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Henriette Sauret
Born 1890 Died 1976 Occupation author, poet, journalist, feminist, pacifist, literary critic Language French Genre political articles, poetry Subject anti-war Spouse
André Arnyvelde Parents Henry Sébastien Sauret
Henriette Sauret (after marriage, Sauret-Arnyvelde ; 1890-1976) was a French feminist author, and
feminist
pacifist journalist.
[1] As a
feminist literary critic , her comments were less favorable about other feminist pacifist books than other experienced reviewers.
[2]
Biography
Henriette Sauret was born in 1890.
[3] Her father was
Général
Henry Sébastien Sauret [
fr ] . Henriette married the journalist
André Arnyvelde .
[4]
Sauret was a contributor to
Le Dimanche illustré [
fr ] ,
[5] and
La Fronde ,
[6] as well as a regular political contributor to
La Voix des femmes ,
[7]
[a]
Her poetry was published in L'œil de veau .
[9] In 1918 and again in the following year, Sauret published two volumes of war-related poetry, Les Forces détournées (Diverted Strengths) and L'Amour à la Géhenne (Love in Gehenna), whose theme was the deleterious impact that war has on women.
[3]
Along with
Jeanne Bouvier and Andre Mariani (
Marie-Louise Bouglé 's husband), Sauret was associated with the Société des Amis de la Bibliothèque Marie-Louise Bouglé .
[10] She was also a member of the
French Union for Women's Suffrage .
[4] She was referred to as a radical feminist when in 1919, she spoke about
bobbed women's hair as "a gesture of independence; a personal endeavor".
[11]
[12]
Henriette Sauret died in 1976.
[3]
Erik Satie dedicated his Observations d'un imbécile (Moi) to Sauret.
[9]
Selected works
Je respire , 1913
Les forces détournées, 1914-1917 , 1918
L'amour à la géhenne : poème , 1919
Isadora Duncan, impératrice errante , 1928
Le Laurier de la vallée , 1933
Une apôtre sociale: Marie-Louise Bouglé , 1938
Des Roses! Poésie d' Henriette Sauret
See also
Notes
^ See for example, "Préoccupations masculines", La Voix des Femmes , 30 January 1919.
[8]
References
^ Cross, Máire Fedelma (3 September 2020).
In the Footsteps of Flora Tristan: A Political Biography . Liverpool University Press. p. 62.
ISBN
978-1-78962-265-2 .
OCLC
1195464859 .
^ Stewart, Mary Lynn (20 June 2018).
Gender, Generation, and Journalism in France, 1910-1940 . McGill-Queen's Press - MQUP. p. 16.
ISBN
978-0-7735-5402-3 .
OCLC
1035218064 .
^
a
b
c Quinn, P.; Trout, S., eds. (17 June 2001).
The Literature of the Great War Reconsidered: Beyond Modern Memory . Springer. pp. 95, 101.
ISBN
978-0-230-59989-5 .
OCLC
1022632853 .
^
a
b Higonnet, Margaret R., ed. (1999).
Lines of Fire: Women Writers of World War I . Plume. p. 464.
ISBN
978-0-452-28146-2 .
OCLC
1020204138 .
^ Ramsay, Raylene L. (2003).
French Women in Politics: Writing Power: Paternal Legitimization and Maternal Legacies . Berghahn Books. pp. 104–.
ISBN
978-1-57181-081-6 .
OCLC
1013441694 .
^ Sartori, Eva Martin; Zimmerman, Dorothy Wynne, eds. (1 January 1994).
French Women Writers . University of Nebraska Press. p. 114.
ISBN
978-0-8032-9224-6 .
OCLC
1027291730 .
^ Fell, A.; Sharp, I., eds. (12 April 2007).
The Women's Movement in Wartime: International Perspectives, 1914-19 . Springer. p. 89.
ISBN
978-0-230-21079-0 .
OCLC
1047643539 .
^ Doy, Gen (13 August 2020).
Claude Cahun: A Sensual Politics of Photography . Routledge. p. 225.
ISBN
978-1-00-021343-0 .
^
a
b Potter, Caroline, ed. (13 May 2016).
Erik Satie: Music, Art and Literature . Routledge. p. 69.
ISBN
978-1-317-14179-2 .
^ Tamboukou, Maria (7 July 2016).
Gendering the Memory of Work: Women Workers’ Narratives . Routledge. p. 30.
ISBN
978-1-317-55226-0 .
^ Chadwick, Whitney; Latimer, Tirza True, eds. (2003).
The Modern Woman Revisited: Paris Between the Wars . Rutgers University Press. pp. 67–69, 80, 87.
ISBN
978-0-8135-3292-9 .
OCLC
1008050718 .
^ Kane, Nina; Woods, Jude, eds. (23 June 2017).
Reflections on Female and Trans* Masculinities and Other Queer Crossings . Cambridge Scholars Publishing. p. 18.
ISBN
978-1-4438-7797-8 .
OCLC
1327751175 .
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