Jo Smail (born 1943) is an American artist born and educated in Durban, South Africa. [1] Smail emigrated to the United States in 1985. [2] [3]
Smail was born and raised in Durban, South Africa. There she received a degree in English and in history. After having three children, she attended art school. [3]
Her work in painting, collage and drawing has been described as "poetic annotations." [2] Her series of works, “Mongrel Collection,” from 2018 incorporate fragments of printed fabric, drawing and pigment prints mounted on eccentrically shaped MDF board. [4]
Her retrospective exhibition, Flying with Remnant Wings, was presented at the Baltimore Museum of Art in 2021. [5] [6] She has collaborated on numerous works with the artist William Kentridge during the early years of the 2000s. [3]
She has received reviews in the New York Times, [7] Baltimore Magazine, [5] Art In America, [8] Hyperallergic, [2] Artforum, [4] among other publications.
In 1996, a significant amount of her work was destroyed in a fire at her studio in the Clipper Mill Industrial Park in Baltimore. [2] [6] She lost 25 years worth of work in the fire that engulfed her studio. After the fire, her work developed an autobiographical tendency. [9]
Smail taught at the Johannesburg College of Art, the University of the Witwatersrand and at the Maryland Institute College of Art. [9]
Her work is included in the permanent collections of the Baltimore Museum of Art, [10] the Johannesburg Art Museum, [11] the National Gallery of South Africa [11] among other venues. In 1996 she received a Pollock-Krasner Foundation Fellowship. [11]
Smail is married to Julien Davis, a research scientist and photographer. [2] In 2000, she suffered a stroke and lost the ability to walk and speak. She continued to make art beginning with drawings and paintings that depicted "silence and sounds that became a new kind of language." She later regained her mobility and the ability to speak. [3]