In 1962, Billboard published a
chart ranking the top-performing songs in the United States in
rhythm and blues (R&B) and related
African American-oriented music genres; it was published under the title Hot R&B Sides through the issue of the magazine dated October 27 and Hot R&B Singles thereafter. The chart has undergone various name changes over the decades to reflect the evolution of such genres and since 2005 has been published as
Hot R&B/Hip-Hop Songs.[1]
In the issue of Billboard dated January 6,
Ray Charles and his orchestra moved up to number one with "
Unchain My Heart", which held the top spot for two weeks. Charles would go on to achieve two further chart-toppers later in the year, both taken from his album Modern Sounds in Country and Western Music, which is considered to have been a ground-breaking record.[2][3] His recording of
Don Gibson's 1957 song "
I Can't Stop Loving You" spent ten weeks at number one, the year's longest unbroken spell in the top spot. The song was a triple chart-topper, as it also reached number one on the
Easy Listening chart as well as the all-genre
Hot 100.[4][5] In December, Charles spent two weeks atop the chart with his version of "
You Are My Sunshine", giving him a total of 14 weeks at number one, the most for any act in 1962. The only other act with more than one number one during the year was
the 4 Seasons, who topped the chart with both "
Sherry" and "
Big Girls Don't Cry".
Several of 1962's number ones were associated with
dance crazes of the time. In March,
Sam Cooke spent three weeks atop the chart with "
Twistin' the Night Away", which was followed into the top spot by "
Soul Twist" by
King Curtis and the Noble Knights, both of which referenced the dance
the Twist.[6] The latter song was in turn displaced by "
Mashed Potato Time" by
Dee Dee Sharp, referring to the dance
the Mashed Potato,[7] and later in the year
Little Eva spent three weeks at number one with "
The Loco-Motion", the lyrics of which described a dance which did not actually exist at the time but which came into being following the song's success.[8] Almost all of the acts to reach number one in 1962 did so for the first time; of the 13 acts to top the chart during the year, only Charles, Cooke and
Esther Phillips had achieved a previous R&B number one.[9] Phillips, then known as Little Esther, had reached number one three times in 1950 as a featured vocalist with the
Johnny Otis Orchestra, but had not entered the chart at all for more than ten years when her version of "
Release Me" charted in late 1962 and quickly rose to number one.[9]