José Juventino Policarpo Rosas Cadenas (25 January 1868 – 9 July 1894) was a Mexican
composer and
violinist.
Life and career
Rosas was born in Santa Cruz, Guanajuato, later renamed Santa Cruz de Galeana,
Guanajuato, and still later into
Santa Cruz de Juventino Rosas.[1] Rosas began his musical career as a street musician, playing with dance music bands in Mexico City. In 1884-85 and 1888 he enrolled into the conservatory, both times leaving it without taking any examination.
Most of Rosas's compositions—among them "
Sobre las Olas" ("Over the Waves")—were issued by Wagner y Levien and Nagel Sucesores in Mexico City.
In the late 1880s, Rosas is reported to have been a member of a military band, and in 1891 he worked in Michoacán. In 1892–93 Rosas lived near Monterrey before joining an orchestra in 1893 for a tour through the USA. During this tour, the group performed at the
World Columbian Exposition World's Fair in
Chicago, Illinois.
In 1894, Rosas went for a several-month tour to Cuba with an Italian-Mexican ensemble, where he came down with major health problems, having to stay behind in
Surgidero de Batabanó. As a result of
spinal myelitis, he died there at the age of 26.[2] Fifteen years later, in 1909, his remains were brought back to Mexico.
Rosas is one of the best known Mexican composers of
salon music, as well as the one with the highest number of editions abroad and of sound recordings, the first of them released in 1898.
Rosas's best known work is "Sobre las Olas" or "Over the Waves". It was first published in Mexico in 1888. It remains popular as a classic waltz, and has also found its way into
New Orleans Jazz,
Bluegrass Music,
Country and Western music and
Tejano music. In the
United States "Sobre las Olas" has a cultural association with
funfairs,
ice skating,
circuses and
trapeze artists, as it was one of the tunes available for
Wurlitzer's popular line of
fairground organs. The music was used for the tune "The Loveliest Night of the Year", which was sung by
Ann Blyth in
MGM's film The Great Caruso. It remains still popular with country and old-time fiddlers in the United States.
^Helmut Brenner, Juventino Rosas: His Life, His Work, His Time (Detroit Monographs in Musicology/Studies in Music 32, ed. by J. Bunker Clark). Foreword by Robert Stevenson. Warren, Michigan: Harmonie Park Press, 2000.