Gene Youngblood (May 30, 1942 – April 6, 2021)[1][2] was an American theorist of
media arts and
politics, and a respected scholar in the history and theory of alternative cinemas. His best-known book, Expanded Cinema, was the first to consider video as an
art form and has been credited with helping to legitimate the fields of
computer art and
media arts.[3][4] He is also known for his pioneering work in the media democracy movement, a subject on which he taught, wrote, and lectured, beginning in 1967.[4][5][6]
Journalism
For ten years in the 1960s, Gene Youngblood was a journalist for newspapers, television, and radio in Los Angeles. He was a reporter and film critic for the Los Angeles Herald-Examiner (1962–1967), a reporter for KHJ-TV, arts commentator for
KPFK, and from 1967 to 1970 he was associate editor and columnist for the
Los Angeles Free Press,[7] the first and largest of the underground newspapers of that era.
Academia
Youngblood has held several academic posts in his career, but is best known for his time with the Film/Video School at
California Institute of the Arts and for helping to found the Moving Image Arts department at the
College of Santa Fe.
Bibliography
Youngblood, Gene.
Secession From the Broadcast. Jean-Jacques Martinod, ed. Los Cerrillos, NM: Evidence House, 2020. English + Spanish Print.
Youngblood, Gene and R. Buckminster Fuller.
Expanded Cinema., 2020. Fordham University 50th Anniversary edition. Print.
Youngblood, Gene, Pier L. Capucci, and Simonetta Fadda.
Expanded Cinema. Bologna: CLUEB, 2013. Italian edition of Expanded Cinema. Print.
Youngblood, Gene.
Cine Expandido. Buenos Aires: EDUNTREF, Editorial De La Universidad Nacional De Tres De Febrero, 2012. Spanish edition of Expanded Cinema. Print.
Vasulka, Steina.
Steina. Santa Fe, N.M: SITE Santa Fe, 2008. Intw. by Gene Youngblood. Print.