"La Isla Bonita" (Spanish for "The Beautiful Island") is a song by American singer
Madonna from her third studio album True Blue (1986).
Patrick Leonard and
Bruce Gaitsch created it as an instrumental
demo and offered it to singer
Michael Jackson, who turned it down. When Leonard met Madonna to start working on True Blue, he played the demo for her. Madonna came up with the title, wrote the lyrics and produced the song with Leonard. It's her first song with
Latin influences. Its instrumentation features
flamenco guitar,
Latin percussion,
maracas, and includes four lines sung in Spanish. The lyrics talk about an island named San Pedro, whose location has been debated. Madonna said the song was her tribute to
Latin Americans.
Upon its release as the fifth and final single from True Blue on February 25, 1987, "La Isla Bonita" was positively received by
music critics, who cited it as a highlight in the album. It was commercially successful, becoming her eleventh top five hit on the
Billboard Hot 100, and second
Adult Contemporary number one. It topped the charts in Canada and several countries in Europe, including the United Kingdom―where it became Madonna's fourth number one―France,
West Germany, and Austria. In the accompanying
music video, Madonna portrays two opposite characters: a young Catholic woman, and a
flamenco dancer. The clip received mixed reviews from authors and contemporary critics: some saw the use of Hispanic imagery as a successful marketing strategy, while others accused the singer of
cultural appropriation.
Patrick Leonard (left, pictured in 2018) created the instrumental
demo of "La Isla Bonita" and offered it to
Michael Jackson (right, pictured in 1988), who turned it down.
In the fall of 1985, Madonna began writing and recording songs for her third studio album, True Blue.[1] For the project, she brought back
Stephen Bray―with whom she had worked on her previous album Like a Virgin (1984)―and
the Virgin Tour's musical director, producer
Patrick Leonard.[1] Prior to working with Madonna, Leonard had worked on
the Jacksons' 1984
Victory Tour.[2] After the tour concluded, he kept in touch with
Michael Jackson and his manager
Quincy Jones, who contacted him and asked him to write "something sort of
Sade-like" for Jackson.[3] "La Isla Bonita" was one of the instrumental
demos Leonard created for Jackson's approval.[3] According to musician
Bruce Gaitsch, who collaborated on the track, it started out as an instrumental without any lyrics or even a title, and it was Leonard's idea to incorporate
Latin sounds.[4] When he presented the demo to Jackson and Jones, however, they did not like it and turned it down.[3][5]
After meeting with Madonna to start working on True Blue, Leonard presented her the demo and she began working on it.[3] She came up with the title "La Isla Bonita", which roughly translates to "The Beautiful Island", and wrote the lyrics while she was in
Hong Kong filming Shanghai Surprise.[4][6][7][8] Gaitsch was not fond of the title, fearing it to be "uncommercial".[8] Madonna went on to describe the song as a tribute to the "beauty and mystery of
Latin American people", further adding that, "[Pat and I] both think that we were Latin in another life[...] [because] Latin rhythms often dominate our uptempo compositions".[7][9] Leonard and her would go on to work together on other Latin-inspired songs, such as "
Who's That Girl"―from the
film of the same name―and "Spanish Eyes"―from Like a Prayer (1989).[5]
"La Isla Bonita" was released as the fifth and final single from True Blue on February 25, 1987.[10] The sleeve cover of the single shows Madonna wearing a Spanish-styled embroidered
bolero jacket.[11] "La Isla Bonita" is also on Madonna's
compilation albumsThe Immaculate Collection (1990) and Celebration (2009).[12][13] In 2014, while working on her thirteenth studio album Rebel Heart (2015) with producer
Diplo, Madonna recorded a
dubplate of "La Isla Bonita" with new lyrics that referenced trio
Major Lazer.[14] This version premiered in March 2015 on
BBC Radio 1Xtra.[15]
Composition and lyrics
"La Isla Bonita" was written and produced by Madonna and Leonard, with additional lyrics by Gaitsch.[16] Personnel working on the song included Leonard on keyboard arrangement and
programming, Gaitsch on guitars, and
Paulinho da Costa as
percussionist; background vocals were performed by
Siedah Garrett and Edie Lehmann.[16] The song has been described as a "
Latino-popdance ballad", while its sound has been compared to
Bossa nova.[17][18] According to author Mary Cross, "La Isla Bonita" marked a departure in Madonna's sound, as it combines
flamenco guitar,
Latin percussion,
electronic sounds,
maracas, and includes four lines sung in Spanish.[1][19][9] To get the correct translations, Leonard and Madonna talked over the phone with a Hispanic housekeeper.[20] According to the sheet music published by
Alfred Publishing Inc., "La Isla Bonita" is set in the time signature of
common time, with a
tempo of 100
beats per minute. The song is set in the key of
C♯ minor (
F♯ minor[21] for the bridge), with Madonna's voice spanning between
G3 to
C5 .[22]
Lyrically, "La Isla Bonita" talks about a "humble observer, captured by the rhythm of an imagined island" named San Pedro, with mentions of "tropical breeze" and "nature wild and free".[5][18][23] The song starts with an
introduction performed on
bongos, before descending into
castanets.[24] Madonna then utters the phrase ¿Cómo puede ser verdad? ("How can it be true?").[9] In one line, Madonna specifically sings, Last night I dreamt of San Pedro/Just like I'd never gone, I knew the song.[18] The geographic location of said place has been debated, with
Cuba,
Belize,
Puerto Rico, and the
Dominican Republic being cited as possibilities.[25] Certain authors have speculated that
San Pedro Town in
Ambergris Caye, Belize, is the actual place mentioned on the song.[26][27][23] On its official website, the island's Victoria House Resort & Spa posted that the town has been nicknamed "La Isla Bonita" because of the song.[25]
During an interview with Rolling Stone, Madonna admitted to not knowing where San Pedro was: "I don't know [where San Pedro is]. At that point, I wasn't a person who went on holidays to beautiful islands. I may have been on the way to the studio and seen an exit ramp for
San Pedro".[28] Authors Eduardo Viñuela, Igor Paskual and Lara González, noted that although the song features characteristic elements of Spanish music, such as flamenco guitar, its lyrics make mention of Brazilian music genre
samba. The authors held that this "complicates" the location of the island, thereby making it a fictitious "utopic" place rather than an actual one.[29] Similarly, Daniel Garrán from Spanish radio station
Los 40 argued that the lyrics are a "tribute to the
Latin community from New York [Madonna] has always been close to", and do not talk about a real place.[27]
Critical reception
"Madonna's voice is always laced witth immediacy and unimpeachable emotion. She imbues even her most pedestrian lyrics with a sense of purpose, as she does in the simple romantic ballad 'La Isla Bonita' [...] she emotes the longing that the straightforward lyrics specify".
Upon release, "La Isla Bonita" was met with generally positive reviews from
music critics and authors. In Madonna: An Intimate Biography, author
J. Randy Taraborrelli deemed it an "exotic [...] enchanting, uptempo Spanish-themed song with an equally enchanting melody".[31]William McKeen, author of Rock and Roll is Here to Stay, referred to it as "tranquil" and compared its lyrical theme of an "imaginary escape from the city" to that of
the Drifters' "
Up on the Roof" (1962); McKeen went on to cite it as an example of the "Latin-flavored sweet[s] that
Blondie could never resist".[32] For Creem's Ken Barnes, "['La Isla Bonita'] is no '
Open Your Heart', but its lilting (yet reflective) quality transcends the south-of-the-border cliches".[33] Dawn Keetley in Public Women, Public Words, said "La Isla Bonita" was "smooth [and] transparent", as well as one of Madonna's "most perfect" songs.[34] In Madonna: The Rolling Stone Files, Jean Rosenbluth noted that the single "grabs hold with its bright bilingual chant [and] its vaguely mournful undertow".[35] Daryl Easlea, author of Madonna: Blond Ambition, wrote that "La Isla Bonita" and the other True Blue singles are "so strong that they overshadow the reminder of [the album]".[36] For
Lucy O'Brien, author of Madonna: Like an Icon, True Blue's "sense of romantic thrill" is reflected in songs like "La Isla Bonita".[37]
The New York Times'Jon Pareles said it was one of the singer's "friendlier" love songs.[38]AllMusic's Stewart Mason considered it True Blue's "most prescient" track, that sounds "fresh and enjoyably new". He further singled out the singer's "purring" vocals as one of her "sexiest and most understated performances".[19] From the Houston Chronicle, Marty Racine considered it one of the album's standout tracks, opining that it is "almost romantic, even if smacks of an overnight fling, where being true-blue is not so difficult".[39] "La Isla Bonita" was referred to as "spunky" by
John Leland for Spin, while Jan DeKnock from the Chicago Tribune said it was "charming".[40][41] Writing for Entertainment Weekly,
David Browne opined that, "a 30-ish urban sophisticate [...] making
Carmen Miranda-does-
MTV moves ought to sound ridiculous. With the help of collaborators like Stephen Bray and Patrick Leonard, though [...] [it] turns into a perfectly conceived pop record".[42] From Slant Magazine, Sal Cinquemani named it "timeless", and one of Madonna's "biggest, most influential hits", while Ed Schrodt applauded Leonard's "sneakily complex arrangement", and felt that the song "gave a dynanism to [Madonna's] music that finally perished the thoughts, based on her earliest hits, that she was simply a
Danceteria pop tart".[43][44] For Entertainment Weekly, Chuck Arnold added that the single explored Latin pop "before it became trendy", and noted its influence on the work of other artists, such as
Lady Gaga's "
Alejandro" (2010).[45]
Despite referring to it as "pure risible kitsch [...] [a] clumsy fetishization of [an] exoticized culture", Stereogum's Tom Breihan deemed the track, "one of the swooniest jams in a career full of swoony jams".[46] In his book The Complete Guide to the Music of Madonna, Rikky Rooksby gave a somewhat mixed review: "This is one of those songs where you just know the [music] video is going to be marginally more interesting".[24] Despite naming it one of Madonna's best singles, the HuffPost's Matthew Jacobs opined that, "you have to be in the right mood for ['La Isla Bonita'] – its middling tempo can feel like a slog".[47] More negative was the staff of the Kentucky New Era, who deemed the track forgettable and a "bad choice" in The Immaculate Collection.[48]
Recognition
"La Isla Bonita" has often been cited as one of Madonna's best singles. Writing for The A.V. Club,
Stephen Thomas Erlewine also named it Madonna's 20th best, singling out its "breezy charm" that "creates a fantasy of an extended tropical vacation".[49] It's considered Madonna's 40th and 30th best song by the staff of Rolling Stone and The Guardian's Jude Rogers, respectively.[28][50] For Chuck Arnold, "La Isla Bonita" is Madonna's 19th best single: "this island-breezy ditty is certainly one of the loveliest tunes that [she] has ever done", he wrote.[45] It was considered the artist's 14th best song by the staff Billboard; Bianca Gracie said it was "one of the most romantic songs in her catalog", and applauded her "mature, lush vocals".[51] Nick Levine from NME also named it one of her most romantic, as well as a "shimmering Latin pop gem that’s [...] ever so slightly melancholic".[52] "La Isla Bonita" was named Madonna's tenth and eleventh best song by PinkNews' Mayer Nassim, and
The Backlot's
Louis Virtel, respectively: the former called it the "ultimate holiday romance", and the latter, one of her "most timeless tracks [...] As a romance, it’s touching, and as a personal reflection, it’s beautiful".[53][54]
Commercial performance
On March 21, 1987, "La Isla Bonita" debuted at number 49 on the
Billboard Hot 100, becoming Madonna's eleventh consecutive single to be named the week's top new entry –a streak that began with "
Lucky Star" (1984)– and one of the most added songs on radio stations.[55] By April 25, the song became Madonna's twelfth consecutive top ten hit, a record shared with Michael Jackson.[56] "La Isla Bonita" was the fifth top ten single from True Blue, making it the second album by a female artist to score five top tens, the other being
Janet Jackson's Control (1986).[56] On May 2, the song reached its peak at number 4, becoming Madonna's eleventh single to reach the chart's first five spots, a feat surpassed at the time only by
the Beatles and
Elvis Presley.[57][58]
On the
Adult Contemporary chart, the single debuted at number 31 on the week of April 4, peaking at number one more than a month later.[59][60] It was Madonna's second Adult Contemporary chart-topper after "
Live to Tell".[60] "La Isla Bonita" also reached number one on the
Hot Dance Singles Sales chart.[61]Billboard reported that 75,000copies of the
12-inch single had been sold by July 1987.[62] "La Isla Bonita" came in at number 58 on Billboard's Hot 100 year-end chart for 1987, and at 34 of the Adult Contemporary year-end chart.[63][64] In Canada, the single debuted in the 58th position of RPM's Top Singles chart on the week of April 4.[65] After ten weeks on the chart, it reached the top position on June 6, 1987.[66] "La Isla Bonita" placed at number 22 on the RPM Year-end chart for 1987.[67]
In the United Kingdom, "La Isla Bonita" debuted at the fifth position of the
singles chart on 4 April; it reached the first position three weeks later on 25 April, spending two weeks at number one and eleven on the chart overall.[68] It was Madonna's fourth number one in the country.[69] The single was certified
silver by the
British Phonographic Industry (BPI) for shipment of 250,000copies.[70] According to Music Week magazine, 421,760copies had been sold in the United Kingdom as of 2008.[71] "La Isla Bonita" was Madonna's first number one song in France, where it spent three weeks at the top spot in July 1987, and was certified gold by the
Syndicat National de l'Édition Phonographique (SNEP) for shipment of 500,000copies.[72][73] It remains one of Madonna's highest-selling singles in the country, with reported sales exceeding 620,000units.[74] The song was successful across Europe as well, topping the charts in Switzerland,
West Germany, and Austria.[75][76][77] "La Isla Bonita" also topped the
European Hot 100 Singles chart the week of June 20, 1987.[78] It reached the top five in Ireland,[79] Norway,[80] the Netherlands,[81][82] and Sweden,[83] and the top ten in Spain.[84]
Music video
Background and synopsis
The
music video for "La Isla Bonita" was directed by
Mary Lambert, who had previously worked with Madonna in the videos for "
Borderline" and "
Like a Virgin" (1984).[86][87] Filming took place in downtown
Los Angeles and lasted over three days.[88] Over 500
extras of Hispanic descent participated in the visual; one of them was a then-unknown
Benicio del Toro, who received a payment of $150.[88][89] According to
Sharon Oreck, in her book Video Slut (2010), it was a very simple shooting.[88]
The visual shows the singer in two different sequences, playing different characters. In one sequence, she plays a short-haired Catholic woman in a New York City apartment.[6][90] Dressed in a white slip, she lights candles at a living room altar full of Catholic imagery.[90] She holds a
rosary as she prays, and reminisces about the island San Pedro.[6][90] In the memory sequence, she's seen in an apartment filled with lit candles; she plays a
flamenco dancer, who dons a bright ruffled red dress and flowers in her hair.[85][91][92] The video ends with Madonna, still in the flamenco dress, leaving the apartment and joining a group of people dancing on the streets of a Spanish barrio.[93]
"La Isla Bonita" had its world premiere on MTV on March 6, 1987, and became the most requested video in the channel's history for a record-breaking 20 consecutive weeks.[94] In Europe, it was the year's most heavily rotated clip on television.[95] It can be found on Madonna's video compilations The Immaculate Collection (1990) and Celebration: The Video Collection (2009).[87][13]
Analysis and reception
Both author Victoria Chow and Juan Sanguino, from the Spanish edition of Vanity Fair, pointed out that the video for "La Isla Bonita" marked the moment Madonna began borrowing elements from other cultures, but the latter also accused her of
cultural appropriation; "[she] looks more like a drunk tart at the Feria de Abril than a [flamenco] dancer [...] but at least she had the decency to grow her eyebrows", Sanguino wrote.[96][97] In his book Media Culture: Cultural Studies, Identity, and Politics Between the Modern and the Postmodern,
Douglas Kellner noted that Madonna's use of "fantasy images of Hispanic fashion as an icon of beauty and romanticism", helped her successfully appeal to a larger, more varied audience.[98]Lucy O'Brien concluded that the image of Madonna in the red flamenco dress is "as iconic as the
boy toy or the
black corseted siren".[99] This opinion was shared by People's Cara Lynn Shultz and Aaron Parsley, who named the flamenco look one of the singer's "most unforgettable".[91] Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's Drowned Worlds, noted a contrast between the singer's characters: the "austerity and the passivity" of the Catholic character, and the "passion and activity" of the flamenco dancer.[93]
The staff of Rolling Stone described it as one of the singer's most "theatrical" clips.[28] By contrast Ryan Murphy, writing for The Spokesman-Review, panned it for being "lame, overdone, [and] almost absurd". He went on to compare it negatively to the previous True Blue videos, further noticing a "pervading sense of humor [that's] not supposed to be there", specifically in the scene when Madonna dances out in the street.[100] "La Isla Bonita" was named Madonna's 34th and 20th best music video by
Louis Virtel and Sal Cinquemani, respectively.[101][102] As of 2024, it is her most viewed music video on
YouTube.[103]
On the Girlie Show, Madonna performed the song decked in horizontal stripes and a bandana, while the dancers were dressed as sailors.[109][110][111] The number also included a bit where the singer pretended to fall and had to be dragged from the stage.[110]The Baltimore Sun's
J. D. Considine praised Madonna's musical chemistry with "her first-rate backing band" during the song.[112] The performance recorded on November 19, 1993, at the
Sydney Cricket Ground, was included on The Girlie Show: Live Down Underhome video release (1994).[109]
"La Isla Bonita" was one of only two of Madonna's 1980s singles performed on the Drowned World Tour.[113] Decked out in black slacks, a backless black dress, and surrounded by a "gaggle of percussionists and dancers", she played acoustic guitar in an "unplugged flamenco" version of the song.[114] Reviewing the
Boston concert, The Massachusetts Daily Collegian's Nikolas Markantonatos pointed out that the number served as a reminder that, "[Madonna] dipped her feet in Latino music long before
Ricky Martinshook his bon-bon to a worldwide Latin craze".[115] The performance on August 26, 2001, at
Detroit's
Palace of Auburn Hills, was recorded and released on the live video album Drowned World Tour 2001.[116]
Madonna sang a "
disco-enhanced" version of "La Isla Bonita" on her Confessions Tour.[117] She wore a white leotard while the backdrop screen showed colored images of a tropical island that mirrored the "voluptuousness of [her] dancing", according to Slant Magazine's Ed Gonzalez.[118][119][120] The performance from the August 15–16
London concerts was included on the singer's second
live album, The Confessions Tour (2007).[121]
On July 7, 2007, Madonna and gypsy punk band
Gogol Bordello performed a "crazed hoedown" version of "La Isla Bonita" at the
London Live Earth concert.[122] For the Sticky & Sweet Tour, it was given a
gypsy theme, with instrumentation from
fiddles and
accordions.[123][124] In the number, Madonna gripped a rose in her teeth and was joined by Romani musicians and dancers, including the Ukrainian group
Kolpakov Trio.[125][123]The Denver Post's Ricardo Baca considered the performance "the show's brightest, boldest, most daring moment — a triumph of reinvention, like Madonna herself".[126] The performance was included on the Sticky & Sweet Tour live album release (2010), recorded during the four concerts in
Buenos Aires, Argentina.[127]
On the Rebel Heart Tour, Madonna did a flamenco rendition of the song complete with "stomps, claps and shouts".[128] She wore
matador-inspired pants made from black
tulle, with transparent beaded side paneling, and a black and fuchsia jacket covered in
Swarovski crystals, adorned with the letter M.[129]Pitchfork's T. Cole Rachel noted that "La Isla Bonita" was one of the tour's numbers that, "resulted in nearly deafening arena-sized sing-alongs".[130] The song's performance at the March 19–20, 2016 shows in Sydney's
Allphones Arena was recorded and released on Madonna's fifth
live album, Rebel Heart Tour (2017).[131] On July 27, 2017, Madonna sang "La Isla Bonita" on
Leonardo DiCaprio's annual fundraising gala in
Saint-Tropez, France.[132]
A guitar
cha-cha-chámashup of "La Isla Bonita" and a song titled "Welcome to My Fado Club" was performed on the singer's Madame X Tour.[133][134] The stage was set up as a
Lisbon nightclub, and Madonna changed the lyrics to "my Portuguese lullaby".[135][136] At one point, she took off one of her gloves and said, "this is as X-rated as it's gonna get tonight".[133] For the Los Angeles Daily News, Kelli Skye Fadroski opined that Madonna "soared" through the number.[137] On October 9, 2021, following the release of the Madame X concert film, Madonna gave an "intimate
cabaret performance" in the basement of
Marcus Samuelsson's
Harlem restaurant Red Rooster, and sang
lounge renditions of "La Isla Bonita", Madame X album tracks "
Dark Ballet" and "Crazy" (2019), and
Cape Verdeancoladeira song "
Sodade"; she was dressed in a black cocktail dress with a "dramatic leg slit", lace gloves, and long blonde wig.[138] "La Isla Bonita" was then included on Madonna's Celebration Tour, where it was mashed up with "
Don't Cry for Me Argentina" (1996);[139] her son David Banda played guitar as she sang.[140] Reviewing the opening night at London, Variety's Mark Sutherland highlighted the number's "sheer, irresistible pizazz".[141] According to Sasha Kasiuha, the content director for the tour, the singer opted for the use of
artificial intelligence, with a New York-based startup company Runway, to create text-to-video visuals.[142]
Ricky Martin (left, pictured in 2014) and
Alizée (right, pictured in 2007) are among the artists who have covered "La Isla Bonita".
Between 1986 and 1987, Madonna signed a $3-million deal with
Mitsubishi Motors; as part of this deal, she made a TV commercial dancing to "La Isla Bonita".[143] In 1986, before the song was officially released as a single, Dutch singer
Micaela released a cover, which peaked at number 25 in the Netherlands.[144] In July 1987, a cover by Mexican singer Byanka reached number 45 on the BillboardHot Latin Songs chart.[145] In 1999, "La Isla Bonita" was
sampled by Chilean singer
Deetah on "El Paraiso Rico", a track from her album Deadly Cha Cha.[146]
American rapper
Black Rob's song "Spanish Fly", included on his album Life Story (2000), features
Jennifer Lopez singing a chorus based on "La Isla Bonita".[147] In 2004, American actor
David Hasselhoff included a rendition of "La Isla Bonita" on his album Sings America, which was criticized for being "decidedly
karaoke" by the
BBC's Jake Jakeman.[148][149] That same year, American rapper
Mase sampled the song's hook for his own "My Harlem Lullaby", found on the album Welcome Back.[150] In 2008, French singer
Alizée posted a cover of the song on her official
MySpace page.[151] A studio version was then included on the Mexican Tour Edition of her third studio album, Psychédélices, and became a top ten airplay hit in Mexico.[152][153] On his review of a concert Alizée offered in Mexico City, Arturo Cruz Bárcenas from La Jornada was not impressed with the cover: "[She] dreams of being like Madonna [...] but [her rendition of 'La Isla Bonita'] only shows how far she is from that goal".[154]
Argentinean tropical punk band
Kumbia Queers created a cumbia version of "La Isla Bonita" with all Spanish lyrics and lesbian themes called "La Isla con Chicas" ("The Island with Chicks").
In 2010, American
bloggerPerez Hilton released "Gagalupe", a parody of "La Isla Bonita" with lyrics that mock Madonna's "
New Age beliefs".[155] The next year, "Love 2 Love U", an unreleased song by American singer
Britney Spears that heavily sampled "La Isla Bonita", leaked online. It was described as having a "Jamaican-dance rhythm" by the staff of Los 40, who also noted that the melody and structure is the same as "La Isla Bonita".[156] Aired in February 2012, the twelfth episode of the
third season of American television series Glee, "
The Spanish Teacher", had guest star Ricky Martin singing the song with actress
Naya Rivera, who played the character
Santana Lopez.[157] From Digital Spy, Catriona Wightman highlighted the "stonking" performance.[158] This cover peaked at number 99 on the US Billboard Hot 100 and number 93 on the
Canadian Hot 100 chart.[159][160] American band
Deerhoof named their
thirteenth studio album (2014) after the song; band member
Greg Saunier explained the album was a homage to Madonna and Janet Jackson, describing it as the band's "rawest, punkiest" work since their
1997 debut. [161] "
Mamacita", a 2020 song by American group
Black Eyed Peas and Puerto Rican singer
Ozuna, samples "La Isla Bonita".[162] According to producer
Johnny Goldstein, it was
will.i.am's idea to sample the song.[163]
^
abcTrue Blue (Liner notes). Madonna. Warner Bros. Records. 1986. 925442-2.{{
cite AV media notes}}: CS1 maint: others in cite AV media (notes) (
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^
ab"European Hot 100 Singles"(PDF). Music & Media. 4 (24): 14–15. June 20, 1987.
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^Cinquemani, Sal (August 14, 2004).
"Review: Mase, Welcome Back". Slant Magazine.
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^
abLa Isla Bonita (US 7-inch Single liner notes). Madonna. Sire Records. 1987. 9 28378-7.{{
cite AV media notes}}: CS1 maint: others in cite AV media (notes) (
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^
abLa Isla Bonita (US 12-inch Maxi Single liner notes). Madonna. Sire Records. 1987. 0-20633.{{
cite AV media notes}}: CS1 maint: others in cite AV media (notes) (
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^La Isla Bonita (Australian CD Single liner notes). Madonna. Sire Records. 1987. 7599-25451-2.{{
cite AV media notes}}: CS1 maint: others in cite AV media (notes) (
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^La Isla Bonita (Japanese CD Single liner notes). Madonna. Sire Records. 1987. WPCP-3440.{{
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ab"Top 3 in Europe"(PDF). Music & Media. 4 (22): 12. June 6, 1987.
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^"Classifiche". Musica e Dischi (in Italian).
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