The following is a list of compositions by harpist
Carlos Salzedo (1885–1961). A complete list may be found in Dewey Owens's biography.[1]
Compositions for cello, flute, piano, trombone, and voice
Many early works were published by Costallat, but have since been lost. Titles are followed by year of composition, publisher's name if applicable, and year of publication. Many works have been published more than once, subsequent publisher's names follow that of the original publisher.
Berceuse for Cello and Piano, opus 72 (1907) (Costallat 1908)
Caprice Scherzando for Cello and Piano (1908) (Costallat 1918)
Invocation for Cello and Piano (1908) (C.G. Roeder)
Pièce Concertante for Trombone and Piano, opus 27 (1910) (Evette & Schaeffer, 1910)
Rivalité de Fleurs for Voice and Piano, opus 25 (1911) (Costallat)
Four Choruses in Old Sonata Form for 3 men's voices/choir and harp, organ or piano (1914) (H.W. Gray, 1918)
Prelude to Olaf Bolm for Piano (1926) (Carl Fischer, 1926)
Breaking in the New Year for Piano (1935)
Offriam for Cello (1951)
Volute and Rondel for Flute (1951) (Albert Andraud, Southern)
Paraphrase (Cadenza) for Liszt's Second Rhapsody (a solo showpiece or cadenza for orchestral performance) (1910) (G.Schirmer 1959, Lyra)
Jeux d'Eau (1911) Trois Morceaux, no. 2 (Alphonse Leduc, 1914)
Variations sǔr un thème dans le style ancien (1911), Trois Morceaux, no. 3 (Alphonse Leduc, 1914) (a later edition revised by Salzedo was published by Lyon & Healy)
Chanson Chagrine, (1914) (Lyra, 1985)
Five Preludes for Harp Alone, (1917) (Carl Fischer, 1924) (original title: Pentarhythmie) in order of performance:
Prelude Fatidique (1930) (G. Schirmer, 1950) (Lyra) (published with Suite of Eight Dances)
Prelude in the Nature of an Octave Study (edited and titled by Dewey Owens) (1930) (Lyra 1985)
Untitled work (harp, brasses, strings) (1930) sketch
Musique des Troubadours soprano, harp, viola d'amore, viola da gamba (1931)
Triptic Dance harp duo or trio, (1931), (Lyra) (published as a transcription from Pierre Beauchant, a pseudonym of Salzedo)
Short Stories in Music harp (1934) Series I and II (Elkan-Vogel, 1934)
Series I: The Dwarf and the Giant, The Kitten and the Limping Dog, Rocking Horse, On Donkeyback, Raindrops, Madonna and Child, Memories of a Clock, Night Breeze (harp solo or ensemble)
Series II: On Stilts, Pirouetting Music Box, Behind the Barracks, At Church, Goldfish, The Mermaid's Chimes, Skipping Rope
Scintillation (1936) (Elkan-Vogel, 1936)
Diatonic Variations on The Carnival of Venice (Lyra, 1985)
Tiny Tales for Harpist Beginners Series I and II, (1936) (Elkan-Vogel, 1942)
In Hoop-Skirts, The Little Princess and the Dancing Master, A Little Orphan in the Snow, Lullaby for a Doll, The Cloister at Twilight, A Mysterious Blue Light, Funeral Procession of a Tin Soldier, The Chimes in the Steeple, A Lost Kitten, Pagoda of the Dragon
Series II: Processional, The Clock Maker's Shop, Winter Night, The Dandy, Chimes, Little Soldiers, Mysterious Forest, Little Jacques, Grandmother's Memories, Frère Jacques
Panorama Suite (1937)
Noon, Moonset, Expectation, The Birth of the Morning Star, Waltz
Vieni, Vieni (1938) (a suite of harp solos, unpublished)
Sketches for Harpist Beginners two series (1942) (Elkan-Vogel)
Series I: Rock Me, Mommy, Imitation, Echo, Huntsman's Horn, Lost in the Mist, Hurdy-Gurdy, Poor Doggy, Tuneful Snuff-Box, Pagan Rite, Beethoven at School
Series II: The Organist's First Steps, A Young Violinist, Falling Leaves, Royal Trumpeters, A Lonely Bell, Baby on the Swing, Mourners, On the Tight Rope, Pierrot is Sad, Chorale
Second Harp parts for Short Stories in Music (1942)
Behind the Barracks, Memories of a Clock, On Donkey-Back, Rain Drops, Night Breeze, The Mermaid's Chimes, Skipping Rope (G. Schirmer)
The Art of Modulating (1943) (G. Schirmer, 1950)
Lullaby, Reverie, Carillon, Grandmother's Spinning Wheel, Petite Valse, Florentine Music Box
Mimi, Awakening, Incandescence, Obsession (harp or piano)
Wedding Presents (1946–52)
Garlanded Chimes, Vers l'Inconnu, In the Valley, In the Month of Maie, Shadow of a Shade, Idee-fixe, Desir, Interlude for the Theatre, Vision, Carol-Paul
Cadenza and editing for the Berezowsky Concerto for Harp (1947) (Elkan-Vogel, 1947)
Prelude for a Drama (1948) (M. Baron, 1951)
Diptych, Two Pieces for the Right Hand Alone (1950)
Reflection, Interference
Conditioning Exercises (1951) (G. Schirmer, 1955)
Mardi-Gras Patrol for harp ensemble
Conflict (in Pathfinder for the Harp (Peer-Southern Music, 1951)
Elyze (1952)
Second Concerto for Harp and Orchestra (1953-1961) (Lyra, 1966) (also known as Symphonic Suite—dialog for harp and orchestra)
Chanson dans la Nuit second harp part (G. Schirmer, 1955)
Rumba and Tango (Suite of Eight Dances) second harp parts (G. Schirmer, 1955)
Original paraphrases and arrangements for the harp in alphabetic order
Annie Laurie (Carl Fischer)
Believe Me, If All Those Endearing Young Charms (Carl Fischer)
Blink to me only with one eye
Concert Variations on:
Adeste Fideles, Deck the Halls, Good King Wenceslaus, O Tannenbaum, Silent Night (Boosey & Hawkes)
Angels We Have Heard on High, Away in a Manger, Away in a Manger (to the tune of Flow Gently, Sweet Afton), The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, It Came Upon a Midnight Clear, O Little Town of Bethlehem, We Three Kings of Orient Are, What Child is This (Greensleeves) (Boosey & Hawkes)
Short Fantasies on:
A Basque Carol, A Catalan Carol, A Neapolitan Carol, A Noel Provencale (Boosey & Hawkes)