sources
Thomas de Hartmann papers, MSS 46, Irving S. Gilmore Music Library, Yale University.
Thomas de Hartmann collection, private collection in Montreal, Quebec, Canada.
Russian National Archive of Literature and Art, Moscow, Russia.
Bibliothèque Nationale de France catalogue
Schott Music Group
External links