Born in
Włoszakowice, Karol began his studies under his father, Marcin Kurpiński, an
organist. At the age of 12, he became an organist at a church in
Sarnowa, Konin County, near
Rawicz, where his uncle Karol Wański was a parish priest. In 1800 his other uncle, the cellist Roch Wański, took him to the estate of
count Feliks Polanowski near
Lviv, who had a private orchestra of which Wański was a member, and in which the young Kurpiński played the violin.[2]
There, around 1808, Kurpiński composed his first opera, Pygmalion. In 1810 he settled in
Warsaw. With the help of
Józef Elsner, he became a conductor of the Warsaw Opera, a position he held until 1840. He taught music at several prominent schools including one he founded. In 1815 he became a member of many musical societies in Poland and abroad, including the Société des Enfants d'Apollon in Paris. He became Kapellmeister of the Polish royal chapel in 1819 and in the same year received a lifetime achievement award for his services to music. In 1820 he founded and edited the first Polish music newsletter. He was decorated with the
Order of Saint Stanislaus in 1823.[3]
In 1829, together with
Józef Elsner he was ordered by the authorities to write music for the coronation of
Nicolas I of Russia for
King of Poland. For this occasion Kurpiński composed Te deum. The work wasn't performed again until 2011.[4][5]
Kurpiński was a romanticist and one of the most revered composers before Chopin who he met in 1828. He helped to lay the foundations of a national style and prepared the ground for Polish music of the
Romantic period particularly Chopin. He contributed to the development of Polish opera, introducing new musical devices and achieving a novel mode of expression.[6]
He died on September 18, 1857, in Warsaw, aged 72.[7]
Superstition, or Krakovians and Mountaineers, or The new Krakovians, opera in 3 acts (1816)
Jan Kochanowski at Czarny Las, opera comique in 2 acts (1817)
Czaromysl the Slav Prince, opera in 1 act (1818)
Terpsichore's New Colony on the Vistula, ballet (1818)
The Castle of Czorsztyn, or Bojomir and Wanda, opera in 2 acts (1819) Libretto: Józef Wawrzyniec Krasiński z Radziejowic (recording by Polska Orkiestra Sinfonia Iuventus – conducted
Michał Niedziałek, with soloists Aleksandra Orłowska-Jabłońska, Hubert Stolarski, Jadwiga Niebelska, Tomasz Raff, Witold Żołądkiewicz
Dux Records)