"In the Light" | |
---|---|
Song by Led Zeppelin | |
from the album Physical Graffiti | |
Released | 24 February 1975 |
Recorded | 1974 |
Studio |
|
Genre | |
Length | 8:46 |
Label | Swan Song |
Songwriter(s) | |
Producer(s) | Jimmy Page |
"In the Light" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. The song was composed primarily by bassist/keyboardist John Paul Jones on synthesizer, though singer Robert Plant and guitarist Jimmy Page also received songwriting credits.
The unique sound of the intro was created by Page using a bow on an acoustic guitar, as a backdrop to Jones' opening synthesizer solo. [5] The song is based on an earlier band composition titled "In the Morning". [6]
Led Zeppelin also recorded an alternative version of the song, "Everybody Makes It Through" (In the Light) [Early Version/In Transit]". This version was released on 23 February 2015, as part of the remastering process of all nine albums. Led Zeppelin never performed "In the Light" in concert. [6]
In a contemporary review of Physical Graffiti, Jim Miller of Rolling Stone gave "In the Light" a mixed review, saying that while the track was "one of the album's most ambitious efforts", the track "fizzles down the home stretch." [7] Miller continues "the problem here is not tedium but a fragmentary composition that never quite jells: When Page on the final release plays an ascending run intended to sound majestic, the effect is more stilted than stately." [7]
In a retrospective review of Physical Graffiti ( Deluxe Edition), Jon Hadusek of Consequence of Sound called "In the Light" one of his favorite Zeppelin songs; Hadusek believed the song's arrangement "shouldn't work, but it does". [8] Describing the track, Hadusek said the track "erratically builds from solo organs and doom riffs to a cheerful chorus of major scales." [8]
In an interview he gave to rock journalist Cameron Crowe, Plant stated that this song was one of Led Zeppelin's "finest moments". [9] Similarly, Page has stated that this is his personal favourite track on Physical Graffiti. [6]
According to Jean-Michel Guesdon and Philippe Margotin: [10]