Although his work is now rarely seen, his most famous film, a ten-minute documentary short entitled Muzykanci / The Musicians, is an extra on the
Criterion Collection edition of
Krzysztof Kieślowski's film The Double Life of Véronique. Kieślowski, whom Karabasz mentored, chose this as one of his personal all-time top ten films in a 1992 poll conducted by the film magazine Sight & Sound.[3]
Karabasz is known in Poland for influencing generations of documentary filmmakers to come with his approach to filmmaking called "school of Karabasz" (Polish: szkoła Karabasza). The style focuses of regular people's lives and requires a perspective of an observer with zero impact on the observed object. Muzykanci is considered a textbook example of "Karabasz school". The method was especially popular in the sixties and associated with the œuvre of
Władysław Ślesicki,
Andrzej Trzos-Rastawiecki,
Krystyna Gryczełowska and
Danuta Halladin among others.
Filmography
Jak co dzień / As Every Day (1955)
Gdzie diabeł mówi dobranoc / Where the Devil Says Goodnight (1957)
Ludzie z pustego obszaru / People From an Empty Zone (1957)
Z Powiśla / From Powiśle (1958)
Dzień bez słonca / A Day Without the Sun (1959)
Trochę inny świat / A Slightly Different World (1959)