This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Akita. [1]
As of 1 July 2019, four Important Cultural Properties have been designated, being of national significance. [2] [3] [4]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Exotic bird in a pine, colour on silk, by
Satake Shozan 絹本著色松に唐鳥図(佐竹曙山筆/) kenpon chakushoku matsu ni karadori zu (Satake Shozan hitsu) |
later C18 | Yokote | private (kept at the Akita Museum of Modern Art) |
Akita ranga [5] [6] | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | [1] | ||
Taizong of Tang, Flowers and Birds, colour on silk, by
Odano Naotake 絹本著色唐太宗花鳥図〈 小田野直武筆/〉 kenpon chakushoku Tō Taisō kachō zu (Odano Naotake hitsu) |
1770s | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
three scrolls; Akita ranga [7] [8] | 122.0 centimetres (4 ft 0 in) by 44.5 centimetres (1 ft 5.5 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | [2] | |
Taima Mandala, colour on silk 絹本著色当麻曼荼羅図 kenpon chakushoku Taima mandara zu |
Kamakura period | Daisen | Jōren-ji (浄蓮寺) | some flaking of the paint [9] | 39°24′24″N 140°28′56″E / 39.406663°N 140.482253°E | [3] | ||
Shinobazu Pond, colour on silk, by
Odano Naotake 絹本著色不忍池図〈 小田野直武筆/〉 kenpon chakushoku Shinobazu-no-ike zu (Odano Naotake hitsu) |
1770s | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
Akita ranga [10] [11] | 132.5 centimetres (4 ft 4.2 in) by 98.5 centimetres (3 ft 2.8 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | [4] |
As of 24 May 2019, thirty properties have been designated at a prefectural level. [4] [12]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Child
Monju 稚児文珠像 chigo Monju zō |
C17 | Nikaho | Kanman-ji ( 蚶満寺)) | holding a nyoi (scepter); by Kanō Tan'yū [13] | 39°12′56″N 139°54′12″E / 39.215597°N 139.903293°E | for all refs see [5] | ||
Fugen Bosatsu 普賢菩薩像 Fugen Bosatsu zō |
C17 | Daisen | private | by Kanō Tan'yū; thought, alongside his Child Monju at Kanman-ji in Nikaho, to have been part of a group of three paintings - the whereabouts of the central image of Shaka Nyorai is currently unknown [14] | 120 centimetres (3 ft 11 in) by 75 centimetres (2 ft 6 in) | 39°28′02″N 140°28′14″E / 39.467110°N 140.470505°E | ||
Portrait of
Hakuun 白雲上人画像 Hakuun shōnin gazō |
Misato | Hongaku-ji ( 本覚寺) | 39°25′19″N 140°32′59″E / 39.421981°N 140.549737°E | |||||
Sixteen
Arhats 十六羅漢像 jūroku rakan zō |
Edo period | Akita | Tentoku-ji ( 天徳寺) | sixteen scrolls | 39°44′19″N 140°07′13″E / 39.738528°N 140.120208°E | |||
Customs of Akita, colour on paper,
emaki 紙本着色秋田風俗絵巻 shihon chakushoku Akita fuzoku emaki |
Akita |
Akita Prefecture (kept at the Akita Prefectural Museum) |
[15] | 14.7 metres (48 ft 3 in) by 38.3 centimetres (1 ft 3.1 in) | 39°49′02″N 140°03′58″E / 39.817354°N 140.066210°E | |||
Senju Kannon, colour on silk 絹本着色千手観音像 kenpon chakushoku Senju Kannon zō |
Nikaho | private | 39°17′35″N 139°57′51″E / 39.293180°N 139.964227°E | |||||
Mandala of the Two Realms 金剛胎蔵両界曼荼羅 Kongō-Taizō Ryōkai mandara |
end of the Kamakura period | Oga | Chōraku-ji (長楽寺) | two scrolls, colour on silk [16] | 39°52′00″N 139°45′06″E / 39.866567°N 139.751801°E | |||
Chinese Peony in a Flower Basket, colour on silk, by
Odano Naotake 絹本着色芍薬花籠図 直武筆 kenpon chakushoku shakuyaku hana kago zu Naotake hitsu |
1770s | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
Akita ranga [17] | 94.5 centimetres (3 ft 1.2 in) by 21.0 centimetres (8.3 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Kisakata, colour on paper,
byōbu 紙本着色 象潟図屏風 shihon chakushoku Kisakata zu byōbu |
Edo period | Nikaho |
Nikaho City (kept at the Nikaho City Kisakata Historical Museum (にかほ市象潟郷土資料館)) |
the pair of six-panel folding-screens by Nagamasa Eishō (牧野永昌) (1747-1824) depict Kisakata ( 象潟) before the great 1804 earthquake that transformed the landscape; Matsuo Bashō visited in 1689 and celebrated Kisakata in Oku no Hosomichi; the area has been designated a Natural Monument [18] [19] | 39°12′06″N 139°54′26″E / 39.201556°N 139.907112°E | |||
True Views and Colouring, colour on paper, by
Hakuun 紙本着色 白雲筆真景帖および彩絵方 shihon chakushoku Hakuun hitsu shinkeijō oyobi saekata |
end C18/early C19 | Misato | private (kept at Hongaku-ji ( 本覚寺)) |
39°25′19″N 140°32′59″E / 39.421981°N 140.549737°E | ||||
Amida
Raigō, on silk 絹本阿弥陀来迎図 kenpon Amida raigō zu |
Ōdate | private | 40°13′46″N 140°34′47″E / 40.229562°N 140.579810°E | |||||
Akita Ranga, Peonies on a Rock 秋田蘭画「岩に牡丹図」 Akita ranga "iwa no botan zu" |
Edo period | Daisen | private | by Tashiro Tadakuni (田代忠国) (1757-1830) [20] | 97 centimetres (3 ft 2 in) by 28.5 centimetres (11.2 in) | 39°27′51″N 140°28′45″E / 39.464170°N 140.479120°E | ||
Hanshan and
Shide, ink on paper 紙本墨画寒山拾得 shihon bokuga Kanzan Jittoku |
Akita | Daihi-ji (大悲寺) | pair of scrolls | 39°42′46″N 140°06′38″E / 39.712894°N 140.110477°E | ||||
Sixteen Benevolent Deities, colour on silk 絹本着色 十六善神 kenpon chakushoku jūroku zenjin |
Akita | Daihi-ji (大悲寺) | 39°42′46″N 140°06′38″E / 39.712894°N 140.110477°E | |||||
Kōbō Daishi, colour on silk 絹本着色弘法大師像 kenpon chakushoku Kōbō Daishi zō |
end of the Kamakura period/early Muromachi period | Oga | Chōraku-ji (長楽寺) | holding a vajra and rosary [21] | 39°52′00″N 139°45′06″E / 39.866567°N 139.751801°E | |||
Sketchbook of
Odano Naotake 小田野直武筆写生帖 Odano Naotake hitsu shaseichō |
c.1777 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
ink and colour on paper [22] | 42.5 centimetres (1 ft 4.7 in) by 28.3 centimetres (11.1 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Cranes, by
Shen Nanpin 鶴之図(沈南蘋筆) tsuru no zu (Shen Nanpin hitsu) |
1738 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
pair of scrolls [23] | 97.2 centimetres (3 ft 2.3 in) by 49.6 centimetres (1 ft 7.5 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Shaka Triad 釈迦三尊像図 Shaka sanson zō |
Akita | Tōfuku-ji (当福寺) | 39°43′10″N 140°06′39″E / 39.719352°N 140.110788°E | |||||
Copy of Van Royen's Flowers and Birds, colour on paper, by
Ishikawa Tairō and Ishikawa Mōkō 紙本着色ファン・ロイエン筆 花鳥図模写 石川大浪・孟高合筆 shihon chakushoku Fan Roien hitsu kachō zu mosha Ishikawa Tairō・Mōkō hitsu |
1796 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
copy of W. Van Royen's painting of 1725 [24] [25] | 232.8 centimetres (7 ft 7.7 in) by 107.0 centimetres (3 ft 6.1 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Nursing Tigress, by
Hirafuku Suian 平福穂庵筆 乳虎 Hirafuku Suian hitsu nyūko |
1890 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
ink and colour on silk [26] | 159.5 centimetres (5 ft 2.8 in) by 82.4 centimetres (2 ft 8.4 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
High Mountains Clear Autumn, by
Terasaki Kōgyō 寺崎廣業筆 高山清秋 Terasaki Kōgyō hitsu kōzan seishū |
1914 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
on silk, mounted on a pair of six-panel folding screens [27] | 364.2 centimetres (11 ft 11.4 in) by 168.2 centimetres (5 ft 6.2 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Haruyama, by
Hirafuku Hyakusui 平福百穂筆 春山 Hirafuku Hyakusui hitsu Haruyama |
1933 | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
ink and colour on paper [28] | 104.0 centimetres (3 ft 4.9 in) by 91.0 centimetres (2 ft 11.8 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Mount Fuji, by
Odano Naotake 小田野直武筆 富嶽図 Odano Naotake hitsu Fugaku zu |
1770s | Yokote |
Akita Prefecture (kept at the Akita Museum of Modern Art) |
colour on silk [29] | 77.0 centimetres (2 ft 6.3 in) by 43.5 centimetres (1 ft 5.1 in) | 39°17′32″N 140°32′51″E / 39.2923054°N 140.54753148°E | ||
Sketchbook of
Satake Shozan 佐竹曙山 写生帖 Satake Shozan shaseichō |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
three volumes [30] | 34.0 centimetres (13.4 in) by 26.3 centimetres (10.4 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | ||
Scenery with Lake, by
Satake Shozan 佐竹曙山筆 湖山風景図 Satake Shozan hitsu gozan fūkei zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
16.0 centimetres (6.3 in) by 26.3 centimetres (10.4 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | |||
Bamboo and Java Sparrows, by
Satake Shozan 佐竹曙山筆 竹に文鳥図 Satake Shozan hitsu take ni bunchō zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
136.0 centimetres (53.5 in) by 40.0 centimetres (15.7 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | |||
Irises and a Knife, by
Satake Shozan 佐竹曙山筆 燕子花にナイフ図 Satake Shozan hitsu kakitsubata ni naifu zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
112.5 centimetres (44.3 in) by 40.0 centimetres (15.7 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | |||
Pink Lotus, by
Satake Shozan 佐竹曙山筆 紅蓮図 Satake Shozan hitsu guren zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
87.0 centimetres (34.3 in) by 30.5 centimetres (12.0 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | |||
Bamboo Grass and White Rabbit, by
Odano Naotake 小田野直武筆 笹に白兎図 Odano Naotake hitsu sasa ni shiro usagi zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
100.5 centimetres (39.6 in) by 32.5 centimetres (12.8 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | |||
Children with Dog, by
Odano Naotake 小田野直武筆 児童愛犬図 Odano Naotake hitsu jidō aiken zu |
later C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
41.5 centimetres (16.3 in) by 64.0 centimetres (25.2 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E |
Properties designated at a municipal level include:
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Icon with Saints 聖像画 Seizōga |
Ōdate | Hokuroku Orthodox Church (北鹿ハリストス正教会) | by Yamashita Rin | 40°12′53″N 140°37′27″E / 40.214607°N 140.624301°E | [6] | |||
Ink Landscape, by
Satake Yoshimasa 佐竹義和筆「水墨山水」 Satake Yoshimasa hitsu suiboku sansui |
Edo period | Akita |
Akita City (kept at Satake Historical Museum) |
39°43′12″N 140°07′29″E / 39.720019°N 140.124823°E | [7] | |||
Hunter, colour on silk, by
Hirafuku Hyakusui 絹本着色猟夫 平福百穂筆 kenpon chakushoku ryōfu Hirafuku Hyakusui hitsu |
1903 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
162.6 centimetres (5 ft 4.0 in) by 92.3 centimetres (3 ft 0.3 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | [8] | ||
Begonias with Frog, colour on silk, by
Odano Naotake 絹本着色岩に秋海棠と蛙図 小田野直武筆 kenpon chakushoku iwa ni shūkaidō to kaeru zu Odano Naotake hitsu |
C18 | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
129.0 centimetres (4 ft 2.8 in) by 31.9 centimetres (1 ft 0.6 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | [9] | ||
Flowers and Birds, colour on silk, by Sasaki Harazen 絹本着色花鳥図 佐々木原善筆 kenpon chakushoku kachō zu Sasaki Harazen hitsu |
Edo period | Akita |
Akita City (kept at the Akita Senshū Museum of Art) |
143.8 centimetres (4 ft 8.6 in) by 60.8 centimetres (1 ft 11.9 in) | 39°43′02″N 140°07′28″E / 39.717346°N 140.124575°E | [10] |