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Sikh scriptures • Punjabi literature

Kavi Darbar (literally "poet court") is a term that refers to historical Sikh durbars (courts) composed of congregations of poets, litterateurs, artists, and scholars that were established and had flourished during the guruship period of Guru Gobind Singh in the late 17th and early 18th centuries. [1]: 62–63  [note 1] These establishments served as Sikh centres of learning and scholarship. They played a pivotal role in the history of Sikh literature.

History

Painting of the court of Guru Gobind Singh. Illustration from a manuscript of Krishnavatar.

According to popular Sikh tradition, Guru Gobind Singh established a court of poets consisting of fifty-two members, known as Bavanja Kavi (literally "fifty-two poets"). [1]: 62–62  According to Kahn Singh Nabha's Mahankosh, the names of the fifty-two poets are as follows: [2]

  • Uday Rai
  • Ani Rai
  • Amrit Rai
  • Allu
  • Asa Singh
  • Alim
  • Ishavar Dass
  • Sukh Dev
  • Sukha Singh
  • Sukhia
  • Sudama
  • Sainapat
  • Shyam
  • Heer
  • Hussain Ali
  • Hans Ram
  • Kallu
  • Kuveresh
  • Khan Chand
  • Gunia
  • Gurdas
  • Gopal
  • Chandan
  • Chanda
  • Jamaal
  • Tehkin
  • Dharam Singh
  • Dhanna Singh
  • Dhayan Singh
  • Nannoo
  • Nishchal Dass
  • Nihal Chand
  • Nand Singh
  • Nand Lal
  • Pindi Dass
  • Ballabh
  • Balloo
  • Bidhi Chand
  • Bulland
  • Brikh
  • Brij Lal
  • Mathura
  • Madan Singh
  • Madan Giri
  • Malloo
  • Maan Dass
  • Mala Singh
  • Mangal
  • Ram
  • Rawal
  • Roshan Singh
  • Lakha
Modern painting of Kavi Kuvresh by the Anandpur Art Project

The three most prominent and famous of the fifty-poets were Bhai Nand Lal Goya, Kavi Chandra Sain Sainapati, and Bhai Gurdas Singh. [1]: 62–63  [note 2] After analyzing the surviving pieces of literature produced by the Kavi Darbars, Sikhologists Louis E. Fenech and W. H. McLeod propose that the number of poets in the darbars established by the tenth Sikh guru would have been considerably greater than the traditional narrative of there only being fifty-two. [1]: 62–63  They further state that the number 52 came into popular parlance and tradition due to its auspicious associations in Sanskrit and Devanagari, and therefore was "used in order to convey an amount of sanctity on this assembly". [1]: 62–63  There was a great deal of movement of intellectuals between the various sub-imperial courts during this era. [1]: 62–63  D. P. Singh, on the other hand, states that the 52 poets were the ones who were permanently employed in the Kavi Darbar. [3]

Guru Gobind Singh accorded the Braj language as the "principal literary language of his court" (with Persian also being gifted a similar status) for the effect of challenging the Mughal court's status, fame, and reputation. [1]: 72–73  The number of intellectuals working, engaged, and associating with and in the Sikh Darbar assemblies changed over time. [1]: 126  The popular narrative of the Kavi Darbars claims that the poets all wrote in Braj, with the exception of two who wrote in Persian instead. [1]: 126  Guru Gobind Singh may have established the Kavi Darbar assemblies due to the influence of Mughal (and to a lesser extent, Pahari Raja) courtly norms and functions. [1]: 126  The Sikh Kavi Darbars were distinguishable from their Mughal and Pahari counterparts in a few ways, with the most noteworthy being the nature of manuscript-making and music at the Sikh assemblies. [1]: 126  The authors of the Sikh Kavi Darbars produced literature typically about popular subjects of the era using fancy language, emulating their contemporaries found within other poetical courts of the subcontent at the time. [1]: 193  Common topics covered by the writings of the Kavis were ritigranths (style manuscripts) and Braj interpretations of the Mahabharata epic but also other Indic texts. [1]: 193 

According to Roopinder Singh, when the guruship passed from Guru Tegh Bahadur to Guru Gobind Singh, the latter inherited his father's courtly poets. [2] The poets produced literature in a variety of languages, some examples being Braj, Sanskrit, Persian, Arabic, and Punjabi. [2] According to Kavi Santokh Singh in the Suraj Prakash, the total weight of the literature produced by the Anandpur Darbar assembly weighed a total of 350 kilograms. [2] However, all of this literature, aside from a tiny surviving portion of material that was transferred out of the area earlier, was lost when the Khalsa evacuated Anandpur in December 1705 due to aggression from hostile forces. [2] The literature produced by the Anandpur Kavi Darbar was lost in the ensuing action of the Sikhs crossing the Sirsa Rivulet, splitting up from each other in confusion, and being attacked by Mughal forces, including at Chamkaur Sahib. [2] According to D. P. Singh and Khushwant Singh, it is said that around fourteen maunds (approximately 498 kilograms) worth of literature produced by the Sikh Kavi Darbars was lost during the Sirsa Rivulet crossing. [4] [3] [note 3]

Paonta Darbar

The Paonta Darbar was based in Paonta Sahib. It was established after Raja Medini Prakash of Nahan invited Guru Gobind Singh to settle in his domain in April 1685. [1]: 204  The Guru built a fort in the area of Paonta and would establish a poetic court as a result. [1]: 204 

Anandpur Darbar

A selection of literature produced by the Anandpur Darbar

The Anandpur Darbar was based in Anandpur Sahib. The names of the poets active at the Anandpur Darbar were Amrit Rai, Ani Rai, Siam, Sainapati, Alam, Tahikan, Daya Singh, Sukha Singh, and Dharam Singh. [5] They were tasked with translating ancient Sanskrit treatises into Braj, Sadh Bhakha, and Punjabi. [5]

It is at the Anandpur Kavi Darbar that the voluminous and massive Vidya Sagar Granth literary corpus and tome was commissioned and prepared. [5] The literary corpus is said to have contained the compositions of the tenth Sikh guru, various poets, and scholars. [5] According to popular Sikh tradition, the tome weighed nine maunds (approx. 320 kilograms) when it was finished. [5] However, the tome was lost whilst the Sikhs were crossing the Sirsa Rivulet in 1705 during the evacuation of Anandpur. [5] Surviving portions of the tome may have been recovered or been sourced to copies made by devotees when the tome was extant. [5] The tome likely mostly consisted of translations of ancient Sanskrit works into Braj, Punjabi, and Sadh Bhakha. [5]

Lakhi Jungle Darbar

The Lakhi Jungle Darbar was based in the Lakhi Jungle tract. [6] After the evacuation of Anandpur, the Guru held a poetic court within the Lakhi Jungle. [7] According to Piara Singh Padam, it was attended by Behari, Lal Das Khiali, Adha, Jado Rai, Fat Mal, Keso, and Bhagtu. [7]

List of literature produced

  • Das Gur Katha, authored by Kavi Kankan, a versified account of the ten human Sikh gurus. [1]: 94 
  • Ganj-namah ("treasure book"), authored by Bhai Nand Lal Goya, a versified account of the ten Sikh gurus with particular focus placed on Guru Gobind Singh. [1]: 120 
  • Pingal Sar, authored by Kavi Giridhar Lal, text on Hindi prosody. [1]: 125 
  • Drona Parva, authored by Kavi Kunvaresh, interpretation of the Mahabharata's portion on Dronacharya. [1]: 187 
  • Braj interpretation of the Shalya Parva of the Mahabharata, authored by Kavi Mangal Rai. [1]: 199 
  • Prem Abodh ("love indiscriminate"), authored by Kavi Hari Das, a text which recounts the lives of sixteen prominent Bhakti saints, including Mirabai. [1]: 207, 249 
  • Rajniti Granth ("book of politics"), authored by Kavi Tansukh Lahauri, Braj interpretation of the Hitopadesha. [1]: 302 
  • Braj interpretation of a Parva (section) of the Mahabharata by Kavi Amrit Rai. [1]: 31 
  • Vidya Sagar Granth ("book of the ocean of wisdom"), a massive tome produced as a joint effort by the Kavis [5] [8] [note 4]

Notes

  1. ^ The term "Kavi Darbar" is alternatively spelt as 'Kavi Durbar'.
  2. ^ Bhai Gurdas Singh is not to be confused with Bhai Gurdas Bhalla.
  3. ^ A maund is a traditional Indic unit of weight measurement. One maund is equivalent to around 35.55 kilograms.
  4. ^ Alternatively spelt as 'Vidia Sagar Granth'. Also known simply as the "Sagar Granth". Another name for the tome is "Samund Sagar Granth".

References

  1. ^ a b c d e f g h i j k l m n o p q r s t u v w Fenech, Louis E.; McLeod, William H. (2014). Historical Dictionary of Sikhism. Historical Dictionaries of Religions, Philosophies, and Movements (3rd ed.). Lanham, Maryland: Rowman & Littlefield. ISBN  978-1-4422-3600-4.
  2. ^ a b c d e f Singh, Roopinder (8 April 2018). "Baisakhi in the City of Bliss". The Tribune. Retrieved 20 January 2024.
  3. ^ a b Singh, Devinder Pal (April 1999). "The Literary Genius of Guru Gobind Singh" (PDF). The Sikh Review. 47 (4): 35–39 – via PhilPapers.
  4. ^ Singh, Khushwant (January 1987). "Guru Gobind Singh". The Sikh Review. 35 (397): 13–18.
  5. ^ a b c d e f g h i Singh, Harbans (2004). The Encyclopedia of Sikhism. Vol. IV: S–Z (2nd ed.). Punjabi University, Patiala. p. 426.
  6. ^ Padam, Piara Singh (1976). Sri Guru Gobind Singh Ji De Darbari Rattan (in Punjabi).
  7. ^ a b Singh, Manjit; 'Vakta', Harbhajan Singh (October 2020). Gurdwara Gazette (PDF). Shiromani Gurdwara Parbandhak Committee. pp. 211, 214.
  8. ^ Singh, Kamalroop; Mann, Gurinder Singh (2015). The Granth of Guru Gobind Singh: Essays, Lectures and Translations. Oxford University Press. ISBN  9780199458974. It is in this rahitnāmā that we find the terms Avatār Līlā (Bachitra Nāṭak) as well as Sāgar Graṅth. The second work is accepted in the tradition to have been composed by the court poets and was also known as Vidiāsāgar. Chaupa Singh makes it quite clear that Avatār Līlā and Sāgar Graṅth were two separate works, and this is clarified further by a hagiography of the Sikh gurus by Sarup Das Bhalla.
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