Kirin Narayan (born November 1959) is an Indian-born American anthropologist, folklorist and writer.
Narayan is the daughter of Narayan Ramji Contractor, a civil engineer from Nashik, and Didi Kinzinger, a German-American "artist, decorator, and builder of sustainable housing". [1] Narayan was born in Bombay, attended school in India and came to the United States in 1976. [2]
Narayan received a BA in creative writing from Sarah Lawrence College and went on to post-graduate studies in anthropology at the University of California, Berkeley, receiving her PhD in 1987. She taught anthropology and South Asian studies at the University of Wisconsin–Madison. [1] [3] [4] In 1993 she was named a Guggenheim Fellow in the field of anthropology and cultural studies. [5] She is a professor in the College of Asia and the Pacific at the Australian National University. [6]
In 1989, Narayan published Storytellers, Saints, and Scoundrels: Folk Narrative in Hindu Religious Teaching. [7] It received the Victor Turner Prize from the Society for Humanistic Anthropology [8] and was co-winner of the Elsie Clews Prize for Folklore from the American Folklore Society. [6]
In 1994, she published the novel Love, Stars and All That. [9] Reviewing the novel, Indian poet and editor Dom Moraes praised the work, saying:
"This is a novel well received and achieved: it is also intelligent, excellently written, and revelatory of what it is like to be an American born in India. It makes one feel Narayan is that very rare bird, a born writer, and that she may fly far." [10]
Narayan published Mondays on the Dark Night of the Moon: Himalayan Foothill Folktales in 1997. [11] In 2002 a new edition of the first collection of Indian folk tales in English, Mary Frere's Old Deccan Days, was published with an introduction by Narayan. [12] In 2007, she published a memoir My Family and Other Saints. [3] [4] [13] An autobiographical work in which "Gods, gurus and eccentric relatives compete for primacy", The New York Times described the work as an "enchanting memoir". [14] Its title is a reference to Gerald Durrell's My Family and Other Animals, a childhood inspiration to Narayan. [15]
In her 2012 work Alive in the Writing: Crafting Ethnography in the Company of Chekhov, [16] Narayan used Anton Chekhov's Sakhalin Island as inspiration for an exploration of ethnographic writing. James Wood, writing of his 'Books of the Year' in The New Yorker, described it as a "brief and brilliant book" that he read "with huge pleasure". [17] In 2016 Narayan published Everyday Creativity: Singing Goddesses in the Himalayan Foothills, about women's traditions of singing in the Kangra Valley. [18]
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