Leo Blech (21 April 1871 – 25 August 1958) was a German
operacomposer and
conductor who is perhaps most famous for his work at the Königliches Opernhaus (later the
Berlin State Opera / Staatsoper Unter den Linden) from 1906 to 1937, and later as the conductor of Berlin's Städtische Oper from 1949 to 1953. Blech was known for his reliable, clear, and elegant performances, especially of works by
Wagner,
Verdi, and
Bizet's Carmen (which he conducted over 600 times), and for his sensitivity as an
accompanist.
After working briefly in sales, he landed a position conducting at the
Stadttheater Aachen in 1893. From 1899 to 1906, he conducted at the
Neues Deutsches Theater in
Prague before moving to the
Königliches Opernhaus in Berlin. In 1913, he was promoted to General Music Director. Between 1923 and 1926, he took various positions at opera houses in Berlin and
Vienna, including the
Deutsches Opernhaus, the
Volksoper Berlin and the
Vienna Volksoper. In 1926 he returned to the Staatsoper unter den Linden, where he remained until
Adolf Hitler's antisemitic policies forced him in 1937 into exile in
Riga, the capital of
Latvia, where he conducted the
Latvian National Opera and Ballet Theatre.
With an eye to Blech's substantial German and foreign reputation,
Hermann Göring, then Hitler's second in command, issued an order to Major Karl Heise, head of the
Schutzpolizei in
German-occupied Riga in September 1941, to issue an exit visa to Blech for neutral Sweden,[2] making him the only Jewish survivor in Riga to escape as a result of such high-level intervention.[3]
During and after World War II, Blech conducted at the
Stockholm Royal Opera. In 1949, he returned to Berlin to conduct at the
Städtische Oper (Civic Opera), where he worked until 1953. One of his pupils, conductor
Herbert Sandberg, married his daughter Luise (Lisel) (1913–2006).
Blech also composed orchestral works, choral works, chamber works, and songs.
Sources
Ernst Rychnovsky: Leo Blech: Eine biographisch-ästhetische Studie. Dürerblatt, Prag 1905.
Ernst Rychnovsky: "Leo Blech." In: Monographien moderner Musiker, vol. 2. Kahnt, Leipzig 1907. p. 52–64.
Walter Jacob (Ed.): Leo Blech: Ein Brevier anläßlich des 60. Geburtstages. Prismen-Verlag, Hamburg 1931.
Leo Blech: "Ich war Kapellmeister des Königs." In: Radio-Revue. 1955, issue 13–22. Ullstein, Berlin.
Leo Blech: "Die Bilanz." In: Josef Müller-Marein, Hannes Reinhardt: Das musikalische Selbstportrait von Komponisten, Dirigenten, Instrumentalisten, Sängerinnen und Sänger unserer Zeit. Nannen, Hamburg 1963, pp. 113–123.
Wolfgang Poch: Leo Blech: Ein Beitrag zur Berliner Theatergeschichte unter besonderer Berücksichtigung der musikdramaturgischen Einrichtungen und der Spielplanpolitik Leo Blechs. Dissertation.
Freie Universität Berlin, 1985.
Peter Aistleitner, Wolfgang Poch, Günter Walter: Leo Blech. (Discography.) In: Stimmen die um die Welt gingen. Ein Magazin. issue 47. Münster 1995, p. 1–88.
Manfred Haedler: "Leo Blech – des Kaisers 'letzter General'." In: Berlin in Geschichte und Gegenwart: Jahrbuch des Landesarchivs Berlin 1998. Gebrüder Mann, Berlin 1998,
ISBN3-7861-1810-8, p. 105–119.
"Kommen Sie in Ihre Heimat zurück!": Briefe von, an und über Generalmusikdirektor Leo Blech. In: Sinn und Form 2002, issue 5, p. 629–646.
Andrej Angrick, Peter Klein: Die "Endlösung" in Riga: Ausbeutung und Vernichtung 1941–1944. Wissenschaftliche Buchgesellschaft, Darmstadt 2006,
ISBN3-534-19149-8, p. 131f.
Fred K. Prieberg: Handbuch Deutsche Musiker 1933–1945. 2. edition. Kiel 2009,
ISBN978-3-00-037705-1, p. 490f (1 CD-ROM).
Jutta Lambrecht / Centrum Judaicum (editors): Leo Blech: Komponist – Kapellmeister – Generalmusikdirektor. Hentrich & Hentrich, Berlin 2015,
ISBN978-3-95565-091-9 (= Jüdische Miniaturen, vol. 173).
Jutta Lambrecht: Leo Blech. Dirigent und Komponist (1871–1958), February 2021, im Portal Rheinische Geschichte[1] (retrieved 24 November 2022)
Jutta Lambrecht: Dem Mimen flicht die Nachwelt keine Kränze. Leo Blech zum 150. Geburtstag. In: musica reanimata, Mitteilungen, Nr. 106, 2021, S. 1–13.
Oliver Wurl: Leo Blech und die Schallplatte. In: Contributions to the history of the record industry, Vol. 12. Gesellschaft für historische Tonträger, Vienna 2022,
ISBN978-3-9502906-6-0, p. 10–26.